Cult movie is a very flexible, abstract concept which is applie to many types of cinematographic works but which can be easily manipulated for commercial purposes.
Looking at the ads for the new movies, it seems like all of them are cult movies. Triumphal writings appear on trailers: the one or that critic called it a masterpiece. That magazine said it’s a new cult movie.
Cult, Meaning?
What does cult movie mean? A cult movie is a work that, regardless of its commercial and critical success at the time of its release, has resisted over time to become the cult object of a group of loyal fans, to the point of becoming the emblem of a subculture, of a fashion or a lifestyle.
It sometimes happens that a group of people completely identify with the content, images and stories of a cult film. He wears the clothes worn by the characters in the film, uses their objects, wants to live like them, sometimes bordering on fanaticism.
Mainstream Cult Movie
Can a mainstream film be a cult? In its more commercial sense of cult movie, Star Wars, for example, is definitely one of them. Generations of nerds, kids and adults who have always remained children have always collected and adored the gadgets of the film.
I don’t really agree on this: Star Wars is more of a trending film, a fashion created with great commercial resources, rather than a cult film. But it is easy to find, especially in American magazines, someone who says exactly the opposite.
Many film producers would dispute the claim that a cult film cannot be planned at the table. That otherwise the big studios would like every film they distribute to become a successful cult movie. I disagree because there is a difference between a cult movie and a movie that creates a fashion.
The Hit Cult Movies
Is an indie horror film like Paranormal Activity, made by a group of young, zero-budget filmmakers grossing $ 250 million, a cult phenomenon? From my point of view no. One of the main characteristics of a cult film must be to last over time, for a very long time, and to establish a special, very special and deep bond with the viewer.
The cult meaning is not to be confused with the unexpected success of an independent film of extraordinary viral or underground popularity. Is not just a horror that crowds of people lined up to see at midnight screenings. A cult film is a profound connection: it transforms its contents, which are icons of a certain historical period, of a movement, of a subculture, of a generational sentiment, into timeless contents.
Damn Movies?
There are hundreds of damn movies that are called cult only because their content is out of the ordinary, like some exceptionally violent horror films, but they don’t make a lasting and deep connection with their fans. Although they have provided exceptional entertainment, they do not reach their interior, and after a while they evaporate.
Cult movie: Failures Then Rediscovered
Then there are cult films that have had a dramatic box office failure and have been rediscovered many years later. Or first or second works by directors unknown at that time who then became very famous. A cult film must necessarily be “cursed”. No.
They can definitely be called cult films because these directors are indeed cult objects for their fans, and their first films are even more so than subsequent films that have been successful. As if they were reserved for a small circle of enlightened people, true worshipers of the master.
For example, two masters like David Lynch and Brian De Palma made low-cost films that have become cult stars at the beginning of their careers: Eraserhead and the Phantom of the Paradise. These films represent something more than the following ones.
It’s like meeting great directors in their youth, a meeting between university students, having a simple and friendly relationship with them. Or in some cases it may mean knowing their dark side or the period of their creative career when they still had a raw and naive style. Less successful and less well-known films but that fans love to show that their adoration is higher than that of all the other fans of the master.
In short, we understand that in cult films there is an almost religious relationship between disciple and teacher. In these films the master-director transmits something unique to the disciple, the disciple treasures it. The maestro was able to crystallize his fan into his film, the group for which he feels a sense of belonging, perhaps an entire historical period.
Because he knows that something isn’t for everyone. It is something that not everyone can fully understand. Therefore, the meaning that I attribute to the definition of cult film cannot be applied to Star Wars or Indiana Jones.
Cult a Masterpiece?
While a cult movie is a general term that can refer to any type of film, even commercial, especially in the United States, cinephiles, and more generally Europeans, prefer the term cult film. A cult film for cinema lovers, cinephiles, aspiring filmmakers and professionals, however, can still be something different: perhaps it is simply a film that has remained in the history of cinema because it is a masterpiece.
Perhaps few had noticed it at the time of its release in cinemas. Perhaps its innovative language that made it a masterpiece made it mistake for a mediocre film. It is a recurring thing in the history of cinema. Audience and critics do not hesitate to crush different, innovative films that are not aligned with the dominant preferences.
We could therefore say that the great ambiguity in the interpretation of the term cult film is due to this: it is love and faith that create cult films. If a man loves to ride his Harley Davidson, his cult movie will be Easy Rider. For the neorealist cinema scholar, the cult film will be Rossellini’s Rome, open city. If you love the stories of artists manipulated by power then you will be Brian De Palma’s Phantom.
There is no objective definition of a cult film because everyone has their own cult film, which touches the innermost chords of their soul. If I were really forced to give a definitive meaning of cult film, I would say this: a cult film is a film that deeply touches the hearts of many people, and at the same time marks a historical moment and the history of cinema.
In this way, the circle of cult films is drastically reduced. A film can touch our soul. But how many at the same time have marked a historical moment, a movement, a generation, and the cinematographic masterpieces have also been recognized? Few. Very few.
Is Donnie Darko, for example, a cult movie? Yes, because in it, even if a precise reference is not made to a historical moment or to a subculture, a specific target of people is recognized: adolescents, and adults who have remained adolescents, who experience the same tormented, dark, inexplicable sensations, covered in the film. A cult film manages to create a mysterious emotional and spiritual bond with a certain target of people who watch it.
A cult movie often represents a subculture. Which is not the paradox of subculture going mainstream, like the Beat Generation. It’s a small, restricted subculture that only marked a short period, but that became timeless in that film.
Can we define the popular masterpieces of film history like cult film? Some do, some do not, because they lack this characteristic: to influence a limited group of people belonging to a subculture, a lifestyle, a fashion, an era. By ensuring that that style, that fashion, that culture is found to live forever in the film, without time.
So what does cult mean? The characteristic of the cult movie is therefore to transcend time to become an icon of a certain phenomenon, for which a group of people feels a special bond, a real cult. That phenomenon and that link have infinite variables and this explains the ambiguity of the term cult movie.
Cult Movies You Absolutely Must See
A selection of cult movies that have marked the history of cinema, or that for some reason represent works of worship. Works forgotten for years that were then rediscovered, box office failures then rediscovered and become phenomena of custom. First works and minor films by great directors who became cult movies after their authors became famous. Seminal and avant-garde films that have marked the history of cinema. This is not the usual ranking that mixes films, from blockbusters to arthouse films, which you find on generalist websites that deal with cinema. It is not the usual large basket from which to fish something at random, written just to fill a page. Many probably don’t know what exactly a cult movie is, but now you know. This is a list of true cult films that every true cinephile should know.
Cult Movie of the 10s
Intolerance (1916)
The Ten Commandments (1923) is a silent film directed by Cecil B. DeMille. The film is a cinematic adaptation of the biblical story of the Exodus of the Israelites from Egypt and the delivery of the Ten Commandments by God to Moses.
The film was a huge commercial success, grossing over $4 million, and helped establish DeMille as one of the most important directors of silent cinema. The film was also a critical success, and it was praised for its epic scenes and its interpretation of the biblical story.
Cult movie for the grandeur of the project and for being one of the first blockbusters that changed the history of cinema, a meeting of great entertainment and visual experiments. David Griffith, to prove that the accusations against him of racism due to his previous film Birth of a Nation were unfounded, makes a blockbuster about intolerance.
Intolerance, a historical drama from 1916, tells four different stories over a span of 2,500 years. The war in ancient Babylon, betrayal and crucifixion in biblical history, intolerance in the French Renaissance, conflicts and crimes in the early 1900s on the American continent. Humanity seems destined and not to agree, to remain in perennial conflict. At least until a global inner change.
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Cult Movie of the 20s
The Cabinet of Dr. Caligari (1920)
“The Cabinet of Dr. Caligari” is a 1920 German silent film, directed by Robert Wiene and considered one of the masterpieces of expressionist cinema. It is a milestone in the genre of horror cinema and avant-garde cinema, and has influenced numerous subsequent filmmakers.
The plot of the film revolves around the character of Dr. Caligari, a mysterious hypnotist who comes to a small town with his sleepwalking show. Caligari uses one of his sleepwalkers, Cesare, to carry out a series of murders. The story is presented as a flashback narrated by Francis, one of the inhabitants of the city, who recounts the terrible events that took place in his past.
What makes “The Cabinet of Dr. Caligari” so innovative is its visual style. The film features extraordinary stage designs, characterized by twisted lines and sharp angles, creating an atmosphere of distortion and alienation. This expressionist style aimed to depict the mental state of the characters and to evoke feelings of anguish and fear in the audience.
The storytelling of the film is just as amazing. The audience is taken into a shocking dream world, where the line between reality and fantasy becomes increasingly blurred. Dr. Caligari’s identity and his relationship with Cesare remain ambiguous until the film’s conclusion, which features an unexpected twist.
“The Cabinet of Dr. Caligari” had a significant impact on cinematography. He introduced innovative storytelling techniques, such as the use of flashbacks and unreliable storytelling, which influenced generations of later filmmakers. His distinctive visual style has inspired numerous film noir and genre film productions.
Furthermore, the film deals with deep and complex themes, such as madness, authority and social alienation. The figure of Dr. Caligari represents a despotic authority who controls the minds of his subjects and the entire community. This theme has become a recurring motif in later cinema, as in the figure of the dictator or the manipulator.
The Kid (1921)
Charlie Chaplin, the first independent director in film history to have a worldwide success. He writes, directs and produces solo plays the character of Charlot in countless films. One of the first and most famous is The Kid, a cult film for millions of people. The Kid is one of those movies that you remember all your life. A poor woman abandons her young son in a car hoping that someone will find him who can support him and give him well-being. Instead, the tramp Charlot, poorer than her, finds him. But the man will not back down.
A moving, melancholy story with a ferocious social criticism, typical of Chaplin. A masterpiece of the history of cinema to see and watch over and over again. The modernity of the language, compared to the clichés of many 2000s films, is disconcerting.
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Nosferatu (1922)
Nosferatu (1922) is a German horror film directed by Friedrich Wilhelm Murnau, based on the novel Dracula by Bram Stoker. The film was produced by Prana Film and stars Max Schreck, Greta Schröder and Gustav von Wangenheim.
