Watch Selected Independent and Cult Films

Watch hundreds of rare independent and arthouse films, cult films and hand-picked documentaries from around the world with a single subscription, on any device. No limits, no ads.

20 Movies About Freedom to Watch

Table of Contents

The concept of freedom has spanned the ages, becoming central to multiple narratives that movies about freedom they knew how to portray with mastery. Through every view of the camera, the films become a mirror of struggles, dreams and triumphs linked to civil rights. Some works, such as “To Kill a Mockingbird” and “Mississippi Burning”, have staged not only intensely human stories, but also social chronicles, destined to resonate over the years and influence cultures and generations.


The seventh art thus takes on the task not only of narrating, but of inspiring and inciting change, making inspirational films true catalysts for dialogue and personal growth. Here is a selection of movies about freedom that are worth watching.

A nous la liberté (1931)

In classic movies about freedom, the search for freedom and social criticism have often found a perfect union in comedy. A nous la liberté, by director René Clair, is a manifesto of this union. With a narrative style that combines the lightness of a smile and the depth of reflection, Clair invites the viewer to become aware of the mechanisms of an oppressive system.

In A nous la liberté, cinema becomes a vehicle for a criticism of industrialization through the lens of comedy and social criticism, drawing paradoxical situations where the individual fights to maintain his own identity. The scenes follow one another between laughter and reflections, exposing the mechanized aspect of society and the incessant need for freedom.

The film of Rene Clair it therefore represents not only a piece of cinematic history but also an exhortation to look beyond everyday reality, identifying the great question of freedom in the details of everyday life. To me, therefore, freedom is not just spectacle but also artistic testimony of an era and of a universal struggle.

Modern Times (1936)

The film “Modern Times”, created and starring the brilliant Charlie Chaplin, stands as a pillar in the history of cinema for its ability to combine entertainment and social satire. This 1936 masterpiece not only entertained audiences of the time, but offered a biting commentary on the industrial age and its repercussions on human beings.

The film is articulated through a series of highly symbolic comic episodes, where the tramp played by Chaplin clashes with the dehumanizing industrial assembly lines, embodying human resistance to the pitfalls of mechanical progress. The underlying message is a hymn to individual freedom, often suffocated in the frenetic search for efficiency and productivity that characterized the industrial era.

“Modern Times” is not only an expression of social satire, but also becomes a vehicle of strong relevance, encouraging the viewer of every era to reflect on their own human condition and on the pressures that modern society continues to exert on the individual. Charlie Chaplin’s critical vision demonstrates timeless depth and confirms the power of cinema as a tool of protest and inspiration.

For Whom the Bell Tolls (1943)

The arduous task of translating the depth of a literary adaptation into images is a challenge that “For Whom the Bell Tolls” has taken up with fervor. Based on Ernest Hemingway’s masterpiece of the same name, the film immerses itself in the bloody scenario of the Spanish civil war, offering the viewer a journey into the war drama in which the fight for freedom becomes the fulcrum of the narrative. The tension and humanity that emerge from Hemingway’s pen find their new expressive form on the big screen, transforming the written work into a visual epic.

The film not only recalls the pages of the novel, but becomes essential as a witness to those universal values ​​of courage and resistance that Ernest Hemingway had masterfully encapsulated in his characters. This is how “For Whom the Bell Tolls” transcends the dimension of literary adaptation to become an emblem of individual and collective struggles, in an era in which political-social oppression tried to suffocate the voice of independence and self-determination.

The war drama, with its stark contrasts and its desolate poetry, materializes in scenes of rare emotional power, where every choice, every sacrifice becomes a lasting echo, a hymn to freedom that resonates far beyond the events of the conflict represented. In “For Whom the Bell Tolls”, humanity struggles not to be destroyed by the deafening noise of clashing ideals, and the figure of Hemingway, observant and participatory, stands out as a lighthouse in this narrative storm.

Rome, Open City (1945)

Italian neorealism finds one of its highest expressions in “Rome, open city”, a film directed with mastery by Roberto Rossellini. The film stands as a milestone in the history of cinema, thanks to its authentic and moving description of the Italian resistance against the forces of Nazi-fascism. Rossellini’s work crudely dissects the reality of a war fought also in the alleys and houses of a tormented, but never tamed, city.

