The Invisible Architecture of Exclusion You are standing in a room full of paintings and you realize, after a long moment, that you cannot find
The Village as Philosophical Object You arrive in Bolognano and the first thing the place does is remove something from you. Not dramatically — no
The Critic as Architect of Rupture You are standing in a gallery in Milan in April 1960, and what hangs on the walls is not
The Curator as Author: Dissolving the Neutral Intermediary You walk into a room and the walls have been broken. Not metaphorically — someone has actually
The Invisible Architecture of Patronage You are standing in a room where the art on the walls has a name, the catalogue has a name,
The Felt Room and the Expanded Definition You walk into a room and the air is wrong. Not wrong in the way of a broken
The Visceral Encounter With Political Art You are standing in a room you did not expect to feel anything in. The painting is large —
The Critic as Cultural Authority You are standing in a gallery in London, 1910, and you do not know what you are looking at. The
The Peripheral Imagination: Abruzzo as a Mirror of Italian Self-Deception You are standing in a village square in the interior of Abruzzo, somewhere between Sulmona
The Roots of Ecological Consciousness in Modern Art You are standing in a gallery sometime in the early 1970s, and on the wall in front
The Dissolution of the Frame: Fluxus and the Abolition of Aesthetic Distance You are standing in a gallery, and you know you are standing in
The Object Refuses Its Function You walk into a gallery and stop. Not because something has caught your eye, but because nothing has — and
In this video I explain our vision