The story takes place in 1838 and tells the story of Thomas Hutter, a German real estate agent who is sent to Transylvania to deal with Count Orlok, a mysterious landowner. Little does Hutter know that the count is actually a vampire and that his visit will bring plague to Vienna.
Nosferatu is one of the most important films of the horror genre and is considered a classic of German Expressionist cinema. The film is known for its eerie atmosphere and visionary direction, which helped define the modern horror genre.
The film was a critical and commercial success and influenced many other horror films that were made afterward. Nosferatu has been restored and released on DVD and Blu-ray and continues to be enjoyed by a cult audience.
It was one of the first films to explore the subject of vampirism in a realistic and frightening way. Murnau’s visionary direction helped create an eerie, suspenseful atmosphere that made the film a classic of German Expressionist cinema. The performances of Max Schreck and Greta Schröder are memorable and helped make the film a cult classic. Nosferatu was a hit with audiences and critics and influenced many other horror films that were made afterwards.
Nosferatu is a film that has had a profound impact on popular culture. The Nosferatu character is one of the most iconic in the horror genre and has inspired countless movies, books and video games. The film is also an important example of the history of cinema and its ability to evoke strong emotions and arouse fear and anguish in the viewer.
The Ten Commandments (1923)
Cult movie of cinema blockbuster at its beginnings is an impressive work of classic cinema silent. The Ten Commandments, directed and produced by Cecil B. De Mille, is a cult movie from the dawn of Hollywood cinema that every film enthusiast or scholar should see at least once in their lifetime. It is a colossal of enormous proportions.
De Mille spent $ 1.4 million building an Egyptian town near Guadalupe, California. Colossal statues, pyramids, temples represented for the first time in the history of cinema a marvel to visit like modern theme parks. To prevent other directors from using the sets at the end of the production of the film, Cecil De Mille had most of the buildings destroyed. Some, however, survived and were found buried years later.
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The Last Laugh (1924)
Dramatic and moving film by FW Murnau, shot by the German director in 1924. And the story of Jannings, the doorman of the Atlantic hotel in Berlin, for whom his role and his uniform are everything. But his boss deems him too old to receive customers, replaces him with a younger doorman and sets him up to clean the bathrooms.
Jannings, totally addicted to that job, sinks into despair and tries to hide his firing from family and friends. In the evening he gets drunk still fantasizing about being the doorman of the prestigious hotel and wearing his beloved uniform. The wife begins to become suspicious of his behavior.
Absolute masterpiece of Murnau, in balance between expressionism and kammespiel. The camera flies, dances with the protagonist in this must-see cult film.
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The Hands of Orlac (1924)
“The Hands of Orlac” is a 1924 film directed by Robert Wiene, based on the French novel “Les Mains d’Orlac” by Maurice Renard. It is a notable example of German expressionist cinema, an artistic movement that emerged in the 1920s and 1930s.
The film tells the story of Paul Orlac, a famous pianist who loses his hands in a train accident. Desperate, he seeks help from a renowned surgeon who decides to transplant the hands of an executed murderer onto him. After the surgery, Orlac starts experiencing strange sensations and is haunted by thoughts of violent crimes. He becomes convinced that the criminal’s hands have brought a curse upon him.
As time passes, Orlac begins to suspect himself and fears that he might commit acts of violence. His paranoia is fueled by his wife, Yvonne, who harbors doubts about his innocence. The plot unfolds in a crescendo of tension and suspense as Orlac desperately tries to uncover the truth about the origin of his hands and his own nature.
“The Hands of Orlac” is known for its dark atmospheres, evocative set designs, and the use of expressionistic techniques such as contrasting lighting and unusual camera angles. The film tackles themes of identity, the duality of human nature, and inner conflict. Conrad Veidt’s performance as Orlac is particularly memorable, capturing the character’s despair and insecurity with great expressiveness.
“The Hands of Orlac” remains a milestone in German expressionist cinema and continues to be regarded as a classic psychological thriller. Its haunting story and evocative imagery have captivated audiences for generations, demonstrating the power of cinema to explore the depths of the human psyche.
Battleship Potemkin (1925)
A key cult film in the history of cinema, Battleship Potemkin by Sergej Eisenstein, shot in Russia in 1925, is a war drama about the revolt of the citizens of Odessa against the Tsarist regime. The Tsar’s Police repress the revolt with violence. Cult scenes famous all over the world such as that of the desperate mother who tries to save the baby in the pram that falls from the staircase.
The film was commissioned for propaganda purposes by the state cinema office in the Soviet Union. Eisenstein transforms it into an experimental and innovative film by applying his editing theory, which forever changed the development of cinematography around the world. An emblematic tale of the failure of all revolutions and regimes.
With violence and conflict, humanity always returns to the starting point. The editing is overwhelming, the pace is dizzying, the mass scenes are paintings in motion. If you haven’t seen this cult film because you think it’s old college stuff then you’re off the track: it’s a great show, a true work of art.
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A Page of Madness (1926)
“A Page of Madness” is a 1926 Japanese horror film directed by Teinosuke Kinugasa. It is considered one of the most important films in Japanese silent cinema.
The film is based on a novel by Yasunari Kawabata. The story tells of a sailor, Omi, who takes a job as a janitor in an asylum to free his wife, Toriko, who had attempted to commit suicide after drowning her son.
Omi is a down-to-earth, compassionate man who quickly warms to the asylum’s patients. He learns their stories and their sufferings, and begins to see the world through their eyes.
Toriko is a fragile and troubled woman who is still reeling from the death of her son. Omi helps her heal and regain her hope.
The film is a powerful and visionary work that explores the themes of madness, guilt and redemption. Kinugasa uses innovative techniques such as the use of alternate montage and expressionist photography to create an eerie, claustrophobic atmosphere.
“A Page of Madness” is a film that has had a profound impact on Japanese and international cinema. It has been praised for its visual beauty, its engaging story, and its exploration of themes of madness and guilt.
“A page of madness” is a film that still has a lot to say today. It is a powerful and visionary film that explores the themes of madness, guilt and redemption in a profound and engaging way.
Furthermore, the film is considered one of the first examples of avant-garde cinema. Kinugasa uses innovative techniques such as the use of alternate montage and expressionist photography to create an eerie, claustrophobic atmosphere.
“Metropolis” is a 1927 German silent film directed by Fritz Lang. It is considered one of the masterpieces of cinema and a cult film in the history of science fiction cinema. The film is famous for its extraordinary sets, its futuristic vision and the social issues addressed.
The storyline of “Metropolis” takes place in a futuristic society divided into two distinct social classes: the workers, who work under oppressive conditions deep underground in the city, and the ruling class who live in a luxurious city above the surface. Joh Fredersen, the head of the town, discovers a rebellion taking place among the workers and runs into Maria, a young woman who leads them. Intrigued by Maria and a desire to put an end to the uprising, Fredersen uses an android called the “Maschinenmensch” to manipulate events.
What makes “Metropolis” a breakthrough film is its innovative and visionary production design. The sets are surprising, with imposing skyscrapers, futuristic architecture and mechanical machinery, all enriched by cutting-edge special effects for the time. The film depicts a complex and detailed urban world, with an aesthetic that has influenced many subsequent films.
However, “Metropolis” is not just a visual spectacle. It deals with relevant social and political issues, such as social inequality, class struggle and the conflict between capital and labour. The film explores the need for mediation between the powers of the industrial elite and the common good of society. The figure of Mary, who represents compassion and humanity, contrasts with the coldness and greed of the leaders.
The film also presents a reflection on the ethical implications of technological innovation. The android Maschinenmensch raises questions about the nature of human identity and the consequences of unchecked technology. These themes were tackled in a visionary way by Lang and found an echo in many subsequent works of science fiction.
The Man with a Movie Camera (1929)
Man with a Movie Camera (1929) is a Soviet documentary film directed by Dziga Vertov. The film is an exploration of everyday life in Soviet Russia, and it uses innovative editing techniques to create an engaging and stimulating visual experience.
The film is composed of a series of sequences that document life in the city, in the countryside, and in the factory. The sequences are edited in a fluid and creative way, and they use techniques such as parallel editing, contrast editing, and cross-cutting to create a sense of movement and dynamism.
Anyone who loves cinema must see the cult film of Dziga Vertov The Man with the Camera, shot in 1929. A masterpiece inspired by the theories of reality cinema and Kinoglaz, it is a symphony of a city, an experiment with futurist roots.
The film becomes both an objective documentary of what the cameraman films, and a false documentary about his filming activity. His frenetic work becomes an increasing flow of editing. The cameraman becomes a kind of crazy tightrope walker, a brave adventurer capable of placing the camera in the most unthinkable places.
Pure visual rhythm, the film Man with the Camera is so inspired and modern that it is still an endless subject of discussion and new ideas today.
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Cult Movie of the 30s
M, A City Searches for a Murderer (1931)
M – The Murderer of Düsseldorf (1931) is a German film directed by Fritz Lang. The film is considered one of the classics of the film noir genre, and has influenced numerous other films in the genre.
The story follows the events of Hans Beckert, a man who murders a group of girls. The police are under pressure from the public, and they are committed to finding the monster.
The film is known for its directing, which is characterized by dark and evocative photography, and for its realistic portrayal of the theme of violence.
It is a prophetic cult film, which tells with incredible intuition about Germany just before the arrival of Nazism. Directed by Fritz Lang in Germany, in 1931. The unhealthy atmosphere and the anger of the people seem an invisible substance that permeates the city of Dusseldorf everywhere.
The film is inspired by the heinous crimes committed in Germany in the 1920s by Fritz Haarmann and Peter Kürten, but it tells more. It tells the soul of German society deeply corrupt and possessed by evil.
The final scene of the private trial by the criminal associations of the monster is one of the most beautiful in the history of cinema. A scene that through faces, expressions, dialogues and rhythm, becomes the very portrait of evil, of the dark side of the human being.
The Blood of a Poet (1932)
The Blood of a Poet (1932) is a French surrealist film directed by Jean Cocteau. The film is the first installment of Cocteau’s Orphic Trilogy, which explores themes such as artistic creation, love, and death.