Through the representation of strong examples of civil courage and moral resistance, “Rome, open city” transmits to the public that emotional tension and revolutionary impulse that characterized a wounded but heroic capital. The social strata in which the characters move are depicted with a truthfulness that goes beyond simple cinematic narration, making it a true manifesto of freedom, where human dignity attempts to survive in the darkness of violence and oppression.

With “Rome, open city”, Roberto Rossellini not only contributed to defining the guidelines of Italian neorealism, but also imprinted in the collective memory the representation of a historical period which is the foundation of Italian identity. This work, exuding authenticity and power, has become an essential point of reference for anyone who wants to understand and feel the reality of resistance through the images, words and silence of the seventh art.

Easy Rider (1969)

It is a film that marked an era, embodying the spirit of rebellion and individual freedom that characterized the counterculture of the 60s. Easy Rider, a well-known road movie masterpiece, has become a symbol for a generation seeking authenticity in a period of fervent social change.

Along the dusty roads and vast expanses of America, the film’s protagonists cross breathtaking landscapes and different subcultures, on a journey destined to become a metaphor for the incessant search for freedom. A path that challenges conventions and investigates the contradictions of a country in full cultural and social ferment.

The road trip Easy Rider unfolds under the banner of independence, the music of the era and conversations that reflect the hopes and disillusionments of 1960s America. Each stage of the journey is a confrontation with society, and the images of the endless roads become the stage on which the immutable desire for freedom that animates the epic of the two motorcyclists takes place.

Crossing physical and ideological borders, riding motorbikes that have become icons, and confronting the establishment, prejudices and brutality encountered along the way, reconfiguresEasy Rider as a pure expression of the thirst for individual freedom. This work is therefore a powerful message, aimed at those who yearn to live on their own terms, without censorship or chains.

In an evocative crescendo that from an initial sense of lightness leads to a surprisingly tragic ending,Easy Rider establishes itself as one of the most authentic and touching representations of the concept of freedom in the movies of the 60s, reiterating that the road to understanding oneself and one’s era is an endless journey, sometimes painful but always necessary.

Dillinger is Dead (1969)

In “Dillinger is Dead”, director Marco Ferreri offers a penetrating and subtle critique of the consumerism that pervades bourgeois life in modern society. The film guides us through the existence of a man trapped in an alienating routine, revealing the anguish hidden behind the facade of material well-being and the search for meaning in a world saturated with objects.

Ferreri, with mastery and innovation, delves into the anomalies of everyday life, showing how the suffocating grip of materialism leads the protagonist to a drastic breaking point. The work thus becomes a mirror of the psychological dynamics of the contemporary individual, dark and complex, who longs for and aspires to a freedom often compromised by suffocating consumerism.

The film proceeds as a fluid visual monologue, orchestrated with a narrative that goes beyond the conventional, calling into question the very notion of freedom. Every fragment of everyday life is a piece that makes up an existential mosaic, where the escape from reality materializes in a surreal search for personal meaning in the context of an increasingly disenchanted modern society.

“Dillinger is dead” remains more relevant today than ever, a visionary work that continues to provoke and stimulate reflections, forcing the viewer to confront the distortions of the current world and the incessant need for authenticity and self-rediscovery. Marco Ferreri, through its unique and refined style, evokes a series of profound issues, making this film an essential food for thought on the criticism of consumerism and the alienation of being in the contemporary age.

The Strawberries Statement (1970)

The Strawberries Statement is a film that intensely captures the pulse of student protests and political activism that developed in the United States in the 1960s. By portraying the determination and courage of the young demonstrators, the film chronicles a key historical period in the struggle for the affirmation of civil rights and free expression of thought.

With a direction that knows how to balance drama and realism, The Strawberries Statement becomes witness to the dynamics of social change and the impressive mobilization capacity of the youth of the time, who saw universities not only as places of training but as real agoras of debate and political action. The film shows how universities became vibrant epicenters of discussion, as well as stages for the diffusion of progressive ideals and against racial and gender injustices.

