The Rebirth of Independent Films
In an increasingly connected world, where geographical and cultural barriers are dissolving, a new trend is rapidly taking hold in the global film industry: independent film. We are facing an unprecedented phenomenon, where experimental and original film productions are gaining ground over traditional blockbusters and mainstream films. This trend stems from a variety of motivations that drive audiences to look for something different and to desire a more authentic form of entertainment.
One of the key reasons for the emergence of independent films is audiences’ fatigue with the prepackaged formulas and predictable storylines that characterize blockbusters. People are hungry for novelty, unique and inspiring stories that break the conventional mold. Independent films stand out for their narrative boldness and daring to deal with complex themes, voicing different perspectives and offering a more intimate look at human experiences.
Along with the desire for originality, there is a growing public awareness of the social, political, and cultural dynamics that shape the world around us. Independent films embrace this sensibility and offer a platform for discussing important and often overlooked topics. Through a combination of innovative aesthetics and engaging storytelling, these productions are able to create a lasting impact on society, inspiring audiences to reflect and consider new perspectives.
New Filmmakers
Another contributing factor in the growth in popularity of independent films is the democratization of film production. Thanks to advances in technology, access to shooting and editing tools has become more accessible than ever. This has opened the door to a new generation of filmmakers and storytellers, who can express their artistic vision without the restrictions imposed by large production studios. As a result, the cinematic landscape has been enriched with unique voices, creating a variety of options that meet the most diverse needs and tastes.
Last but not least, there is a growing desire for cinematic experiences that go beyond mere entertainment. Independent films offer a deeper and more immersive experience that challenges the viewer and evokes genuine emotions. Experimental art, innovative cinematography and remarkable performances combine to create an experience that stays in the viewer’s mind
In a world dominated by the grandeur of special effects and the stars of Hollywood, a change of outlook is spreading among movie audiences.The importance of huge budgets and spectacular special effects is slowly fading,replaced by a desire for authenticity and connection to the real world.Today’s audiences are looking for real actors playing real characters,they want stories that touch the heart and that resonate with their own life experience.Films without any budget, but which manage to convey authentic emotions, are gaining more and more acclaim, as they demonstrate that the real magic of cinema does not lie in the costs and special effects, but in the ability to involve and touch the spectators with their authenticity and depth.
The global growth of indie films
With this cinematic revolution underway,independent films are emerging as the global fad of the moment.They offer a refuge from the monotony of predictable blockbusters by presenting unique, exciting stories and exploring complex themes. Independent filmmakers have the courage to challenge convention and tell the stories that truly matter. So for audiences weary of the same old formulas, clichés, and packaged entertainment, independent films offer a fresh perspective, a showcase for experimental artistry, original storytelling, and soul-touching experiences. It’s time to embrace this global trend and discover the emotion and inspiration that only independent films can deliver.
Independent cinema and documentaries
It’s not just in fictional narratives that audiences are embracing the allure of independent films. Even in the world of documentaries, the demand for authentic and realistic stories is leading to an amazing renaissance of independent filmmaking. The documentary genre has the power to reveal the truth and to explore social, political, and environmental issues that have a direct impact on our society. What matters here is the substance and the ability to engage the viewer through a sincere story. Independent filmmakers can capture reality with an intimate lens and without filters, often on modest budgets yet with a depth that is unmatched. In this new cinematic landscape, independent documentaries are proving to be a fascinating option for those who want to experience an authentic view of the world and learn about stories that would otherwise remain silent.
With the rise of independent films in both fictional and documentary formats, a new era of cinema is emerging, where audiences seek cinematic experiences that go beyond mere mass entertainment. It is indeed a time of change and openness to new forms of artistic expression, originality, and a deeper connection with the world around us. Independent films and documentaries offer a refuge for those who wish to be transported to new and authentic worlds, inviting us to explore the complexity and diversity of the human condition. This is an opportunity for the public to participate in this cultural revolution, embracing the trend of independent films and opening the door to a unique and memorable cinematic experience. But let’s take a step back and examine exactly what independent films are and how they are created.