The story follows a poet (Enrique Rivero) who tries to get rid of a mouth that has been imprinted on the palm of his hand. The mouth is a symbol of his creativity and artistic drive, but it is also a source of obsession and torment.
The poet begins a journey through his subconscious, in search of a solution to his problem. Along the way, he meets a series of enigmatic characters, including a talking statue, a group of children, and a black angel.
First work in the filmography of the great poet and director Jean Cocteau. Filmography that will end with a film that the epilogue of the first, the testament of Orpheus. Absolute cult film, descending into the deep unconscious in the most authentic part of itself, between poetry, thought and vision. A delight for cinephiles who also love painting and poetry.
A film born in the golden age of surrealist movement. Cocteau departs from surrealism to create his own personal style, not easily identifiable. We could define it, like almost all of Cocteau’s filmography, poetry that becomes cinema. Funded by the Viscount of Noailles, patron of the surrealists, who thought that Jean Cocteau was giving him a cartoon and who repudiated the film.
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Cult Movie of the 70s
Scarlet Street (1945)
Scarlet Street (1945) is a film noir directed by Fritz Lang, starring Edward G. Robinson, Joan Bennett, and Dan Duryea. The film is based on the novel La Chienne (1929) by Georges de La Fouchardière, which had been previously adapted to the screen by Jean Renoir in 1931.
The story follows the events of Christopher Cross (Robinson), a timid and meek bank clerk who is seduced by the beautiful and charming Kitty March (Bennett). Kitty is a woman of easy virtue who leads him to ruin, leading him to commit a crime for her.
Cult Thriller Fritz Lang from 1945, shot in Hollywood. Lang takes up the themes and the protagonist of the film The Woman in the Portrait, the extraordinary actor Edward G. Robinson, to retell the story of a man who loses himself and falls into his inner hell due to the morbid bond with a woman who he manipulates and exploits him to get his money.
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Detour (1945)
“Detour” is a 1945 film noir directed by Edgar G. Ulmer. It is considered a classic of the genre and has gained a cult status over the years. The film is known for its extremely low budget and being shot in just six days, but despite these limitations, it managed to create a dark and tense atmosphere that resonated with the audience.
The plot of “Detour” follows the story of Al Roberts, a New York pianist who is trying to reach Hollywood to reunite with his girlfriend. Along the way, Al hitchhikes and is picked up by a man named Charles Haskell Jr. However, when Haskell suddenly dies during the journey, Al assumes his identity to avoid suspicion. Things take a turn for the worse when he encounters a mysterious woman named Vera, who seems to know Al’s secrets and entangles him in a spiral of danger and deceit.
“Detour” stands out for its non-linear storytelling and the protagonist’s voiceover narration, recounting his story in flashbacks. The film explores themes of fate, guilt, and paranoia, offering a dark and pessimistic look into the human condition. Ulmer’s direction, despite the production limitations, manages to create a claustrophobic and oppressive atmosphere, using lighting and shadows to emphasize the sense of anguish.
“Detour” has become a cult film for fans of the noir genre and is often cited as an example of how a film with limited resources can still have a significant impact. Its gripping story and distinctive style have made it a landmark in film noir and a milestone in the history of independent cinema.
The Red House (1947)
“The Red House” is a 1947 psychological film noir directed by Delmer Daves. The film is based on the 1943 novel “The Red House” by George Agnew Chamberlain. The plot revolves around an isolated house located in the countryside, known as “The Red House”, which hides many dark secrets.
The film follows the story of Pete Morgan (played by Edward G. Robinson), a man who lives on a farm with his adoptive sister Ellen (played by Allene Roberts). Their quiet life is turned upside down when two local boys, Nath (played by Lon McCallister) and Tibby (played by Julie London), decide to explore “The Red House” and discover the secrets that hide behind its walls.
“The Red House” is known for its creepy atmosphere and dark themes. The film explores themes of secrecy, guilt, obsession and repressed violence. It is considered a classic example of the film noir genre, with its intricate storyline and visually striking style.
Edward G. Robinson’s performance is particularly acclaimed, giving a compelling performance as a man tormented by his secrets and his past. Directed by Delmer Daves and cinematography by Bert Glennon contribute to the tense and claustrophobic atmosphere.
Hollow Triumph (1948)
“Hollow Triumph,” also known as “The Scar” in the United States, is a 1948 film noir directed by Steve Sekely. The film is based on the novel “Hollow Triumph” by Murray Forbes and is known for its dark atmosphere and its ambiguous protagonist.
The film follows the story of John Muller, played by Paul Henreid, a criminal who is released from prison after a conviction for robbery. Determined to pull off a perfect heist, Muller devises a plan to rob a casino, but things go awry, and he is forced to flee from the police.
During his escape, Muller discovers a doctor who bears a striking resemblance to him, Dr. Bartok. He comes up with the idea to exploit this resemblance to evade the police search. He decides to murder the doctor and assume his identity, thus creating a double life.
However, Muller soon discovers that entering Dr. Bartok’s life is more complicated than he thought. He meets the doctor’s secretary, played by Joan Bennett, and falls in love with her. Muller must also confront the problems the real Dr. Bartok left behind, including debts with dangerous gangsters.
“Hollow Triumph” is known for its intricate plot and complex protagonist. Paul Henreid delivers an intense performance, portraying both John Muller and Dr. Bartok, creating a distinction between the two characters through subtle changes in attitude and gestures.
The film is praised for its black-and-white cinematography, which creates a dark and eerie atmosphere. The use of dark chiaroscuro shots adds a sense of tension and mystery to the story. Steve Sekely’s direction maintains a constant atmosphere of suspense and captures the essence of the noir genre.
“Hollow Triumph” is considered a classic of 1940s film noir and offers a fascinating and murky view of the world of criminals and elusive identity. It is a film that explores themes such as obsession, self-deception, and moral punishment.
The Forces of Evil (1948)
“The Forces of Evil” is a 1948 American film noir, directed by Abraham Polonsky. It is considered a cult movie and an important cinematographic work of the time.
The film tells the story of Joe Morse (played by John Garfield), a ruthless and ambitious lawyer who stumbles upon an intricate plan to control illegal number lottery betting in New York. Joe is involved in a criminal business with his brother Leo (played by Thomas Gomez), a crime boss who runs an illegal gambling ring. As Joe tries to make the most of exploiting the system, he finds himself confronted with his own personal ambitions and the corruption that surrounds him.
“Forces of Evil” is known for its distinctive visual style and gritty storytelling. Director Polonsky, who also wrote the screenplay, offers a sharp critique of capitalism and greed through the context of the world of illegal gambling. The film deals with themes such as morality, integrity and the struggle between good and evil.
“The Forces of Evil” was praised by critics for its intense performances and its ability to capture the dark and corrupt atmosphere of the era. Despite its limited initial commercial success, the film has over time become a cult film and is often cited as one of the best examples of the noir genre.
Cult Movie of the 50s
The Day the Earth Stood Still (1951)
“The Day the Earth Stood Still” is a 1951 science fiction film directed by Robert Wise. It is considered one of the classics of the genre and has had a significant impact on popular culture. The film deals with topics such as nuclear war, tolerance and the importance of peace.
The plot of “Ultimatum to Earth” revolves around the arrival on Earth of a peaceful extraterrestrial named Klaatu, played by Michael Rennie. Klaatu arrives in a powerful and mysterious spaceship, accompanied by a giant robot called Gort. His mission is to warn humanity of the destructive effects of nuclear weapons and to encourage world peace.
However, after being wounded and captured by humans, Klaatu finds himself having to prove his peaceful mission and try to convince world leaders to change their warlike mindset. Through meeting Helen Benson, played by Patricia Neal, and his son Bobby, Klaatu tries to convey a message of hope and change to the human race.
“Ultimatum to the Earth” is known for its serious and thoughtful tone, which distinguishes itself from many other science fiction films of the time. The film deals directly with the tensions of the Cold War and the nuclear escalation that characterized that historical period. Klaatu’s story stands as a kind of warning against the irresponsible use of technology and humanity’s self-destruction.
Fear and Desire (1952)
Fear and Desire (1952) is the first film directed by Stanley Kubrick, and it is an experimental war film that explores themes such as the nature of war, the power of vision, and the illusion of reality.
The film is set in an imaginary war between two unnamed states. Four soldiers from one of the two factions are shot down behind enemy lines and must find a way to get home.
During their mission, the soldiers must face a series of dangers, including war itself, the wilderness, and their own inner doubts.
It is a cult movie for being the first feature, denied for years, by the great genius of cinema Stanley Kubrick. Stanley Kubrick puts together a small budget between friends and family and makes a independent film of which he is also responsible for photography and editing, with a small cast of actors. It is the first draft of the war theme that will become one of the director’s obsessions and lead him to sign other masterpieces such as Full Metal Jacket.
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The Children of Hiroshima (1952)
Children of Hiroshima (Hiroshima no ko) is a 1952 Japanese drama film directed by Kaneto Shindō. The film is based on a series of written testimonies by children and young survivors of the atomic bombing, collected by university professor Arata Osada.
The story follows young teacher Takako Ishikawa, who returns to Hiroshima four years after the bombing. The city is still in ruins and people are struggling to rebuild their lives. Takako meets a series of children who survived the bombing, each with their own story to tell.
The film is a realistic portrait of the consequences of the atomic bomb on children. It shows their physical and psychological abuse, as well as their struggle to find meaning in their lives.
Children of Hiroshima is an important film that helped to raise public awareness of the horrors of nuclear war. It is a powerful and moving film that leaves no one indifferent.
A cult film little known in the West, it participated in the 1953 Cannes Film Festival. A painful testimony to the post-war period and the consequences of the atomic bomb on Hiroshima, it is a raw and realistic description of the situation of the place at that time.
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The Hitch-Hiker (1953)
“The Hitch-Hiker” is a 1953 film noir directed by Ida Lupino, known for being one of the first noir films directed by a woman. The story revolves around two friends, Gilbert Bowen and Roy Collins, who decide to embark on a car journey through Mexico. Unfortunately, during their trip, they pick up a seemingly innocent hitchhiker named Emmett Myers. However, it soon becomes apparent that Myers is a dangerous fugitive and serial killer on the run from the law.