Through a visual impact that manages to convey the sense of urgency and the strength of civil commitment, the film highlights the tensions, clashes, but also the solidarity and sense of community that characterized the climate of those years. The struggle to end a distant war and to guarantee equal rights within the home becomes an emblematic expression of a rapidly evolving world, a world where the voices of minorities and the oppressed are finally starting to be heard.

The main message of The Strawberries Statement lies in the universality of its appeal: defending and promoting freedom, in all its forms, has never been simple, yet it is precisely from the commitment to these battles that the most significant pages in history. A work therefore which, in addition to being a faithful account of a historical period, stands as a warning and inspiration for the new generations, with the aim of perpetuating memory and action in a perpetual dialogue between past and present.

The Passenger (1975)

In the overview of cinema that has been able to investigate the human essence with incisiveness, The Passenger, a work by Michelangelo Antonioni, stands out. This film outlines the perimeter of a unique existential journey, in which a reporter finds the courage to escape his own identity in a desperate attempt to grasp truth and freedom.

Through Antonioni’s direction, The Passenger becomes a visual meditation on existentialism, on the inevitability of the search for meaning in an often evanescent reality. The subtraction of identity, the metamorphosis, the anomaly of an existence that escapes the norm, constitute the gravitational center around which universal concerns and questions revolve.

Michelangelo Antonioni’s art manifests itself here in all its narrative power, capable of stirring the waters of conscience and proposing an underlying social criticism. Antonioni’s cinema is an invitation to wander in the labyrinths of identity, a call to unravel the threads of an existence that with difficulty perseveres in defining itself, just like the protagonist of the film who experiences the dissolution of the self in the vast and enigmatic theater of world.

With The Passenger, the spectator is led by the hand in this exploration, becoming witness to the existential metamorphosis of a man who, having lost his own identity, aspires to find himself in a freedom other than himself and, at the same time, more intimately connected to fabric of reality.

Big Wednesday (1978)

Big Wednesday is a 1978 film directed by John Milius. The film is set in California in the 1960s and tells the story of three friends, Jack Barlow, Matt Johnson and Leroy Smith, who share a passion for surfing. The three friends live a carefree and adventurous life, but their friendship will be put to the test by the passage of time and by the choices that each of them will be forced to make.

The film stars Jan-Michael Vincent, William Katt and Gary Busey. Milius, who is also the film’s screenwriter, based the story on his personal experience as a surfer. The film was a success with critics and audiences and is considered one of the classics of American cinema.

The film addresses themes such as freedom, friendship, youth, the transition to adulthood and the loss of innocence. Milius used surfing as a metaphor for life and the search for freedom. The three friends represent three different approaches to life: Jack is an idealist who believes that surfing can change the world; Matt is a realist who focuses on his career; Leroy is a rebel who rejects social conventions.

The film was praised for its surfing scenes, which were shot realistically and spectacularly. Milius has also created a nostalgic and melancholic atmosphere that captures the essence of youth.

Escape from Alcatraz (1979)

The charismatic figure of Clint Eastwood gave birth to one of the most fascinating chapters in the cinematic panorama it deals with maximum security prison and of evasion. “Escape from Alcatraz“, a film inspired by a true story, was able to interpret the fight for freedom in an extremely restrictive and controlled context. The film focuses on the inexhaustible human desire for emancipation and the psychological dynamics that accompany prisoners on their journey towards liberation.

Crossing the cold walls and perilous waters that surround the legendary maximum security prison of Alcatraz, Eastwood embodies the figure of Frank Morris, a man with an indomitable spirit and a sharp mind, who does not let himself be bowed by the oppressive prison regime. The film proceeds between palpable tensions and intimate reflections on the limits of the human condition, with the evasion which represents the goal of a freedom that is both longed for and difficult to achieve.

The meticulous planning of the escape, the attempts not to be prostrated by the severe discipline of the prison and the solidarity between the inmates are elements that contribute to manifesting the intrinsic need of the human being not to live in chains. “Escape from Alcatraz” thus becomes a metaphor for the conflict between individual and system, between individual aspiration and ruthless rules, making the film a true emblem of resistance and resilience.

