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Body horror: Movies Not To Be Missed

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Body horror is a subgenre of cinema horror which showcases monstrous deformations and transformations of the body. These deformations could be manifested through perverted sex, anomalies, mutilation, zombification, physical violence, abnormal condition or movements of the body. Body horror was an emerging subgenre of North American horror films, but has origins in early Gothic works of literature and has grown to include various other media.

Body horror focuses particularly on the limits and transformational capabilities of the body. Body horror commonly overlaps with, but differs from, various other horror sub-genres. While mutilation aspects might be present in body horror, various other similar sub-genres such as splatter or slashers might also share this cliché, but vary in message and intent. A typical distinction in the body horror category is that body distortions are almost never the result of immediate violence. Rather they are caused by a loss of conscious control over the body through abnormalities, conditions, or various other mechanisms that result in uncontrolled and often gradual change. Body horror can evoke extreme feelings of mental and physical disgust and also play on body-related tension and anxieties. Along with the usual clichés used in the horror style, some clichés specific to the body horror subgenre might include possession, transformation, disease, mutilation, or various other body distortions.

The term “body horror” was first used by Phillip Brophy in his 1983 short article “Horrality: The Textuality of the Contemporary Horror Film”. He created this term to define an emerging subgenre that took place during a short period of modern horror film. Brophy created the term to specifically explain a pattern within filmmaking, director Stuart Gordon recalls that body horror existed before its screen adaptation, especially within fiction writing. Mary Shelley’s Frankenstein (1818) is an early example of the body horror subgenre within literature. It is believed that the success of the gothic horror in the 19th century, together with the birth of science fiction as a literary genre, was the beginning of body horror. Focusing on the body as a vehicle of fears, Shelley’s novel tells which of these fears. Franz Kafka’s Metamorphosis is another early example of body horror literature. He says that Gregor Samsa has turned into a huge parasite due to unidentified factors. The work has influenced various other body horror films such as The Fly.


Canadian director David Cronenberg is considered a leading creator of body horror through early films such as Shivers and Rabid, as well as his remake of The Fly. Body horror clichés existed within film prior to the naming of the category. Early examples of the body horror category developed in 1950s American horror cinema with The Blob and The Fly, both of which set the bar for style due to the films key focus on the anomaly and metamorphoses of the body. Several modern horror films, after 1968, are part of the body horror genre and are considered postmodern unlike classic horror.

The body horror film genre is represented throughout the japanese horror and also within modern media, such as anime. Katsuhiro Otomo’s 1988 film Akira is an early example of body horror within an anime. The film uses the body horror genre to explore the concept of the adolescent body as a vehicle for transformation, a transformation that can be impressive both for the individual who undertakes it and for observing it from the outside.


The Thing from Another World (1951)

“The Thing from Another World” è un science fiction film of 1951 directed by Christian Nyby and produced by Howard Hawks. The film tells the story of a group of scientists and military who come across a UFO in the Arctic Circle. When they discover that there is an alien creature aboard, they realize it is dangerous and will test their survival skills and mettle. The film was acclaimed for its tension and fast-paced pace, and inspired many other sci-fi films. It is considered a classic of the genre.

The Incredible Shrinking Man (1957)

“The Incredible Shrinking Man” is a 1957 film directed by Jack Arnold. It is a sci-fi film with elements of the body horror subgenre that follows the story of Scott Carey, who begins to shrink in size and faces the challenges that come with it. The film explores themes such as the identity and relativity of dimensions, and the relationship between man and nature. It is considered a classic of the genre and an example of a 1950s science fiction film.


The Fly (1958)

It’s a horror science fiction movie American and body horror from 1958 and also the first in the film series The Fly. The film was written and directed by Kurt Neumann and starring David Hedison, Patricia Owens, Vincent Price and Herbert Marshall. The screenplay for the film by James Clavell is based on the 1957 short story of the same name by George Langelaan. The film was launched in CinemaScope. It was followed by two black-and-white sequels, Return of the Fly (1959) and Curse of the Fly (1965). A remake directed by David Cronenberg was released in 1986.

The film tells the story of a researcher who transforms into a monstrous human-fly crossbreed after a fly enters undetected a molecular carrier he is working with, causing its atoms to become incorporated with those of the insect. In Montreal, Quebec, researcher André Delambre is discovered dead with his head and arm crushed in a hydraulic press. His wife Hélène admits the crime, refuses to give a motive and starts behaving strangely. In particular, she is obsessed with flies. André’s brother François claims to have caught a white-headed fly.