The film is based on a true story, that of the serial killer Billy Cook, who terrorized the United States in the 1950s. In the movie, Myers takes control of Bowen and Collins’ car and forces them to aid him in his escape. The two friends find themselves trapped and become hostages of Myers, who holds them at gunpoint throughout the journey.
What makes “The Hitch-Hiker” particularly noteworthy is how Ida Lupino addresses themes of toxic masculinity and the constant danger that women face in society. Lupino, one of the few female directors of her time, was renowned for her sensitivity towards social issues and realistic portrayal of female characters.
The film is known for its dark and claustrophobic atmosphere. Lupino skillfully uses light and shadow to create a constant sense of tension, leaving the audience uncertain about the fate of the protagonists. William Talman’s performance as Emmett Myers is especially memorable, portraying him as a ruthless and unscrupulous killer.
“The Hitch-Hiker” is considered a classic of the noir genre and received positive reviews from both critics and audiences. It is a film that explores the dark depths of the human psyche and the struggle between victim and perpetrator. Ida Lupino’s direction, along with the solid screenplay and performances, contributed to making this film a milestone in film noir.
Creature from the Black Lagoon (1954)
“Creature from the Black Lagoon” is a 1954 sci-fi cult horror film, directed by Jack Arnold. It is one of the classics of the monster genre and helped define sea monster iconography in cinema.
The plot of the film takes place in a remote corner of the Amazon, where a group of scientists discover evidence of the existence of a prehistoric creature, a sort of hybrid between a man and a fish, known as the monster of the black lagoon. The creature falls in love with one of the researchers, played by Julie Adams, and begins following her and threatening the group.
Creature from the Black Lagoon is known for its suspenseful atmosphere and skillful use of underwater sequences, which create a sense of menace and tension. The creature’s design was impressively crafted, with a hybrid human-animal appearance, which is still iconic in the movie monster genre today.
The film benefited from the innovative use of 3D filming, which made it an immersive viewing experience for audiences of the time. The underwater sequences and monster attacks were particularly spectacular in this projection mode. Although today it is generally shown in 2D, the film has left a lasting impression thanks to its skillful direction and immersive visual effect.
Creature from the Black Lagoon inspired several subsequent films involving sea creatures or similar monsters. It has become a classic of the monster genre and spawned several sequences and spin-offs. The Creature from the Black Lagoon has become an icon of popular culture, depicted in various media, and remains one of the most recognizable movie monsters.
Pather Panchali (1955)
Pather Panchali is an autobiographical film which explains the growing up of Apu, a little boy in a Bengal village. Satyajit Ray assembled a non-professional crew to make the film. The cast consisted of amateur actors.
After unsuccessful efforts to find a producer to finance the work, Ray began touring in late 1952 with his own savings. Ray made Pather Panchali in two and a half years, an unusually long period, based on when he or his production manager Anil Chowdhury could have additional budgets.
He refused funding from organizations and producers who wanted to change the script. He also disregarded the directions of the federal government of India to include a happy ending, however he got funding which allowed him to finish the film.
Ray showed the film to American director John Huston, who stayed in the hunting grounds of India for The Man Who Would Be King. Huston briefed Monroe Wheeler at the New York Museum of Modern Art (MoMA) that great talent was on the horizon.
Mr. Arkadin (1955)
“Mr. Arkadin” is a film from 1955 that was written, directed, and starred in by Orson Welles, a highly influential filmmaker in the history of cinema. Also known as “Confidential Report,” the movie is a captivating noir thriller that centers around the enigmatic character of Gregory Arkadin, a billionaire with a veiled past.
The storyline of “Mr. Arkadin” follows the journey of Guy Van Stratten, a private investigator portrayed by Robert Arden, who is enlisted by a mysterious man named Jakob Zouk to unveil Arkadin’s hidden history. Through a series of flashbacks and testimonies from individuals who have crossed paths with Arkadin, Van Stratten gradually uncovers fragments of his dark past.
The film is renowned for its distinctive visual style, employing evocative lighting and shadow play characteristic of the noir genre. As both writer and director, Orson Welles masterfully crafts an atmosphere of suspense and tension as the protagonist delves deeper into the enigma surrounding Arkadin. The intricate plot and superb performances contribute to the captivating and immersive experience of “Mr. Arkadin.”
However, it is worth noting that “Mr. Arkadin” underwent several revisions and edits over time. Initially, Welles delivered a version of the film to producer Louis Dolivet in 1955, but subsequent modifications and re-editing occurred without Welles’ direct involvement. Consequently, multiple versions of the film exist, each featuring slight variations in the narrative structure and plot.
Diabolique (1955)
“Diabolique” is a famous French film from 1955, directed by Henri-Georges Clouzot. Also known as “Les Diaboliques” in international markets, the film is considered a classic of the thriller genre and has had a significant impact on subsequent cinema.
The film’s plot revolves around two women, the wife and mistress of an oppressive school director. The two women, portrayed respectively by Véra Clouzot and Simone Signoret, join forces to plan the murder of the director. After drugging and drowning him in the bathtub, they dispose of his body in an empty swimming pool. However, when they return to remove the body, they discover it has vanished. Tension mounts as a series of unsettling and menacing events occur, casting doubt on their sanity.
“Diabolique” is known for its impeccable visual style and intricate plot, which keeps viewers on the edge of their seats until the final scene. Clouzot skillfully uses elements of suspense and mystery to create an atmosphere of anguish and fear. The film is also famous for its stunning ending, which delivers one of the greatest twists in cinema history.
The success of “Diabolique” helped solidify Henri-Georges Clouzot as a master of the thriller genre. The film influenced numerous subsequent directors, including Alfred Hitchcock, who admired Clouzot’s ability to build tension and surprise the audience.
Dementia (1955)
‘Dementia’ is a 1955 American independent horror film directed by John Parker and starring Sally Todd. The film is a mix of film noir, horror and sci-fi, and has a very experimental tone.
The story follows a woman named Joan (Todd) who wakes up in a hotel with no memory of how she got there. She begins a nightmare around the city, meeting strange people and situations.
“Dementia” is a very special and unique film. It’s an experimental film that doesn’t follow the conventions of the horror genre. The film is full of disturbing images and claustrophobic atmosphere. Sally Todd’s performance is intense and engaging.
“Dementia” is a film that has had a significant influence on the horror genre. The film was praised for its originality and unique vision. “Dementia” is a film that is still enjoyed by fans of the horror genre to this day.
If you are a fan of the horror genre, I recommend you to see “Dementia”. It is a unique and experimental film that will leave you breathless.
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Invasion of the Body Snatchers (1956)
Invasion of the Body Snatchers is a 1956 science fiction cult film directed by Don Siegel. It is based on the 1954 novel ‘The Body Snatchers’ by Jack Finney and has become a classic of the genre and one of the most influential alien invasion films in cinematic history.
The plot of the film takes place in a small town where the inhabitants start behaving in a strange and emotionless way. It is soon discovered that mysterious alien plants are growing in the surrounding fields and are replacing human beings with perfect copies, devoid of individual emotions and identities. These copies, known as “pod people”, seek to convert all of humanity into feelingsless creatures.
“Invasion of the Body Snatchers” deals with issues such as loss of individual identity, social conformity and fear of foreign invasion. The film has been interpreted as a metaphor for the growing paranoia and conformity that characterized the society of the time, especially during the McCarthy period.
One of the film’s defining elements is its atmosphere of tension and mounting paranoia. Siegel’s direction and evocative soundtrack help create a sense of constant foreboding. The film deals with the theme of duplicity and alienation, with the protagonist played by Kevin McCarthy trying to convince others of the impending threat.
Touch of Evil (1958)
“Touch of Evil” is a 1958 film noir directed by Orson Welles. The film is considered one of the masterpieces of the genre and an icon of film noir.
The plot of “Touch of Evil” takes place in the border town of Los Robles, on the border between the United States and Mexico. The film begins with a famous long opening tracking shot. This sequence starts with a bomb being placed in a car, followed by an explosion. From there, the story unfolds, intertwining a series of complex and corrupt characters.
The protagonist of the film is Captain Hank Quinlan, played by Orson Welles himself, a violent and corrupt police detective. When a respected Mexican citizen is killed along the border, Quinlan and his partner, played by Charlton Heston, are assigned to the case. As they investigate, the secrets and connections of the various characters, including Quinlan’s involvement with drugs and corruption, gradually come to light.
“Touch of Evil” tackles complex themes such as corruption, justice, morality, and racism. The film is known for its intricate plot and multifaceted characters, challenging the fine line between good and evil. Orson Welles’ performance as the cynical and disturbed Captain Quinlan is regarded as one of his finest.
The film is also renowned for its bold and innovative visual style. Welles employs unconventional camera techniques, distorted camera angles, and a play of light and shadow to create a haunting and claustrophobic atmosphere. The soundtrack of “Touch of Evil” further contributes to building constant tension and enhancing the film’s dark atmosphere.
The Blob (1959)
“The Blob” is a 1958 science fiction horror film directed by Irvin S. Yeaworth Jr. It has become a classic of the genre and had a significant impact on popular culture.
The plot of the film follows the story of a small town that is invaded by a gelatinous alien creature that feeds on human flesh and grows every time it feeds. The creature, called “The Blob”, begins to terrorize the inhabitants and spread rapidly. A group of young protagonists, played by Steve McQueen and Aneta Corsaut, try to stop the threat and warn others of its presence.
“Mortal fluid” has a classic 1950s cinema imprint, with the representation of the alien invasion as a metaphor for the fears of the time, such as the fear of communism and the nuclear threat. The film was influenced by the successes of “Invasion of the Body Snatchers” (1956) and “The Quatermass Xperiment” (1955), which dealt with similar themes.
One of the distinctive features of the film is the visual representation of the creature, which appears as a gelatinous red mass, which engulfs its victims and continues to grow. This visual element made “Mortal Fluid” memorable and iconic in the horror genre.