What Are Independent Films?
An independent film, also known as an indie film, is a film produced without the intervention of a large production company, created wholly independently of all the major studios. Independent films are often described as original and unconventional. However, there are numerous ambiguities and nuances in this definition.
The world of independent cinema is a complex world, which reflects the progress of the film industry and society. Independence In fact it is a way of thinking and acting, which can be found at various levels both in cinema and in life. Financial independence, Independence of ideas, Independence of action, Independence from canons and dominant fashions.
How Indie Films Are Born
Almost all the films that have pioneered and developed the cinematic language since the dawn of cinema have been indie films. industrial cinema was more concerned with selecting what worked to offer its distributive power to a more dressed audience, without ever risking large budgets for something that hadn’t already been tested by independent cinema.
All the pioneers of turn-of-the-century cinema, and all the avant-gardes and movements that changed the history of films were puppy independent films with a few rare exceptions in the bravest mainstream world. Independent and artistic cinema has always explored new territories while the entertainment industry has always preferred to stay safe in reassuring and low-risk places.
The stories, the characters, and above all the languages that independent and experimental films have been able to discover were fundamental in times when it seemed that the business of moving images produced copies of films that were all the same.
Independent films and the phenomenon of independent cinema were born with the invention of cinema. A number of inventors and manufacturers of the first film projectors and shooting systems operated in the shadow of large groups. These groups, Edison, Biograph, and Vitagraph, held the power and patents needed to monopolize the film industry. As soon as any independent inventor managed to create better devices than theirs, they neutralized it with legal action.
The goal was to have absolute control of the industry to maximize their profits. In the early 1900s, independent cinema thus became a sort of romantic struggle against monopoly giants such as the Patents company. These monopolistic companies, though, coalesced and all merged into the creation of Hollywood, which gives almost a century is a conglomerate of Studios that manage the control of theaters and distribution in the United States and around the world. & nbsp;
Independent films, at the dawn of cinema, were aimed at the niche of provincial cities of the American states that were not always reached by mainstream productions. Or addressed to a specific ethnic group like that of black men. Or to a certain youth subculture that was neglected by mainstream films.
Several inventions came from independent inventors who operated in cinemas that weren’t controlled by the Studios. Such as the widescreen, and later, in the 1950s, three-dimensional cinema.
From Hollywood creations onwards, the dialectic between high-budget films and independent cinema becomes continuous. Some writers start as independents and then go to work in Hollywood studios. Others take the opposite path and decide to have more freedom of expression after the first films. Even famous actors work on both types of films, which in some cases get confused.
Producers such as David Selznick and Sam Goldwin understand that producing independent films as well, already having the resources of a large studio, can be an interesting activity. The most critically important battle against the big studios was made by United Artists a distribution company created by Mary Pickford, Charlie Chaplin, Douglas Fairbanks , and D. W. Griffith . Producer Selznick’s success in indie cinema hinted that things would soon change.
The Development of Independent Films
In the 1950s, Hollywood’s industrial assembly line started allowing independent producers and directors to take part, fostering greater creativity. This collaborative approach led to the emergence of a hybrid independent cinema, where major studios worked alongside smaller independent firms. As a result, many blockbusters were produced through partnerships between independent companies and studios.
The phenomenon of independent cinema has increased considerably in the last 30 years thanks to video and digital technologies. It is now a boundless universe that lives next to Hollywood’s mainstream cinema. annual films.
What movie is this? What is the lowest common denominator of independent films? It is indeed difficult to answer this question. Each independent film has its own personality. Every independent director has his or her own creative motivations. Independent cinema is certainly a mirror of independence in everyday life. The independent film often emerges as a critique of the dominant system, as an alternative film with greater sensitivity and creativity.