The H-Man (1958)

It’s a film thriller science fiction, with scenes of body horror,r directed by Ishirō Honda, with special effects created by Eiji Tsuburaya . On a rainy evening on the outskirts of Tokyo, a drug smuggler, Misaki, is killed. The authorities go to his home to investigate, interrogating his wife, Arai Chikako, who claims Misaki hasn’t been home for 5 days. Arai is a singer in a cabaret and there she meets Masada, a teacher from Jyoto University. She gives him a message to give to Misaki, but she is caught and arrested by the authorities. She tells the police that Misaki’s death is the result of her body melting from direct exposure to radiation during that evening’s rain. The cops don’t believe her.

The Brain That Wouldn’t Die (1962)

It is a 1962 American science fiction horror film with body horror contaminations directed by Joseph Green and written by Green and Rex Carlton. The film was finished in 1959 under the title The Black Door but did not hit theaters until May 3, 1962, when it launched under its new title as a double feature with Invasion of the Star Creatures. The film focuses on a mad doctor who creates a way to keep body parts alive. He keeps the severed head of his future wife alive for days, as well as keeping a deformed man alive, among his previous experiments. The particular storytelling device of a mad doctor who discovers a way to keep a human head alive had been used before in fiction, as well as various other versions on this theme. It shares numerous story elements with the West German horror film The Head (1959).


Night of the Living Dead (1968)

It’s a independent film horror film from 1968 directed, photographed and edited by George A. Romero, with a screenplay by John Russo and Romero, and also starring Duane Jones and Judith O’Dea. The story follows 7 individuals who are trapped on a country farm in western Pennsylvania, which is under attack by a group of flesh-eating zombies. After going through numerous drafts, Russo and Romero’s latest screenplay was inspired by Richard Matheson’s 1954 novel I Am Legend. Principal photography took place between July 1967 and January 1968 in the Evans City area. The cast and crew included the director’s family, friends, local and amateur actors, as well as local homeowners. The film was Romero’s directorial launch who utilized many of the guerrilla filmmaking strategies he had perfected in his commercial work and managed to finish the film on a budget of approximately $100,000.

After its Pittsburgh premiere on October 1, 1968, Night of the Living Dead eventually earned $12 million locally and $18 million worldwide, earning more than 250 times its budget plan and making it among one of the most rewarding film productions ever made at the time. The film’s violence and gore were considered groundbreaking for the time, causing widespread debate and unfavorable ratings upon its initial release. It eventually garnered a cult following and recognition among doubters, and appeared on lists of the best films ever made by Dots. Regularly recognized as the first zombie movie modern and also an example in the progress of the horror genre, the film contains a critique of US society during the 1960s, and was one of the first films to have an African American in the lead role.

The Exorcist (1973)

“The Exorcist” is a 1973 horror film directed by William Friedkin. Based on the novel of the same name by William Peter Blatty, the film tells the story of a young girl possessed by the devil and the attempt of two priests to exorcise her. Considered one of scariest movies in history of cinema, “The Exorcist” won two Academy Awards and influenced many other subsequent horror films. The film was acclaimed for its suspense and is the progenitor of the genre of gods exorcism movies, but it has been criticized for its violence and its depiction of religion. The modifications of the protagonist’s body due to demonic possession also place it in the sub-genre of body horror.

The plot of the film follows paranormal investigator Father Damien Karras and Father Lankester Merrin as they try to free a young girl named Regan from a demonic entity. Regan’s mother Chris becomes desperate when her daughter begins to exhibit strange behaviors and supernatural abilities, and enlists the help of priests to exorcise the devil. Throughout the film, the two priests face physical and spiritual challenges as they try to defeat the devil and save Regan’s life. The plot presents a strong contrast between the rational and scientific world represented by Chris and the supernatural and religious world represented by the priests. The film also explores themes such as faith, the possibility of evil, and the human nature of evil.

“The Exorcist” was met with massive popularity upon its release in 1973, becoming one of the most watched and profitable movies of all time. The film grossed more than $440 million worldwide, far exceeding its production budget of approximately $13 million. In addition to the box office results, the film was also acclaimed by critics and audiences. Many critics praised Friedkin’s direction, the acting of the cast and Blatty’s screenplay. “The Exorcist” was nominated for two Academy Awards, winning Best Score.