The film also benefited from Steve McQueen’s performances and his on-screen charisma. His portrayal helped make the film more engaging for the audience and contributed to its popularity.
Cult Movie of the 60s
The Testament of Orpheus (1960)
“The Testament of Orpheus” is a 1960 film directed by Jean Cocteau. It is the director’s last film and represents a kind of cinematic and poetic autobiography that explores the themes of art, death and transformation.
The film unfolds as a dreamlike journey through Cocteau’s mind and imagination, mixing elements of reality and fantasy. The plot is fragmented and non-linear, moving between several episodes representing different moments in Cocteau’s life and his reflections on art and creativity.
“The Testament of Orpheus” is a tribute to the myth of Orpheus, the poet and musician of Greek mythology who descends into Hades to seek his beloved Eurydice. The film reflects on the role of the artist in society and on the relationship between art and death.
Cocteau uses a variety of innovative cinematic techniques, including special effects and visual tricks, to create a surreal and poetic viewing experience. His distinctive aesthetic, combining elements of surrealism and symbolism, is evident throughout the film.
“The Testament of Orpheus” is also a celebration of cinema as an artistic medium. Cocteau mixes images and references to past artists and films, creating a visual collage that reflects his vision of art and its relationship to the history of cinema.
Although the film was initially misunderstood by critics and did not achieve great commercial success upon its release, it has been re-evaluated over the years as an innovative and experimental work. Today it is considered an avant-garde film and a milestone of auteur cinema.
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The Time Machine (1960)
“The Time Machine” is a film adaptation of the novel by H.G. Wells and is regarded as one of the most iconic sci-fi cult films of the 1960s. The film was directed by George Pal, a director known for his science fiction works, and achieved widespread critical and commercial acclaim.
The plot of the film revolves around a Victorian inventor named George, played by Rod Taylor, who creates a time machine. Through this machine, George is able to travel back and forth in time. He decides to use his invention to explore the future of humanity.
The film deals with issues such as class division, the nature of humanity and the misuse of technology. It also explores the fragility of human society and the danger of ignorance and selfishness. Director George Pal has managed to create an atmospheric and futuristic atmosphere, making the film a visually captivating experience.
“The Time Machine” is admired for its solid script, innovative special effects for its time, and convincing performances. The film helped set the standard for later time travel films and influenced many other works of science fiction.
Village of the Damned (1960)
“Village of the Damned” is a film by sci-fi/horror of 1960 directed by Wolf Rilla. The film is based on the novel “The Midwich Cuckoos” by John Wyndham. It is considered a classic of the genre and has had a significant impact on popular culture.
The plot of the film takes place in a quiet English village called Midwich. One day, all the villagers lose consciousness for several hours. After this strange event, they find out that many women of the village have become pregnant. Even stranger is the fact that the children born from these pregnancies have hypnotic eyes and telepathic powers. These children display above-average intelligence and appear to be united by a single sinister purpose.
“Village of the Damned” explores themes such as fear of the unknown, the threat of otherness and human nature. The film questions the idea of control and power struggle, examining how human beings react in the face of an extraordinary and inexplicable threat. It is also a reflection on the fear of the alien and the evolution of humanity.
The film is known for its dark and foreboding atmosphere, supported by convincing acting and effective direction. It has influenced numerous subsequent films on the theme of evil or supernatural children.
The Mask of the Devil (1960)
Black Sunday (1960) is an Italian gothic film directed by Mario Bava. The film tells the story of Asa Vajda, a 17th century witch who is burned at the stake, but who swears vengeance on her persecutors. After centuries, Asa comes back to life and begins to kill the descendants of her enemies.
The film is considered one of the classics of the Italian horror genre. Bava uses innovative special effects to create an atmosphere of terror and suspense. The film is also known for its scenes of violence and gore.
Black Sunday was a commercial success and helped consolidate Bava’s reputation as one of the masters of Italian horror. The film was also an important influence on other films in the genre, including The Exorcist (1973) and The Silence of the Lambs (1991).
Here are some of the reasons why Masquerade is considered a classic of the horror genre:
The story is simple but effective. The storyline is easy to follow, but it’s also full of suspense and twists.
The characters are well developed. Asa Vajda is a memorable antagonist, and her enemies are all well-characterised.
The special effects are innovative and believable. Bava uses handcrafted special effects to create an atmosphere of terror and suspense.
The scenes of violence and gore are realistic and disturbing. Bava is not afraid to show the dark side of human nature.
Black Sunday is a classic horror film that helped define the genre. The film is still enjoyed today by fans and critics around the world.
The Exterminating Angel (1962)
One of the most beautiful cult movies of the great surrealist director Luis Bunuel, shot in 1962. While the waiters and the servants terrified of something unknown run away, the rich Burghers invited to a dinner in the villa of Señor Edmundo Nóbile and his wife Lucia are inexplicably imprisoned inside the house.
One of the highest reflections on the barriers and boundaries of the mind, on belonging to the conformism of a social class. The philosophical and religious social implications are manifold and the staging of the film is sublime. The hypocritical facade of the bourgeois, prisoners of their own ego, crumbles, revealing the wildest aspects and the instincts of oppression.
Cult scenes such as the menacing hand that comes to life and is stabbed have been filmed in horror films such as the sequel to La casa di San Raimi. Unmissable cult masterpiece.
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Carnival of Soul (1962)
Carnival of soul, a forgotten and then rediscovered cult movie by Herk Harvey, shot in the United States in 1962. It is a hallucinated and ghostly journey of a woman, Mary, sole survivor of a car accident.
At the beginning of the film, the car carrying Mary and four of her other friends crosses a bridge and ends up in the river. Only she comes out of the muddy waters, the others are all dead. From then on, Mary began her journey to Salt Lake City for a new job at a church, where she was hired as an organ player. But a creepy-looking shady figure begins to haunt her everywhere.
Films of unreal and mysterious atmospheres, an author horror that is by no means just a genre film. It is also a complex discourse on invisible dimensions of existence and the afterlife. Cult movie that inspired the creativity of directors such as George Romero and David Lynch. The mysterious man, in fact, is very similar to the one who appears in Lost Roads.
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The Brain That Wouldn’t Die (1962)
The Brain That Wouldn’t Die is a 1962 American science fiction horror film directed by Joseph Green and starring Jason Evers, Virginia Leith, and Antony Carbone. The film tells the story of a mad scientist who keeps his fiancée’s severed head alive in a jar and tries to find a new body for it.
The film was a low-budget production, but it has become a cult classic over the years. It is known for its bizarre plot, its campy humor, and its gruesome special effects. The Brain That Wouldn’t Die has been praised by critics for its originality and its sense of humor.
The film’s plot is simple but effective. Dr. Bill Cortner (Evers) is a brilliant but unhinged scientist who is working on a new method of brain transplantation. When his fiancée Jan (Leith) is decapitated in a car accident, Dr. Cortner decides to keep her head alive in a jar. He then sets out to find a new body for her head.
The film’s special effects are crude by today’s standards, but they were groundbreaking for their time. The severed head of Jan is incredibly realistic, and the scenes of her head being transplanted into different bodies are truly disturbing.
The Brain That Wouldn’t Die is not a great film by any means, but it is a lot of fun. It is a campy, gruesome, and hilarious film that is sure to entertain fans of exploitation cinema.
Here are some of the reasons why The Brain That Wouldn’t Die is considered a cult classic:
- The film’s bizarre plot is both original and entertaining.
- The film’s campy humor is often laugh-out-loud funny.
- The film’s gruesome special effects are truly disturbing.
- The film has a loyal following of fans who appreciate its unique blend of horror and humor.
The Brain That Wouldn’t Die is a cult classic that is sure to entertain fans of exploitation cinema. If you are looking for a weird, funny, and gruesome horror film, then you should definitely check it out.
Dementia 13 (1963)
Cult movie because it is the first film by the great director Francis Ford Coppola. Even if it is not a perfect film, it contains the style of the Italian-American director that will be developed in his later masterpieces. Roger Corman was looking for a commercial film project inspired by the smash hit Psycho. He hires the very young Francis Ford Coppola to shoot this low-cost horror, forcing him to insert heinous crimes and a gothic atmosphere into the story.
The Haloran family gathers at the family castle to commemorate the untimely death of little Kathleen, who died from drowning years earlier. Mysterious facts begin to happen. The ghost of the dead girl manifests itself, a killer armed with an ax roams the place and claims victims.
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Simon of the Desert (1963)
Medium-length film by Luis Bunuel, shot in Mexico in 1963. Essential cult movie on the theme of spirituality and materialism, the conflict that is the engine of human history. But it is also a very funny film, full of biting irony. Luis Bunuel shows us a holy man who lives the same experiences as Jesus, but who in the end is corrupted by modern life and Western fashions.
Simon, is a long-bearded holy man who lives in deprivation, sleeps on a stone column in the middle of the desert, remains almost in total fasting. People worship him as a messiah. He performs miracles, he does not allow himself to be corrupted by the pleasures of the flesh. He resists the temptations of Satan who tempts him several times under the guise of a beautiful woman.
Cult scene: the woman-Satan arrives inside a coffin sliding down a slope, the coffin opens and she exits. It is a grotesque, funny, sometimes hilarious film. In the original language, Simon’s soft r and strange way of speaking make him a funny and grotesque character, an element that has been lost in the dubbing in other languages.
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The Three Faces of Fear (1963)
Black Sabbath is a 1963 Italian anthology film directed by Mario Bava. The film consists of three episodes:
“The mask of the devil” (The mask of the devil) tells the story of a woman who becomes possessed by a demon after wearing a magical mask.
“La whip and the body” (The whip and the body) tells the story of a man who is haunted by a ghost after killing his mistress.
“The Telephone” (The Telephone) tells the story of a woman who is terrorized by a man who calls her on the phone and threatens to kill her.
The film was a commercial success and helped consolidate Mario Bava’s reputation as one of the masters of Italian horror. The Three Faces of Fear is still one of the most popular horror films of all time.
Here are some of the reasons why Black Sabbath is considered a classic of the horror genre:
The story is simple but effective. The storyline is easy to follow, but it’s also full of suspense and twists. The characters are well developed. The protagonists of the episodes are all well characterized and easy to empathize.