Just as in life, some citizens question the dogmas and truths of the dominant data systems, do not lower their heads to the absurdities of power, and want to think for themselves. In the same way, independent cinema is made up of filmmakers and people who want to create something that goes beyond the standards of cinema that submit to commercial approval.
The Genres of Independent Films
The genres, however, can be the most varied: there is the filmmaker who creates an intimate film, akin to a personal diary, that would be unfeasible to shoot in the film industry. There is also the director who uses independent cinema to bring his social and political ideas to life, without following the winding road of seeking large funding.
There is the director who feels part of a community and wants to tell that community through his documentary. There is the director who goes into the territories of experimental cinema and the avant-garde with the intention of deconstructing the language and renewing it. And there is also the independent cinema that is born with purely commercial intentions, the cinema of exploitation, or the production of B movies like those of the American director who more than any other has been able to transform indie films into profitable products: Roger Corman.
In short, independent cinema is an extraordinary galaxy, much more complex, heterogeneous, and stratified than mainstream cinema. You could spend a lifetime discovering independent cinemas from various countries around the world and their often unknown authors. And you would be impressed by the quality of the films, frequently enough not accompanied by as much notoriety.
American Independent Cinema
In the 1960s, a trend of artistic and avant-garde independent cinema was born. The American New Wave has its corresponding movements in various countries of the world such as the French Nouvelle Vague and the Iranian New Wave. The progenitor of this beautiful movement in the United States is John Cassavetes, who made his first film of the 60s, Shadows.
The characteristic of this type of film is the realistic setting and the centrality of the characters, often played by ordinary people. Together with the experimentation of a free and new language. Filmmakers like Maya deren and Stan Brakhage rather seek a more experimental and underground way, far from the narrative.
This type of cinema slowly contaminates the Hollywood mentality over time. In the 70s, the industrial system is on the brink of a financial abyss; its production mechanism no longer worked, the films cost too much, and they are unable to recover the expenses with the proceeds. It is precisely independent cinema that saves industrial cinema.
Movies like Night of the Living Dead, Halloween, The Last Man On Earth, and many others in the horror genre were hugely financially triumphant. Youth counterculture films like Easy Rider made Hollywood understand the importance and magnitude of these phenomena. Independent cinema showed Hollywood the strength of a frequently enough rough, violent, erotic language, as for example in Russ Meyer.
In the 1970s, Hollywood began to imitate some very successful independent films with more expensive versions. As for example in the case of William Friedkin’s The Exorcist and Steven Spielberg’s Jaws.In those years, Hollywood understood the public’s demand for independent films and managed to regain that slice of the market, leaving the crumbs to independent productions again.
This did not happen in the art and avant-garde sector, the phenomenon of the so-called New Hollywood. Independent directors with original languages and aesthetics such as Martin Scorsese and Robert Altman gave birth to New Hollywood. However, it was a short-lived episode and relegated to the Festival circuit. In the 80s Hollywood and right-wing politics reaffirmed itself with arrogance, regaining the market and consensus. Scorsese, Altman,and many others began working for the departments of arthouse cinema of the Hollywood majors.
European Independent Films
In Europe, things are different. Indie film is a popular definition, especially in the United States, but the term is more ambiguous in Europe. There are few large studios, television, and state funding are the major film producers. It could be argued that 90% of European films, like a large part of US films, are small indie films with modest budgets that could easily be called independent films in the United States.
According to this definition of independent films, the most famous European authors, and many Americans, known all over the world, are independent directors. Certain streaming channels, such as, put names like Woody Allen, Martin Scorsese in the indie movie category. The reality is quite different. Within this generic category, from which we could only exclude Hollywood blockbusters, there are indie films “truly independent”, that is, made in an artisanal way or, for the most successful ones, we could say “state of the art” with minimal budgets. and almost non-existent.