The legacy of this film extends beyond its conclusion, permeating popular culture and stimulating reflections on the meaning of personal freedom and the systems of power that seek to control and limit it. The mastery with which Eastwood brings the character of Morris to the screen reminds us how, even in the most adverse circumstances, the hope of freedom never stops burning in the human heart.

The Shawshank Redemption (1994)

The film The Shawshank Redemption, taken from a novel by Stephen King, insinuates itself into the darkest depths of the human condition, offering the viewer a breath of hope and redemption. Set in the severe context of an American prison, the film follows the events of two inmates, who , over the years, they weave a friendship that becomes a beacon of humanity in a sea of ​​desperation and prison loneliness.

The narrative, which takes place between the claustrophobic walls and the gray of the cells, is permeated by a poignant search for personal freedom, which goes beyond the simpleevasion physics from the perimeter of the penitentiary. The heroes of the film, through daily gestures of resistance and solidarity, show us how dignity can germinate even in an oppressive environment and how the indomitable human will can trace paths to inner liberation.

The development of the bond between the two protagonists proves essential to their emotional and spiritual survival, as it guides them towards a deeper understanding of life and their place in the world. Redemption, therefore, does not manifest itself simply as an absolution from guilt, but as a rebirth of the soul, a redemption that erases the bars and chains in favor of an existence full of meaning and hope.

In The Shawshank Redemption, the viewer is taken on an intense and moving journey that touches the profound chords of existence, acting as an unforgettable reflection on the saving power of friendship and on that spark of hope that, despite everything, it never stops burning inside the individual.

Million Dollar Baby (2004)

Clint Eastwood’s filmMillion Dollar Baby” stands out in the panorama of boxing movies for its profound narrative investigation that combines sporting determination with the emotional journey towards the realization of the American dream. The film tells the challenge of Maggie Fitzgerald, a young boxer who decides not to give up in the face of his destiny, deploying not only physical strength but also an emotional resilience that becomes pure inspiration.

The cinematic plot evolves between the dull sound of blows in the ring and the psychological nuances of a fight that is as physical as it is internal. Boxing training becomes a metaphor for life, where each blow taken and each victory obtained are nothing more than stages of an existential process in which the human soul measures itself against reality, revealing the intimate bond between sport and the fabric American society.

Maggie’s human and sporting journey, supported by the unforgettable figure of coach Frankie Dunn, is a moving tribute to the strength of determination and the ability to chase one’s dreams. This epic tale echoes the story of many in the United States who face challenges and difficulties every day in the name of the freedom to improve their lives and aspire to a better future. “Million Dollar Baby” therefore becomes a powerful symbol, a story that goes beyond the connotations of the genre to speak to the soul of anyone who has been able to look beyond the bars of their fears, towards the light of the American dream.

Eastwood’s direction, characterized by measuredly dry and simultaneously pregnant visual choices, brings to the screen an artistic vision that goes beyond the simple representation of a sport, introducing fundamental questions about existence and the choices that every man and woman are called to make. “Million Dollar Baby” is thus an acute and mature look at the challenges of life, a strong reminder that insists on everyone’s ability to surpass themselves and on the irreplaceable value of determination, the cornerstone of success, in every field and every dream that animates us .

Brokeback Mountain (2005)

In the context of modern cinematography, “Brokeback Mountain” stands out as a work capable of deeply touching the theme of forbidden love between two cowboys and the fight against the constraints of social norms on the freedom to live one’s sexual identity . The film’s narrative goes beyond the story of a clandestine passion, becoming an intense reflection on love, loneliness and the invisible barriers erected by a society that recognizes only some ways of being.

Set in the majestic mountains of Wyoming, this film not only recreates scenarios of poignant natural beauty, but builds a symbolic universe in which the feelings and internal conflicts of the protagonists are reflected in the immensity of the landscape. The careful and sensitive direction manages to capture the essence of Annie Proulx’s original novel, transforming the words into powerful images that have imprinted “Brokeback Mountain” in the collective memory as an icon of the efforts for the recognition of LGBTQ+ rights.