However, not everyone welcomed the film. Some have criticized the portrayal of religion and exorcism as violent and disrespectful. Additionally, many viewers reported experiencing extreme emotional reactions while watching the film, such as fear, nausea, and even nightmares. ‘The Exorcist’ was a critical and commercial success and remains one of the most popular and influential horror films in cinematic history.

Sssssss (1973)

“Sssssss” is a 1973 Body horror film directed by Bernard L. Kowalski. The plot of the film follows the story of a young assistant professor who is transformed into a cobra by an eccentric scientist. The film received mixed reviews upon its release, with some describing it as an entertaining horror and others rating it lacking and predictable.

The storyline of ‘Sssssss’ follows the protagonist, David Blake, who is recruited as an assistant by the eccentric scientist, Carl Holst. Holst is obsessed with the transformation of species and begins to use David as a guinea pig for his experiments. Soon, David realizes he’s been transformed into a mutant cobra, and must escape the lab before Holst captures him and uses him in his latest, dangerous experiment. While trying to find a way back to his human form, David must face his new nature and fight for his survival.

Shanks (1974)

“Shanks” is a 1974 film directed by William Castle and played by Marcel Marceau. It’s about a comedy surreal with some elements of body horror that sees Marceau as a puppeteer trying to regain his art and creativity. The film was acclaimed for Marceau’s performance and for its original combination of pantomime and surreal fantasy. However, he is not well known outside the circles of art cinema enthusiasts and Marceau fans.

“Shanks” follows the story of a puppeteer named Shanks who feels stuck and dissatisfied with his life and his art. After discovering that his most beloved puppet has been stolen, Shanks embarks on an imaginary journey in search of his beloved puppet and his lost creativity. Along the way, he meets whimsical characters and takes on surreal challenges, all played by Marcel Marceau through pantomime. The plot of the film is a fantastic journey that explores the nature of art and creativity, and invites the viewer to look beyond reality and embrace the imagination.

‘Shanks’ was not commercially successful upon its release in 1974. Despite acclaimed performances by Marcel Marceau and direction by William Castle, the film did not attract a large enough audience at the box office. However, in the following years it has been re-evaluated by many critics and art film enthusiasts, who consider it a hidden gem of the genre.


Shivers (1975)

“Shivers” is a 1975 film directed by David Cronenberg. It is a sci-fi body horror film that follows a group of residents of a futuristic apartment building who become infected with a sexually transmitted parasite. The storyline explores themes such as sexuality, technology and loss of control, in a way that has been described as “shocking” and “provocative”. The film was critically acclaimed for its originality and bold depiction of human nature, but it was also criticized for its violence and explicit sexual content. In general, “Shivers” is considered a cult film and a major contribution to the horror-sci-fi genre.

In “Shivers”, a sexually transmitted parasite infects a group of residents of a futuristic apartment building called “the Exterminator”. The parasite causes a series of uncontrollable obsessive-compulsive and sexual behaviors in the inhabitants, which eventually infect other residents and visitors as well. Throughout the film, we witness several scenes of violence and wanton sex as the characters struggle to maintain control and escape the infection. Eventually, the protagonist discovers that the parasite was created by Dr. Emil Hobbes, a researcher at the apartment building, who wanted to explore human nature and its limits.

The storyline of “Shivers” explores the idea that technology can negatively impact human nature and that sexuality can become uncontrollable and destructive. The film questions traditional social and moral values ​​and offers a social critique of how society deals with sexuality and technology. “Shivers” did not have a great box office reception upon its release in 1975. However, over the years it has become a cult film and has gained a following of fans of the horror-sci-fi genre. Today, ‘Shivers’ is regarded as one of the most influential and important films in David Cronenberg’s career and a major contributor to the horror-sci-fi genre. Its popularity has increased in recent years thanks to the rediscovery of cult works and the growing attention for body horror and sci-fi cinema.

The Stepford Wives (1975)

“The Stepford Wives” is a 1975 film directed by Bryan Forbes. The plot follows the story of a young woman named Joanna who moves with her family to a quiet suburban town called Stepford. Here he discovers that all wives are perfect and undergo a disturbing transformation that transforms them into perfect automatons. Joanna tries to find out the truth behind this strange situation and what is really happening in Stepford. The film is considered a classic of the thriller genre and addressed themes such as gender politics, alienation and technology.