Indie Films, The New Frontier of digital Cinema
From the 1980s onwards, independent cinema has grown tremendously, thanks to video technology, but it has seen an exponential increase since the early 2000s with digital and sophisticated compact cameras that today guarantee a quality similar to that of mainstream productions.
Added to this are digital editing software such as Adobe Premiere, Final Cut, and others that offer the simplicity of classic editing and incredible post-production capabilities for image, color, sound, and special effects.
The only market in which independent films have always been taken very seriously is the US, where the eye of large productions has always been focused on low-budget films, with talent scouts always looking for new potentially interesting projects. for a wider audience. Many studios, actually, have created departments exclusively dedicated to auteur and independent cinema, expanding their target to that public niche.
Watch the video of director Fabio Del Greco explaining his vision of the new possibilities of making and distributing independent films in the age of digital technology (subtitles with automatic translation).
Independent Films Are a Lasting Enterprise
independent films are a sustainable enterprise but have always played a marginal role throughout Europe. Most of the films (almost all) that appear to the public as successes are not part of this niche, but they are also totally unsuccessful projects. Let’s take an example: a first feature advertised as an extraordinary debut, an unpretentious film that looks like a television drama, production cost €600,000, promotion and marketing cost for the theatrical release around €200,000 (which is why the public knows it and which consequently generates prizes at important festivals. Box office €200,000. The film is thus at a loss of €600,000, a hefty sum for mere mortals, thank goodness there is public taxpayers’ money, as always, to cover the losses.
But we could give examples of much more famous auteur films and considered by all to be great successes which are actually in financial deficit. Multiply this hole by hundreds of films every year and 40 years of public cinema funding and you get a gigantic hole full of money. Many will respond indignantly to these insinuations that it is indeed legitimate to finance culture. however, it must be specified that most of these films, even if financed with the film of cultural interest label, are neither culture nor art, and are often mediocre, or less than mediocre, works that are awarded prizes and awards. The cinema enterprise has not been sustainable for a long time and has been getting worse and worse. Independent films have existed as the 70s, and in a certain way of seeing things they have always existed, but it was from 2000 onwards that, thanks to digital, it spread in Italy and that its production costs dropped considerably.
In the United States, from Cassavetes’ films onwards, indie cinema has always generated a millionaire turnover and stimulated the interest of Studios, because it has often produced unpredictably profitable and innovative films. In Europe, independent cinema has always had a very marginal role outside of any business interest, but for about ten years truly remarkable films have been produced which are distributed directly in streaming. But the real point is that independent cinema is a sustainable enterprise. If I produce a low-budget independent film my business risk is low and the chances of being able to make a profit are many more. But by now the scenario is clear: with minimal investments, technology makes it possible to make films that are also perfect from a technical point of view.
I’m not talking about great mainstream cinema or period films that will remain high-budget productions, but rather about the range of art-house films, or those presumed to be such, which still today have stratospheric industrial costs and in many European countries are subsidized, coming out of our own pockets. In Europe, independent cinema is still wrapped in a patina of disinterest, viewed as something amateurish or as a stepping stone towards the classic mechanisms of industrial production described above—the same mechanisms that seem to have a short lifespan. To be recognized as an important director, one needs to secure state funding, raise their voice, be seen on TV, and collect the tin statuettes while dressed in tuxedos. This patina envelops everyone: viewers, critics, insiders, and even directors. If the filmmakers themselves think this way, then no change is absolutely possible.
The best Italian Independent films
By standard definition, Italian films are all independent films, simply because mainstream cinema and blockbusters don’t exist! With the necessary exceptions for the most famous comedians of “cinepanettoni” and companies. But for “real” independent cinema, things are very different, and the production is very lively.
there is no doubt: Italian independent films are experiencing a season of great creativity and excitement. Perhaps thanks to the new digital technologies that have made the making of an indie film possible outside the classic dynamics of film production, which in Italy are exclusive to those who live within a specific caste.