The film, directed by the talented Ang Lee, thanks to the extraordinary performances of Heath Ledger and Jake Gyllenhaal, not only achieved notable success with audiences and critics but sparked a significant cultural debate, reaffirming the role of cinema as a tool for exploration and change. Through the story of Jack and Ennis, “Brokeback Mountain” highlights how the courage to be oneself is a perilous but essential journey, often punctuated by sacrifices and secrets, but also unique and authentic.

The legacy left by this film in modern cinema is so vast as to influence subsequent artistic production and contribute to the change in common perception regarding the theme of sexual identity. Symbolizing an emotional journey that goes far beyond the film, “Brokeback Mountain” remains a milestone that continues to reflect, provoke and move, testifying to the persistence of a love that, despite everything, prevails over the limits imposed by a world still too tight.

Breakfast on Pluto (2005)

In the movie Breakfast on Pluto, the protagonist’s personal research and gender identity intertwine in a vivid tale of transformation and self-acceptance. The film takes us on a journey that effectively dramatizes the internal struggle and social challenges encountered by the protagonist, outlining the path to fulfillment and freedom in a society that too often stifles the expression of diversity.

Each scene is full of that dramatization that leads the spectator to sympathize with the protagonist, deeply feeling his battles and obstacles. Through colorful settings and memorable characters,Breakfast on Pluto establishes itself as a work that challenges the public to look beyond stereotypes, inviting reflection on the concept of gender identity and the need for an inclusive environment where every individual can freely explore and define their self without fear of judgement.

The narrative, rich and layered, thus becomes a powerful allegory of each person’s personal search and of the inalienable desire to create an authentic version of oneself, free from imposed conventions and expectations. Breakfast on Pluto, between drama and lightness, celebrates the complexity of human existence and the courageous act of revealing oneself to the world in one’s entirety and truth.

The Lives of Others (2006)

Set in the cold reality of the GDR, the film “The Lives of Others” delves into the gray universe of state surveillance, painting the daily life of a Stasi officer with fine psychological traits. The critical eye of the director introduces us on an intimate journey through the lives of artists and intellectuals, whose fate is intertwined with the task of those who, day after day, were responsible for spying, recording and reporting every slightest deviation from the government doctrine .

At the beginning, the surveillance assignment is carried out with skill and coldness, but an unexpected internal transformation takes shape in the officer’s mind, who begins to express doubts and perplexities about the oppressive system that surrounds him. Change becomes an intricate and complex journey, where the pressing reality of state surveillance is challenged by a renewed sense of empathy and solidarity towards the very individuals it was supposed to repress.

“The Lives of Others” is not only an acclaimed cinematic work, but an acute study of human nature, capable of revealing how, even within one of the most controlling regimes in modern history, the core of dignity and compassion can resist and even prevail. The film concludes with a powerful message of hope and inner change, which resonates as a call to reflect on the ideals of personal and collective freedom.

Selma (2015)

The film Selma, directed by Ava DuVernay, stands out in the cinematographic landscape for its intense and touching representation of the historic march for the voting rights of African Americans. Narrating the events linked to the emblematic figure of Martin Luther King, this film exudes a pathos that penetrates directly into the spectator’s soul, highlighting the ardent desire for justice and equality.

The march from Selma to Montgomery, which has now become a symbol of the non-violent struggle for civil rights, is captured on the screen in all its evocative power. The film not only pays homage to the courage of Martin Luther King and the many men and women who marched alongside him, but also serves as a tribute to every single step taken on the long and painful road towards voting freedom and the affirmation of equality .

Selma proves to be a necessary film, a window into the past that continues to teach us how the path towards the full realization of civil rights is still relevant. Its historical relevance is combined with a narrative that speaks to the heart, stimulating deep reflection on the value of perseverance and how fundamental it is to continue fighting for what is right.

Through the talent of a stellar cast and impeccable direction, the film succeeded in bringing to life a crucial page of American history, leaving an indelible mark on the collective consciousness and rekindling the importance of commemorating and honoring the battles for the rights of vote and all those that are still fought today in the name of equality.