Upon its release, ‘The Stepford Wives’ garnered a mixed reception from critics, but over the years it has become a cult film. It was not commercially successful at the box office, but has gained some popularity over the years through its release on television and home video media. It has also been adapted into a number of remakes and sequels, which proves its longevity and impact on popular culture. In general, “The Stepford Wives” has been considered a tongue-in-cheek commentary on 1970s American society and cultural expectations for women.

Rabid (1977)

Rabid is a 1977 film directed by David Cronenberg. The film is a sci-fi body horror that follows the story of Rose, a young woman who develops an insatiable lust for blood after undergoing a skin graft to repair severe injuries. Her transformation into a vampire endangers the lives of those around her, causing her to become a threat to society. Rabid is known for his provocative theme, depiction of disease and his gory nature.

Rabid’s storyline follows Rose, a young woman who suffers a serious accident and undergoes experimental surgery to repair her damage. During the surgery, Rose is transplanted with a new type of artificial skin that appears to have unusual effects on her body and behavior. He soon discovers that he has developed an insatiable craving for blood and that every time he bites someone, they in turn become infected with the same disease. Rose thus becomes a threat to society, spreading the contagion wherever she goes. The film follows her actions as an uncontrollable creature and how society tries to stop her.

Upon its release, Rabid garnered a mixed response from critics and audiences. Some appreciated its provocative nature and depiction of disease, while others criticized the film for its gratuitous violence and weak plot. However, with the passage of time, Rabid has become a cult movie of horror and has acquired a loyal following of fans. In terms of box office, Rabid was not commercially successful at the time of its release, but it has gained a cult reputation over the years and helped build David Cronenberg’s career as a director of distinctive horror films.

The Fury (1978)

“The Fury” is a film thriller from 1978 with elements of body horror directed by Brian DePalma. The storyline follows two main characters, Peter Sandza and his son Robin, both of whom have paranormal powers. When Robin is kidnapped by a secret organization bent on harnessing his powers, Peter embarks on a struggle to reunite with his son and uncover the secrets behind the organization. The film is known for its spectacular action sequences and its theme of tension and suspense. ‘The Fury’ has been met with critical acclaim and has gained a cult following over the years.

“The Fury” follows the story of Peter Sandza, a former government agent who is discovered to have paranormal powers. When his son Robin is kidnapped by a secret organization that wants to use his powers, Peter embarks on a mission to reunite with his son and unravel the secrets behind the organization. Along the way, Peter meets a young woman named Gillian, who has powers similar to Robin. Together, Peter and Gillian fight against the secret organization and its members, who have evil plans for Robin’s paranormal powers.

The film features many thrilling action sequences and tense scenes, as well as an intriguing storyline that explores themes of fatherhood, power and the moral consequences of human actions. The film received a mixed response from critics upon its release in 1978. Some critics lauded director Brian De Palma for his visual skills and staging of the action scenes, while others criticized the plot for the its lack of depth and originality. Despite this, the film has gained a cult following in the intervening years and is regarded as a classic of the genre.

Invasion of the Body Snatchers (1978)

It is a 1978 film directed by Philip Kaufman. The film is a body horror retelling of the 1956 film of the same name and is based on a short story by Jack Finney. The film is considered a science fiction classic and a social commentary on paranoia and the loss of identity in modern society.

The residents of San Francisco begin to notice that the people around them are becoming different, emotionless and lacking in personality. These changes are caused by an alien invasion which is creating perfect copies of the inhabitants and replacing them with these copies. The character of Matthew Bennell, played by Donald Sutherland, begins to investigate these strange events together with his friends and discovers that aliens are planning to take over the world. In an attempt to stop the invasion, Bennell and his friends must run and hide, but are chased by the copies trying to replace them. The film culminates in a final fight for humanity’s survival against the alien invaders. It is a science fiction film that explores themes such as paranoia, loss of identity and the struggle for survival in a world threatened by an alien force.


The Brood (1979)

“The Brood” is a 1979 film directed by David Cronenberg. It is a sci-fi and body horror film that follows the story of a woman who is treated at a mental institution where her experimental treatment has monstrous effects. “The Brood” is considered a classic of genre cinema and an emblematic example of Cronenberg’s works that explore the boundaries of biology and psychology.