Mario Bava’s direction is excellent. Bava uses innovative special effects to create an atmosphere of terror and suspense. The scenes of violence and gore are realistic and disturbing. Bava is not afraid to show the dark side of human nature.
Black Sabbath is a classic horror film that helped define the genre. The film is still enjoyed today by fans and critics around the world.
The Last Man on Earth (1964)
Released 4 years before George A. Romero’s Night of the Living Dead, The Last Man on Earth was not a hit. Yet it was the director Ubaldo Ragona and his screenwriters who made the first zombie movie in history. Actually the zombies here are called vampires, but they are the same monsters that we will see in hundreds of subsequent films. Over time, it has become a cult movie, precisely because it was unnoticed at the time of its release in theaters and subsequently re-evaluated, it is an adaptation of the homonymous book by Richard Matheson.
Humanity is dying out due to a virus that turns humans into zombies and resurrects the dead. Robert Morgan (Vincent Price) is a scientist, the sole survivor of the global pandemic. He also had to endure the deaths of his wife and daughter, who were also transformed into killer zombies hungry for human flesh.
Film shot with commercial intentions that strangely turns into something else. Vincent Price protagonist of many horror films and b-movies, manages to give the best of himself in this tragic character. The simplicity of the language of a non-brilliant director makes this film more than just a horror.
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Repulsion (1965)
“Repulsion” is a 1965 psychological film directed by Roman Polanski. It is considered a cult film by the director and an important work of psychological and horror cinema.
The film follows the story of Carol Ledoux, played by Catherine Deneuve, a young woman who works as a manicurist in London. Carol is an introvert and suffers from mental and sexual disorders. When her sister Helen goes on a vacation, Carol is left alone in the apartment she shares with her, and her psyche begins to deteriorate.
Polanski skillfully uses cinematic language to create a claustrophobic and eerie atmosphere. The black and white photography accentuates the main character’s feeling of alienation and isolation. The rooms of the apartment become a visual nightmare, with walls cracking, objects moving and cobwebs forming. The minimalist soundtrack and sound effects further add to the palpable tension.
Catherine Deneuve’s performance is remarkable. She manages to convey Carol’s fragility and inner anguish in an extraordinary way, making her character fascinating and disturbing at the same time. The film deals with themes such as loneliness, repressed sexuality, fear of human contact and the disintegration of the psyche.
“Repulsion” was critically acclaimed for its experimental and disturbing storytelling. It is considered one of Polanski’s best films and has influenced many subsequent directors in the genre of psychological and horror cinema. The film offers a powerful depiction of mental instability and its destructive effects on the human psyche, remaining an impactful cinematic work to this day.
Night of the Living Dead (1968)
“Night of the Living Dead” is a 1968 horror film directed by George A. Romero. It is considered a classic of the genre and one of the most influential indie films in the history of horror cinema.
The plot of the film follows a group of people who find themselves trapped on an isolated farm as a plague of the undead spreads across the land. The survivors try to barricade themselves in the house and resist the onslaught of the undead, while tensions rise between them and hopes of rescue seem increasingly remote.
“Night of the Living Dead” introduced many of the conventions of the zombie genre, such as the living dead feeding on human flesh and the transmission of infection through bites. The film is also known for its realistic and gritty depiction of violence, which was considered very daring for its time.
In addition to its impact in the horror genre, ‘Night of the Living Dead’ has a strong social and political subplot. It has been interpreted as a critique of American society at the time, with references to racism, the Vietnam War and generational conflict.
The film was made on a very small budget and has a low-budget aesthetic that contributes to its realism and angst-filled atmosphere. The performances of non-professional actors and the use of real locations increase the realism effect of the film.
‘Night of the Living Dead’ has become a critical success and has gained a cult following over the years. It is considered a landmark for the zombie genre and has influenced many subsequent directors and screenwriters.
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2001: A Space Odyssey (1968)
“2001: A Space Odyssey” is a 1968 science fiction film directed by Stanley Kubrick. Considered one of the masterpieces of cinema, the film is based on the short story by Arthur C. Clarke entitled “The Watchman” and was developed in collaboration with Clarke himself.
The plot of “2001: A Space Odyssey” is an astral journey through time and space. The film unfolds over four main acts, each of which features a different point in time and setting.
The film’s opening shows the dawn of humanity, in which a group of primitive hominids discover a black monolith mysteriously appearing on Earth. This monolith appears to have an influence on human evolution, stimulating intelligence and paving the way for a new stage of development.
The second act is set in 2001 and follows a human expedition to Jupiter aboard the spacecraft Discovery One. On board is the AI HAL 9000, a supercomputer with artificial intelligence. However, HAL begins to exhibit erratic behavior and endangers the crew. Astronaut Dave Bowman remains the sole survivor and discovers another monolith on Jupiter’s moon.
The third act, called ‘Jupiter Beyond Infinity’, is a visual and psychedelic experience that explores concepts of space and time, pushing the boundaries of human understanding. Bowman plunges into a surreal cosmic journey and transforms into a higher life form.
“2001: A Space Odyssey” is a cult film celebrated for its iconic images, stunning soundtrack (including the famous music “Also sprach Zarathustra” by Richard Strauss), and its revolutionary visual style. The film ushered in a new era in science fiction cinematography, displaying unprecedented scientific accuracy and a thoughtful approach to the exploration of the universe.
The film explores profound themes such as human evolution, artificial intelligence, the presence of extraterrestrial life and the nature of the universe itself. Kubrick has created an enigmatic narrative open to multiple interpretations, leaving room for different philosophical and metaphysical interpretations.
Cult Movie of the 70s
The Bird with the Crystal Plumage (1970)
The Bird with the Crystal Plumage is a 1970 Italian thriller film directed by Dario Argento. The film is the first of Argento’s so-called Animal Trilogy, which also includes Deep Red (1975) and The Cat O’Nine Tails (1971).
The film tells the story of Sam Dalmaso, an American on vacation in Rome who becomes involved in a series of murders of young women. Dalmaso begins to investigate and discovers that the murders are the work of a serial killer who is inspired by the novel The Crow by Edgar Allan Poe. The film is famous for its suspenseful scenes and creative use of music.
Here are some of the reasons why The Bird with the Crystal Plumage is considered a classic of the detective genre:
- The plot is simple but effective. The story is easy to follow, but it’s also full of suspense and twists.
- The characters are well developed. Sam Dalmaso is a charismatic protagonist and the killer is a creepy and mysterious character.
- Dario Argento’s direction is excellent. Argento uses photography, set design and music to create an atmosphere of suspense and terror. The suspense scenes are really engaging and the murder scenes are realistic and disturbing.
Silent Night, Bloody Night (1972)
“Silent Night, Bloody Night” is a 1972 horror film directed by Theodore Gershuny. It is considered a classic of the slasher genre and has gained a cult following over the years.
The plot of the film revolves around an old house in a small town, which once served as a mental asylum. After the death of the owner, the house is inherited by his nephew, who decides to sell it. However, a series of brutal and mysterious murders begin to occur in the area, related to the house’s dark past.
“Silent Night, Bloody Night” is known for its dark and creepy atmosphere, which adds to the feeling of suspense and dread. The film mixes elements of mystery, psychological horror and thriller, creating a dark and disturbing atmosphere.
Despite its small budget and limited initial release, the film has amassed a fan base over the years due to its intriguing plot and eerie atmosphere. It is often considered a forerunner of the slasher genre and has influenced subsequent horror films.
While ‘Silent Night, Bloody Night’ may not be as well known as other films of the time, its cult status has risen due to its reputation as a classic of the indie horror genre. It is a film that fascinates lovers of the genre with its atmosphere and unique story.
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Mean Streets (1973)
‘Mean Streets’ is a 1973 film directed by Martin Scorsese, which has received great attention and recognition as one of the director’s earliest achievements.
The film is set in the Little Italy neighborhood of New York City and follows the life of a young Italian-American named Charlie, played by Harvey Keitel. Charlie is involved in the local criminal underworld and works for his mobster uncle. However, he also tries to balance his life between family responsibilities, his Catholic faith and friendship with his eccentric friend Johnny Boy, played by Robert De Niro.
“Mean Streets” explores themes such as identity, guilt, redemption and the conflict between good and evil. The film is known for its gritty and realistic storytelling style, which helped define Scorsese’s signature style as a filmmaker. He has been widely praised for his authentic performances and his authentic portrayal of New York City borough life.
The film also marked the beginning of the collaboration between Scorsese and De Niro, which would become one of the most famous in cinema. “Mean Streets” established Scorsese as a director to watch and paved the way for many of his future successes.
With its gritty violence, realistic portrayal of the criminal underworld and complex thematics, “Mean Streets” has become a cult film and a landmark in the gangster film genre. He helped establish Martin Scorsese as one of the greatest directors of his time and left a lasting impression on the cinematic landscape.
The Phantom of the Paradise (1974)
“The Phantom of the Paradise” is a 1974 film directed by Brian De Palma. It is a horror musical that mixes elements of Gaston Leroux’s novel “The Phantom of the Opera” with the rock and pop culture of the time.
The film tells the story of Winslow Leach, played by William Finley, a talented young composer who has his work stolen by Swan, played by Paul Williams, an unscrupulous record producer. After being wrongfully imprisoned, Winslow suffers an accident that leaves him disfigured. However, he finds refuge in the Paradise building, a performance venue run by Swan.
‘The Phantom of the Paradise’ is known for its original score, written and performed by Paul Williams, which has received widespread recognition. The film combines various music genres, such as rock, pop, and glam rock, creating a catchy and memorable soundtrack.
Director Brian De Palma deftly mixes elements of satire, comedy, horror and melodrama, offering a grotesque and surreal vision of the music industry. The film is full of references and parodies of famous personalities and musical artists of the time.
Though it didn’t score big at the box office upon its release, ‘The Phantom of the Paradise’ has become a cult film over the years, appreciated for its originality and unique fusion of styles. It is considered a landmark in Brian De Palma’s filmography and a milestone in the musical horror genre.