The Lobster (2016)

In contemporary cinema, “The Lobster” stands as a disturbing portrait of sentimental dystopia, where the rigid society in which the film is set imposes a cruel dictate: those who fail to find a loving partner are punished by being transformed into an animal own choice. A surreal reflection on the essence of the freedom to love, the film follows the path of individual characters fighting to preserve their individuality and ability to love in the face of the diktats of a regime that sees feeling as a social duty to be fulfilled under pressure.

Director Yorgos Lanthimos, with a cinematic language as original as it is disconcerting, reveals a glimpse of a potential near future, exploring the psychological consequences of being measured through imposed affective parameters and of the cancellation of romantic spontaneity. In “The Lobster” the freedom to love is more than the ability to freely choose who to love: it is the fight for the right to vulnerability, authentic passion and the imperfections that make relationships human.

This work, with its refined aesthetics and sharp writing, leads the viewer to question not only the nature of feeling and the alienation caused by a rigid society, but raises profound questions about the very essence of what we consider real and desirable in today’s relationship landscape. The sentimental dystopia of “The Lobster” is a wake-up call on the risk of a world in which emotions are regulated by external conventions, a distorting mirror of our deepest social anxieties in which the destiny of the human being seems to hang on a thread of the most extreme rationality.

Employee’s Mystery (2019)

Employee’s Mystery is a 2019 film directed by Fabio Del Greco. It tells the story of Giuseppe Russo, a common employee who lives a monotonous and repetitive life. His existence is dominated by technology and consumerism, and he feels trapped in a routine that doesn’t satisfy him.

One day, Giuseppe receives an old VHS from an elderly gentleman. The tape recordings show him as a young man, in a time when he was more free and spontaneous. Giuseppe begins to investigate the mystery of the tape, and in doing so finds himself confronted with his past and his present.

The film is an allegory about the search for freedom. Giuseppe is a man who feels suffocated by modern society, and the VHS represents his chance to escape from that reality. The journey he undertakes leads him to discover himself and his place in the world.

Del Greco’s mise en scène is original and experimental. The director mixes realism and surrealism, creating a dreamlike and disturbing atmosphere. The scenes in which Giuseppe observes the tape are particularly evocative, and convey the sensation of a return to the past.

The script is complex and layered. The film alternates moments of suspense with moments of reflection, and addresses important themes such as freedom, identity and consumerism. Employee’s Mystery is an interesting and engaging film. It is a work that reflects on the condition of modern man, and which offers an original vision of the search for freedom.

Beware of Trains (2022)

The short film “Beware of Trains” by Emma Calder is a work that celebrates creativity in movement, exploring themes such as instability and the height of life. With a visual rhythm that reflects the dynamics of the railways, Calder captures the essence of everyday decisions and their impact on one’s personal journey.

The director, through a meticulous use of colors and shapes, becomes a narrator of stories in which the perpetual motion of trains symbolizes the choices and directions that existence takes. Through the window of a carriage or the platform of a station, the short film captures moments lived on the brink of crucial decisions, that height of life where everything can change with the simple passing of a landscape.

Calder’s ability to manifest such moments transforms the short film into a sensory experience that questions the viewer about the deeper meaning of movement and progress. “Beware of Trains” should be interpreted not only as a jewel of British animation, but also as a reflection on the importance of moving through life with intention, courage and the will to discover what awaits us beyond the next curve of destiny.

Dancing Colors (2022)

The short film “Dancing Colors”, made by Indonesian artist M. Reza Fahriyansyah, is an exhilarating celebration of artistic expression and creative freedom. Through an immersive spectrum of color and movement, the director takes the viewer on an emotional journey into Indonesia’s vibrant culture.

Like a dance between bright hues, patterns and shapes come together on the big screen in a choreography that resonates with Indonesia’s tradition and innovation. Fahriyansyah’s vision transcends the boundaries of the ordinary, inviting a barrier-free dialogue between nature and culture, between man and art, accentuating the power of artistic expression in its most authentic meaning.

In “Dancing Colors”, creative freedom is palpable in every directorial choice and in the clever mix of traditional and avant-garde elements. This work is configured not only as a tribute to Indonesian culture, but also stands out as a manifesto of that universality of art that transcends linguistic and cultural barriers, to stimulate a global dialogue on the essence of human creativity.

Picture of Indiecinema