“The Brood” follows the story of Nola Carveth, a woman going through a difficult divorce and conflict with her husband. Nola is treated at a mental institution where her experimental treatment, conducted by a therapist called Dr. Hal Raglan, consists of emotion-based therapy. This treatment has dramatic effects on Nola, causing her to give birth to a series of monstrous children who commit violent acts. Her husband Frank tries to figure out what’s going on and discovers that the children were created as a result of Nola’s treatment, and are called “The Spawn”. Frank fights to protect his daughter and stop the monster children, while Nola continues to undergo transformation and becomes increasingly violent. The film explores themes such as psychology, therapy, the relationship between parents and children, alienation and metamorphosis, presented in a disturbing way.

‘The Brood’ received positive critical reception upon its release in 1979. Many lauded David Cronenberg’s direction, writing and acting, particularly Oliver Reed’s performance. However, some have criticized the film for its violent and disturbing nature. Despite this, “The Brood” was a relative commercial success by its standards, grossing more than $7 million at the worldwide box office. Over the years, the film has become a cult classic and an important example of genre cinema of the 70s and 80s.

Scanners (1981)

Scanners is a 1981 science fiction film with elements of body horror directed by David Cronenberg. The film follows the story of a man who discovers he has the ability to read the thoughts of others and who becomes embroiled in a struggle between two factions of scanners fighting for control of their minds. The film gained popularity for its violent scenes and disturbing imagery and also established Cronenberg as one of the premier directors of the horror/sci-fi genre.

Scanners follows the story of Cameron Vale, a man who discovers he has the ability to read other people’s thoughts and influence their minds. Vale is recruited by a secret organization who want to use his skills to fight another faction of scanners who are trying to take over the world. The story focuses on the fight between Vale and the leaders of the evil faction, who are in control of many scanners and are trying to increase their power. Vale must find a way to stop the faction’s plans and save the world from their destructive mind influence.

Scanners was met with mixed reviews when it was released in 1981. Some critics lauded the film for its dystopian approach to technology and its violent and disturbing scenes, while others criticized the confusing plot and unconvincing acting. Despite mixed reviews, Scanners was moderately commercially successful at the box office and gained some popularity in subsequent years. The film established David Cronenberg as a talented director and influenced many other films in the horror/sci-fi genre. Today, Scanners is considered a classic of the genre and is often cited as one of the best science fiction films of the 80s.

Galaxy of Terror (1981)

Is a film of science fiction horror of 1981 directed by Bruce D. Clark. The story follows a group of explorers who travel to a mysterious planet in search of rescue for their crew, only to discover an evil entity controlling the world and threatening their survival. The film is famous for its horror scenes and extravagant special effects and is considered a cult film of the 80s.

The story follows a team of explorers who are sent to investigate a mysterious planet to recover a missing crew. Once on the planet, the team discovers a strange and powerful presence that controls everything and begins to challenge them in a series of deadly tests. Each of the team members is challenged and tested in different ways, testing their willpower and survival skills. The evil presence continually challenges them, until there is only one team member left to face the ultimate threat. The film is famous for its horror scenes and extravagant special effects and is considered a cult film of the 80s.

The Thing (1982)

It is a 1982 sci-fi body horror film directed by John Carpenter. The film’s plot follows a group of researchers in Antarctica who collide with an alien entity that takes the forms of the people it eats, causing a race against time to find out who has been infected and stop the menace before it’s too late. The film is known for its use of stunning special effects and constant tension. ‘The Thing’ is regarded as one of the greatest sci-fi horror films of all time and has gained a cult following for fans of the genre.

The film’s reception upon its release was mixed, with some critics praising the film’s tension and thrill, while others criticized it for its excessive violence. However, over the years, the film has come to be recognized as a classic of the horror and sci-fi genre and has developed a cult following. The film was not a big box office hit at the time of its release, but over the years it has gained some popularity through re-releases and reissues on DVD and Blu-Ray.

The Beast Within (1982)

It is a 1982 body horror film directed by Philip Mora. The film was acclaimed for its eerie atmosphere and its original portrayal of the theme of becoming a monster. The Beast Within is a body horror that explores themes such as fear, survival and the struggle for control of one’s body and mind. The plot is made even more disturbing by the dark atmospheres and the disturbing representations of the transformations into monsters.