The Man Who Fell to Earth (1976)
“The Man Who Fell to Earth” is a 1976 science fiction cult film directed by Nicolas Roeg. The film is based on the novel of the same name by Walter Tevis.
The plot follows an alien named Thomas Jerome Newton, played by David Bowie, who arrives on Earth from his home planet, which is threatened by drought. Newton assumes the identity of a businessman and tries to use his advanced technology to develop a company that can provide the knowledge and technology needed to save his planet.
The film explores themes such as alienation, obsession, greed and isolation. It questions the nature of humanity and its relationship with each other and criticizes the consumerist and capitalist society. “The Man Who Fell to Earth” is a stark and often melancholy portrayal of the loneliness and strangeness of an alien stranded in a world he cannot fully understand.
David Bowie gives a memorable performance as Thomas Jerome Newton, bringing his own unique and magnetic aura to the character. Nicolas Roeg’s direction stands out for its visually bold style, combining non-linear narrative sequences, symbolic images and unconventional editing.
“The Man Who Fell to Earth” has become a cult film and has gained a cult following over the years. It is considered a film that moves away from conventional science fiction stereotypes, offering a more intimate and philosophical reflection on human experiences and the human condition.
Carrie (1976)
Carrie is a 1976 American supernatural horror film directed by Brian De Palma and starring Sissy Spacek, Piper Laurie, Amy Irving, and John Travolta. It is based on the 1974 novel of the same name by Stephen King. The film tells the story of Carrie White, a shy and unpopular teenage girl who is bullied by her classmates and her religious fanatic mother. When Carrie discovers that she has telekinetic powers, she uses them to exact revenge on those who have wronged her.
Carrie was a critical and commercial success, grossing over $33 million at the box office. It was nominated for two Academy Awards, including Best Actress for Spacek. The film is considered a classic of the horror genre and has been praised for its suspenseful atmosphere, realistic special effects, and Spacek’s performance.
Here are some of the reasons why Carrie is considered a classic of the horror genre:
- The story is simple but effective. The plot is easy to follow, but it is also full of suspense and twists.
- The characters are well-developed. Carrie is a sympathetic protagonist, and her tormentors are all well-characterized.
- The direction by Brian De Palma is excellent. De Palma uses the cinematography, set design, and music to create an atmosphere of suspense and terror.
- The special effects are realistic and disturbing. The film’s depiction of telekinesis is still considered to be some of the best in the genre.
Eraserhead (1977)
“Eraserhead” is a 1977 film written and directed by David Lynch. It is Lynch’s first feature film and represents one of his most iconic and influential works by him.
The film is a surreal and disturbing experience, characterized by an ambiguous plot and a claustrophobic atmosphere. The story follows Henry Spencer, played by Jack Nance, a lonely and alienated man who lives in a rundown industrial environment. His life is turned upside down by the birth of a deformed son, which pushes him towards a state of paranoia and hallucinations.
“Eraserhead” is known for its black and white aesthetic, which creates a dark and dreamlike atmosphere. The film features a distinctive use of photography and soundtrack, creating a unique sensory experience.
The storyline of “Eraserhead” is open to many interpretations and can be seen as a reflection on the fears and anxieties of modern life, alienation and family breakdown. The film also deals with themes such as sexuality, isolation and existential angst.
Despite being an independent and very small budget project, ‘Eraserhead’ has gained a cult following over the years and garnered critical acclaim for its originality and unique vision. The film influenced a number of directors and established Lynch’s signature style as a surreal storyteller.
“Eraserhead” became a landmark in avant-garde cinema and laid the foundation for the successful career of David Lynch, who would go on to become one of the best-known and most acclaimed directors of his time.
Love on the Run (1978)
One of the films of the saga Antoine Doinel, shot in France in 1978. Francois Truffaut, the director of love, tells the sentimental torments of Antoine and Christine, who decide to divorce due to inability to communicate. They try to remain good friends but Antoine begins a new relationship with another woman, a friend of Christine, making his ex-wife jealous.
Cult film entered the imagination of sentimental comedies, with the melancholy and refined tone that belongs only to Francois Truffaut. If you love this director it is a film that you cannot miss. The style is fluid, dynamic, light, full of feelings and atmospheres. The characters are outlined with extraordinary humanity.
The conflict between respect for the freedom of others and passions emerges. Love can also become drugs and addiction, as the director had said 12 years earlier with his other film, La sirène du Mississipi. On the other hand, love flees too is an autobiographical film, like almost all of Truffaut’s work.
Watch Love on the Run
The Elephant Man (1980)
Not only among the best cult films of the 80s, but also among the best cinema masterpieces. Frederick Treves, a surgeon at London Hospital, discovers John Merrick in a show in London’s East End, where he is run by Mr. Bytes, a ferocious ringmaster, a money-grubbing man. His head is kept hooded, and his “owner”, who sees him as intellectually disabled, is paid by Treves to take him to the health facility for an evaluation.
Treves shows Merrick to his colleagues and highlights his massive head, which requires him to sleep with his head on his knees, because if he were to lie down, he would surely asphyxiate. Upon Merrick’s return, he is punished so severely by Bytes that he has to call Treves for medical assistance. Treves takes him back to the health facility.
The film directed by David Lynch creates a remarkable synthesis in dealing with his subject, as well as having outstanding interpretations of John Hurt and Anthony Hopkins. Hurt is really cool. It can’t be easy to act under such a heavy mask… the packaging is beautiful, especially the black and white photograph of Freddie Francis.
Bad Timing (1980)
One of the least remembered and known cult films of the 1980s. In Cold War Vienna, Milena Flaherty, a young American woman in her 20s, is rushed to the emergency room after taking an overdose in a suicide attempt.
With her is Alex Linden, an American psychoanalyst who remains in town as a university lecturer. As doctors and nurses struggle to save Milena’s life, a detective, Netusil, begins to investigate the event. With fragmented flashbacks, the narrative shows Alex’s story and Milena’s love story.
Nicolas Roeg is a director of unique charisma, and has the ability to fascinate as well as capture attention. In other hands all of this may be just deception and entertainment, but through these fragmented components Roeg and his author Yale Udoff develop a powerful story.
An American Werewolf in London (1981)
One of the great cult films of the 1980s. 2 American backpackers from New York City, David Kessler and Jack Goodman, are traversing the Yorkshire moors. As night falls, they enter an inn called Slaughtered Lamb. Jack sees strange five-pointed symbols on the wall, but when he asks the inn-goers they become aggressive.
They both decide to leave, and the pub-goers advise them to stay on the road, not go to the moors and watch out for the full moon. David and Jack turn off the road into the moor and are attacked by a ferocious creature.
Fun and terrifying at the same time, John Landis’ horror comedy crosses categories as it features Rick Baker’s stunning makeup effects. Romantic and crepuscular atmospheres, unforgettable scenes of the transformation into a wolf. A special mix of horror movies and parody, comedy and existential drama.
1997 Escape from New York (1981)
“Escape from New York” is a 1981 dystopian film directed by John Carpenter. It is an action-thriller set in a dystopian future where Manhattan has become a maximum security prison isolated from the rest of the world.
The protagonist of the film is Snake Plissken, played by Kurt Russell, a former soldier and war criminal sentenced to serve a sentence in a maximum security prison. When the President of the United States’ plane is hijacked and crashes into Manhattan prison, Snake is recruited for a rescue mission.
“Escape from New York” is known for its dark atmosphere and dystopian depiction of Manhattan. The film offers a post-apocalyptic vision of a corrupt and disrupted society, where violence is the order of the day and the law has become ineffective. The storyline is gripping and full of action, with Snake Plissken getting involved in shootings, chases and deadly fights.
“Escape from New York” has become a cult film over the years, appreciated for its dark atmosphere, John Carpenter’s score and Snake Plissken’s unforgettable characterization. It inspired several sequels and helped solidify the escape and survival film genre in cinema.
The Thing (1982)
The cult horror of the 80s. In Antarctica, a helicopter chases a sled to an American research laboratory. Scientists witness the traveler unintentionally detonating the helicopter and himself. The pilot shoots the dog and also insults the Americans in Norwegian, but they fail to recognize him.
He is shot and killed in self-defense by station commander Garry. American helicopter pilot RJ MacReady and Dr. Copper set out to survey the Norwegian base. Among the charred ruins and frozen corpses, they discover the burnt remains of a deformed humanoid which they transfer to the American station.
Kurt Russell is the 80s movie poster boy of cult movies. The Thing is one of John Carpenter most beloved films, but it didn’t start out like that. It was quickly criticized, but later ended up being representative of the 1980s after it launched on home video and TV.
Videodrome (1983)
Max Renn is the president of CIVIC-TV, a Toronto-based television specializing in sensational programs, broadcasts Videodrome, a non-plot show broadcast from Malaysia that features anonymous victims seriously injured and killed. Thinking this is the future of TV, Max orders unlicensed use of the show.
Nicki Brand, a sadomasochistic radio host, is excited by an episode of Videodrome, and will most likely audition for the show when she finds out it’s airing from Pittsburgh. Max contacts Masha, a softcore pornographer, and asks her to help him understand the truth about Videodrome.
Blondie singer Debbie Harry starred in this David Cronenberg film. Famous for body horror films, Cronenberg was successful in enlisting assistance from major Hollywood productions in making Videodrome. The film gained a huge following by pushing censorship restrictions to a new level. The director’s lo is subversive and grotesque. The difficulties did not prevent Videodrome from ranking in the cult hall of fame.
Body Double (1984)
“Body Double” is a 1984 film directed by Brian De Palma. It is a psychological thriller that combines elements of Giallo, horror, and erotic drama.
The film follows the story of Jake Scully, played by Craig Wasson, a struggling actor in Hollywood who is dumped by his girlfriend and finds himself without a place to live. A friend offers him the opportunity to house-sit an apartment, where Jake discovers a hole in the wall that allows him to spy on his female neighbor, a mysterious woman played by Melanie Griffith, who performs private erotic shows.
“Body Double” is known for its visceral and sexually charged murder scenes, which have become trademarks of the director. De Palma employs visually bold techniques, including long tracking shots, suggestive framing, and a compelling soundtrack, to create an eerie and unsettling atmosphere.