The film follows the story of Michael Newlan, a young man who discovers he was bitten by a monster in his childhood. His fiancée, the daughter of a doctor who treated Michael immediately after the attack, tries to help Michael discover the truth about his bite and the monster that caused him this wound. During their investigation, the two discover that the monster that bit Michael is a supernatural creature that reproduced through his bite. The plot focuses on Michael’s struggle to control his inner beast, which periodically awakens and forces him to commit senseless and violent acts. In an attempt to uncover the truth about his monstrous nature and to end this curse, Michael and his fiancée come across a series of suspicious and shadowy characters who may have a connection to the supernatural creature that bit him.

Videodrome (1983)

“Videodrome” is a 1983 body horror film directed by David Cronenberg. It is a sci-fi thriller that explores the dangers of technology and the distortion of reality through the mass media. The film is considered a science fiction film classic and is often cited as an example of a “body horror” film that explores the themes of technology and the manipulation of reality.

The storyline of “Videodrome” follows television producer Max Renn, who seeks extreme programming for his network. When he comes across “Videodrome”, a program that appears to show live torture and murder, Max is instantly captivated and determined to broadcast it. However, he soon discovers that “Videodrome” has a hallucinogenic effect on his mind and is manipulating his perception of reality. Max finds himself fighting against dark forces who want to use “Videodrome” as a weapon to control the minds of the masses. The plot becomes increasingly surreal and disturbing, with Max having to face not only the threat of “Videodrome”, but also his own identity and the nature of reality.


Re-Animator (1985)

“Re-Animator” is a 1985 film directed by Stuart Gordon. It’s a movie comic horror which follows the story of Dr. Herbert West, who has developed a serum to reanimate the dead. The plot of the film follows his macabre experiments on dead bodies which lead to frightening and grotesque consequences. The film was critically acclaimed for its combination of humor and horror and considered a classic of the genre.

“Re-Animator” follows the story of Dr. Herbert West, a genius scientist who develops a serum that can reanimate the dead. After transferring to Miskatonic University, West continues his macabre experiments with the help of his roommate, Dan Cain. However, things soon spiral out of control when their experiments lead to a series of frightening and monstrous events. The film is characterized by gore scenes and black humor and represents a twist on the traditional narrative of the horror genre.

The Fly (1986)

“The Fly” is a 1986 sci-fi body horror film directed by David Cronenberg. The film received praise for its acting, visual effects and suspense. The storyline of “The Fly” follows the story of genius scientist Seth Brundle, who is working on a teleportation machine that could change the world. However, during a test, Brundle accidentally teleports a fly into the machine with him, causing the two organisms to fuse genetically.

Brundle gradually begins to notice changes in his body and demeanor, becoming increasingly monstrous and losing control of his actions. His ex-girlfriend Veronica, who is also a journalist, discovers the truth about his condition and tries to help him find a cure, but Brundle is becoming increasingly dangerous and unpredictable.

Society (1989)

Society is a 1989 body horror film directed by Brian Yuzna. The film is known for its splatter mutation scenes and its social critique of the rich class. Society is a film that explores issues such as corruption, discrimination and hypocrisy in society through a dark and scary story.

Bill Whitney, the film’s protagonist, begins to notice oddities in his life and in his family, which lead him to suspect that there is something wrong with the society in which he lives. Through a series of events, he discovers that his family and the society he belongs to are engaged in bloodthirsty and cannibalistic rituals, with the goal of maintaining their position of power and privilege. The film depicts this society as an evil elite, which regards the poorest members as inferior and uses them to satisfy their carnal and sadistic needs. The storyline comes to a head when Bill discovers that he too has been selected to be offered as a sacrifice during the next ritual.

The Blob (1988)

It is a 1988 sci-fi Body Horror film that follows the story of a gelatinous mass that grows and spreads, devouring everything in its path. The film is a remake of the 1958 film of the same name and stars a young hero who tries to warn the people of the city of the danger that awaits them, while also looking for a way to stop the blob. The film was critically acclaimed for its suspense and special creature effect.