The film received mixed reviews upon its release but has gained a cult following over the years. It is considered one of Brian De Palma’s most distinctive works, exploring themes of voyeurism, sexuality, perversion, and obsession.
After Hours (1985)
“After Hours” is a 1985 cult film directed by Martin Scorsese. It is a black comedy that follows the misadventures of an ordinary man who gets caught up in a crazy and chaotic night in New York City.
The protagonist of the film is Paul Hackett, played by Griffin Dunne, an office employee who decides to go out and experience a different evening than usual. After meeting an attractive woman named Marcy, played by Rosanna Arquette, Paul follows her to the SoHo neighborhood.
However, things take an unexpected turn when Paul loses his subway map and finds himself stranded in downtown New York City, facing a series of bizarre and surreal events. Along the way, Paul collides with a variety of eccentric characters, including wacky artists, ruthless criminals, a gang of vigilantes and a dangerous ice cream man.
Unlike typical Scorsese films, “After Hours” is notable for its humorous tone and satirical depiction of urban life. The film explores themes such as isolation, paranoia, frustration and fear of the unknown, highlighting the absurdity and madness of contemporary society.
‘After Hours’ was critically acclaimed for its clever script and frenetic pace as well as brilliant performances by the cast. Although it didn’t achieve great commercial success upon its release, the film has become a cult film over the years and is considered one of Scorsese’s most distinctive and underrated works.
Highlander (1986)
In 1985, Connor MacLeod faces an old enemy, Iman Fasil, in the Madison Square Garden parking lot. After a sword fight, MacLeod beheads Fasil and a huge energy, named Quickening, hits the surrounding place, destroying several vehicles. After Connor hides his katana in the garage ceiling, NYPD officers detain him for murder but later release him for lack of evidence.
A French-American star who plays a Scotsman (Christopher Lambert) and also a Scotsman who plays an immortal Spaniard (Sean Connery) – what could be better? The defense of eternal life in both 16th century Scotland and 1980s New York really hit the hearts of the public.
A memorable soundtrack by Queen, Russell Mulcahy’s film is filled with legendary sword fights and a scary villain in The Kurgan played by prolific star Clancy Brown.
They Live (1988)
They Live is a 1988 dystopian science fiction film written, directed by and starring John Carpenter. The film tells the story of Nada (Roddy Piper), an unemployed factory worker who discovers that society is controlled by parasitic aliens who control human minds through subliminal messages on television and other media.
Nada discovers the truth after wearing special glasses that allow him to see aliens for what they are. Aliens are evil creatures that feed on human energy and keep humanity in a state of bondage. Nada decides to rebel against the aliens and free humanity from their control.
They Live is a satirical film that examines the themes of social control, propaganda and manipulation. The film is also an action thriller which is full of suspense and twists. They Live is a cult film that has been enjoyed by fans and critics all over the world.
Here are some of the reasons why They Live is considered a cult film:
- The story is original and provocative.
- The characters are well developed and charismatic.
- John Carpenter’s direction is excellent.
- The action scenes are adrenaline-pumping and engaging.
- The message of the film is important and current.
Tetsuo: The Iron Man (1989)
Tetsuo: The Iron Man (1989) is a Japanese cyberpunk body horror film directed by Shinya Tsukamoto. The film stars Tomorowo Taguchi as Tetsuo Shima, a salaryman who is exposed to a mysterious metal substance that begins to transform his body into a metallic creature.
The film is a visually stunning and disturbing exploration of the themes of alienation, violence, and the nature of identity. Tetsuo: The Iron Man is a cult classic that has been praised by critics and fans alike.
Here are some of the reasons why Tetsuo: The Iron Man is considered a classic of the cyberpunk genre:
- The film’s visual style is unique and disturbing. Tsukamoto uses a combination of black and white photography, stop-motion animation, and special effects to create a world that is both alienating and nightmarish.
- The film’s themes are dark and disturbing. Tetsuo: The Iron Man explores themes of alienation, violence, and the nature of identity in a way that is both challenging and thought-provoking.
- The film’s performances are intense and memorable. Tomorowo Taguchi gives a tour-de-force performance as Tetsuo, and the supporting cast is also excellent.
Tetsuo: The Iron Man is a challenging and disturbing film, but it is also a visually stunning and thought-provoking work of art. The film is a must-see for fans of cyberpunk cinema.
Twin Peaks: Fire Walk with Me (1992)
“Twin Peaks: Fire Walk with Me” is a prequel film to the acclaimed and influential television series “Twin Peaks,” created by David Lynch and Mark Frost. The film was written by Lynch and serves as a sort of introduction to the events that take place before the start of the television series.
The film follows the story of Laura Palmer, played by Sheryl Lee, the young woman whose murder is the central investigation in the television series. “Fire Walk with Me” focuses on the final weeks of Laura’s life and reveals details about her turbulent life and the dark secrets surrounding her.
The film explores themes of sexual abuse, violence, corruption, and the duality between good and evil, which are characteristic of the strange and mysterious world of Twin Peaks. While the television series primarily focused on unraveling the mystery of Laura’s death, the film delves into her psychology and provides a more raw and disturbing view of events.
“Twin Peaks: Fire Walk with Me” received mixed reactions upon its release, as it diverged significantly from the lighter and more surreal tone of the television series. However, over the years, the film has been reassessed and has gained a cult following due to its emotional power, Sheryl Lee’s performance, and Lynch’s direction, which creates an eerie and surreal atmosphere.
Pi (1998)
“Pi” is a 1998 cult film directed by Darren Aronofsky. It is a psychological thriller with science fiction elements and focuses on the themes of obsession, mathematics and the search for the meaning of life.
The plot of the film follows a young mathematical genius named Max Cohen, played by Sean Gullette, who lives an isolated and tormented life due to his obsession with numbers and mathematical formulas. Max believes there is a universal numerical model that can explain all aspects of life, including natural phenomena and financial movements.
“Pi” is a film notable for its distinctive visual style, using black-and-white photography, fast-paced editing, and an atmospheric soundtrack to create an intense, claustrophobic atmosphere. The film also explores philosophical and metaphysical themes such as the search for truth, the nature of obsession and the individual’s struggle against power and control.
‘Pi’ has been critically acclaimed for its originality and unique approach to storytelling. It has won numerous awards and has become a cult film over the years, recognized for its provocative vision and reflections on the complexity of the universe and the human mind.
The Devil’s Rejects (2005)
The Devil’s Rejects is a 2005 American horror film written and directed by Rob Zombie. It is the sequel to the 2003 House of 1000 Corpses.
The film tells the story of the Firefly family, consisting of Otis Driftwood, Baby Firefly, Captain Spaulding and Rufus Firefly. The family is wanted by the police for a string of murders and takes refuge in a small Texas town. However, the family is surrounded by the police and forced to fight for their survival.
The Devil’s Rejects is a violent and gore film, but it’s also a very funny film. The Firefly family is a group of charismatic characters and their crimes are rendered in an exaggerated and grotesque way. The film is full of suspense and twists, and the action is adrenaline-pumping.
The Devil’s Rejects is a film that has been enjoyed by fans and critics all over the world. It is a film that makes you laugh, cry and think.
A Better Life (2007)
“A Better Life” is a thriller-noir film by Fabio Del Greco made in Italy in 2007. In Rome, Andrea Casadei is a young detective specializing in surveillance. He meets frequently with his friend Gigi, a frustrated street performer obsessed with achieving success at any cost. Both share a passion for surveillance.
Deeply disturbed by the mystery of the disappearance of Ciccio Simpatia, another street artist friend of both, Andrea decides to abandon the commissioned assignments to seek a better life and reflect on his own existence and that of others. During his journey, he meets the actress Marina and, through the use of a hidden microphone, gradually introduces himself into her life, revealing the most unthinkable secrets.
Fabio Del Greco plays the role of him with a total embodiment of the character. The actress Chiara Pavoni offers a convincing interpretation of the enigmatic and mysterious character of Marina, a woman who has closed her heart and stopped believing in her love.
The film touches on a crucial theme in our world: the lack of love. The values promoted by Western media are opposed to love, suggesting that it does not exist or that it is best avoided. Success, external beauty and power are instead considered fundamental values. The mysterious and tormented figure of Marina reflects a gloomy and soulless Rome.
“A better life” by Fabio Del Greco could be called an existentialist noir. However, the director does not use the typical noir codes to create a copy to be distributed in the cinema market. Instead, he creates a completely personal work, immersing himself in this experience with an almost chronicle style of observation. The film presents itself as a chronicle of the present, which confirms and reinforces the evidence of the metropolitan complexity of film noir of the 1940s.
Initially distributed in a few cinemas, the film has become a cult phenomenon through home video and streaming platforms, enjoying considerable success especially in the United States, with an audience fascinated by black and white underground films that take up the codes of the classic film noir.
Upstream Color (2013)
“Upstream Color” is a 2013 film written, directed and produced by Shane Carruth, who is also the lead actor of the film. The film is an example of experimental cinema and fits into the genre of psychological thriller and science fiction.
The plot of “Upstream Color” is complex and shrouded in mystery. It follows the story of Kris, played by Amy Seimetz, a woman who falls victim to a set of mental and biological manipulation by a mysterious entity. She is subjected to a process involving a symbiotic parasite that steals her identity, memory and will.
Following her recovery, Kris meets a man named Jeff, played by Shane Carruth, who has been through a similar experience. Together, they attempt to piece together their lives and uncover the truth behind the events that have involved them.
“Upstream Color” is a highly visual film, which uses suggestive imagery and non-linear storytelling to create a dreamlike and suggestive atmosphere. Explore complex themes such as identity, human connectedness, memory, and free will.
The film was praised for its originality and stylistic audacity. Its intricate plot and complex narrative structure require some attention and interpretation from the viewer. It is a film that lends itself to different interpretations and stimulates debate among film enthusiasts.
“Upstream Color” has become a cult movie considered one of the most challenging and abstract films of recent years. He has garnered accolades at various film festivals and has been praised for his unique vision and ability to create an engaging and provocative cinematic experience.