M. Butterfly (1993)

Butterfly” is a 1993 body horror film directed by David Cronenberg which is based on the play of the same name written by David Henry Hwang. The film is a drama following the relationship between a French diplomat and a Chinese opera singer posing as a man. Their relationship challenges cultural and sexual prejudices and eventually it is revealed that the singer is actually a woman. The storyline explores themes such as gender identity, politics and espionage. The film received mixed reviews from critics and was not commercially successful.

Crash (1996)

“Crash” is a 1996 body horror film directed by David Cronenberg. The film is a psychological drama that explores topics such as technology and the flesh, the perception of reality and mental disintegration. The story follows a group of characters who are confronted with their obsessions and dark desires. The film was critically acclaimed for its bold staging and disturbing depiction of human relationships and technology.

The plot follows several stories of characters who meet in Los Angeles and are involved in a car accident. The film explores themes such as racism, loneliness and the lack of connection between people in a big city. Through a series of unpredictable events, the characters are forced to confront their fears and prejudices.

eXistenZ (1999)

“eXistenZ” is a 1999 body horror film directed by David Cronenberg. The story follows a young game designer, Allegra Geller, who develops a new kind of virtual reality. The film explores themes such as the perception of reality and the confusion between real life and virtual life. “eXistenZ” has been critically acclaimed for its original take on virtual reality concepts and has a devoted fan following. It is a film about the perception of reality and how technology can influence and alter our experience of the world.

The story of “eXistenZ” develops around Allegra Geller, one of the greatest virtual game designers in the world, who is testing her latest game, called “eXistenZ”. During a public demonstration of the game, a bomber attempts to kill Allegra and she takes refuge with a young security officer, Ted Pikul, who is pulled into the game world with her. As the two try to survive the traps and dangers within “eXistenZ”, they realize that the game and their perception of reality are interconnected and that they may not be able to distinguish between what is real and what is it’s virtual. The plot becomes more and more complex as the characters delve into the game and are confronted with ambiguous characters and intrigues.

Idle Hands (1999)

Idle Hands is a body horror-comedy from 1999 directed by Rodman Flender. The film was generally met with negative reviews from critics and enjoyed modest commercial success. Anton Tobias (played by Devon Sawa) is a young man who lives with his parents and spends most of his time watching TV and smoking marijuana. One day, after his parents are killed by an evil entity that has taken possession of his left hand, Anton discovers that his hand is also possessed. The hand becomes increasingly uncontrollable and begins killing everyone it meets Anton, forcing him to flee and seek a way to break free of demonic possession.

With the help of his friends, Mick (Seth Green) and Pnub (Elden Henson), Anton tries to find a way to free his hand and stop the demon. Meanwhile, the police try to catch him, thinking he has become a crazed killer. The plot of the film is a blend of dark humor and suspense, and the film’s climax sees Anton battling the demon for control of his hand and his life.

Slither (2006)

“Slither” is a 2006 body horror-comedy film directed by James Gunn. Starring a cast that includes Nathan Fillion, Elizabeth Banks and Michael Rooker, ‘Slither’ was critically acclaimed for its combination of humor and terror. It was also praised for its homage to classic 80’s horror films and 70’s and 80’s inspired soundtrack.

The storyline of “Slither” follows the story of an alien invasion in a small town. A meteorite lands and releases a parasitic entity that infects the town’s mayor, Grant Grant (played by Michael Rooker). The entity takes control of his body and transforms it into a bloodthirsty monster that begins to transmit the infection to the other inhabitants of the city. A group of heroes, including Police Chief Bill Pardy (played by Nathan Fillion) and Mayor Starla’s wife (played by Elizabeth Banks), fight against the alien menace to protect their community and the world. The film follows their struggle to defeat the entity and stop the alien invasion.


The Human Centipede (2009)

The Human Centipede is a 2009 body horror film directed byTom Six. The film is known for its extreme scenes of violence and sex and has raised controversy for its disturbing nature. However, it became a cult favorite and even inspired two sequels.

The Human Centipede (First Sequence) follows the story of three American tourists traveling to Europe who are kidnapped by a mad surgeon who dreams of creating a “human centipede”. The surgeon, who is medically trained, procures his subjects and binds them together, mouth to mouth, through a series of extreme surgeries. The result is a creature in which each person is connected to the person in front of them, forming a sort of human chain. The plot of the film explores the hardships and sufferings of the related subjects, who must face their new reality and try to survive.

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