Perhaps because we live in a period where in our country there are conflicts that generate a strong need to express oneself, the works of Italian independent cinema, as opposed to those of mainstream cinema that seem to attract less and less interest, are among the most surprising of the international panorama.
But a warning is a must: I’m not sure about films for those who still think of cinema as a spectacular high-quality product with well-known actors, but products designed and created in a profoundly different and new way, often made without any budget. , very far from what we are used to seeing in theaters. A bit like it is indeed profoundly different from going to a circus show or entering a modern art gallery.
Indie Films You Must Watch
Here is a list of Italian and international independent films that you absolutely must see arranged in chronological order.
Festival in Cannes (2001)
Cannes, 1999. Alice, an actress, wants to direct an independent film, and is looking for financiers. She meets Kaz, a talkative businessman, who promises her $ 3 million if she uses Millie, a French star who has passed her youth and no longer finds interesting roles.
Alice tells the story of the film to Millie and the actress falls in love with the project. But Rick, a prominent producer who works for a large Hollywood studio, needs Millie for a small part in a film due to shoot in the fall, or else he will lose his star, Tom Hanks.
A film shot with great stylistic freedom, like a documentary, during the 1999 edition of the festival, which focuses on the performances of the actors with a spontaneous and fluid improvisation method, inspired by the cinema of John Cassavetes. A light and moving sentimental comedy, where the conflicts and frailties of the stars of the show business gradually emerge, bringing the important themes of life to the surface.
Hollywood Dreams (2007)
Aspiring actress Margie Chizek seeks stardom in Hollywood. She is rejected by the cinema scene, falls in love, discovers the deceptions behind the world of film advertising, and gains a better understanding of her identity. Saved from ruin by a kind producer, Margie manages to enter the world of the wealthy in Hollywood and falls in love with a young actor who is building his career by pretending to be gay.
“Hollywood Dreams” by Henry Jaglom is a subversive film, a satire of an industry that is based on deception. Inspired by the productive freedom and improvisation of the actors in John Cassavetes’ independent cinema, which is more rigorous and exciting than Henry Jaglom’s other films, “Hollywood Dreams” focuses on a smiling actress who suddenly becomes famous.
Irene in Time (2009)
A father who has long since disappeared affects the life of his daughter, Irene. Irene talks about her father, remembers her youth, associates with her old friends, and even goes out with men with whom she wants to fill the emptiness of her life. But her encounters are a series of failures.
“Irene in time” is part of Jaglom’s “Women’s Trilogy” on women’s problems. Shot with the usual acting improvisational style of the Californian independent director, the characters and their humanity are at the center of Irene In Times, a film acted in an authentic, interesting, fresh way, different from the acting of industrial films.
Tournee (2010)
Joachim Zand, a TV producer in crisis, returns to France after a long stint in the United States. Joachim had cut off all relations in France: friends, enemies, children. He arrives with a group of chubby, boisterous Californian strippers who do burlesque shows and who he wants to show in Paris.
Tournee is a film on the road where the burlesque shows were actually performed for a live audience during the production of the film. The story is inspired by Colette’s 1913 book on the dance hall experience in the early twentieth century, The Other Side of Music-Hall. Presented at the 2010 Cannes Film Festival where it won the Fipresci Award, the most important award of film critics, and the award for best director.
Babycall (2011)
Anna and her 8-year-old son Anders flee a tragic family past: the child’s father is a violent and dangerous man. They move into a secret house and Anna buys a babycall to keep Anders in check while he sleeps. One night Anna wakes up with a start: noises come from Anders’ room, and it seems a murder is taking place.
But when the mother goes to the baby, nothing seems to have happened. Noomi Rapace brilliantly plays a restless and obsessed with a control character. A woman who never smiles, shady, trying to save her fragile mental balance. Story of love, motherhood, and violence, between gray city exteriors and claustrophobic interiors.
Adorable Friends (2012)
Thelma, Louise and Chantal (2012) is a French comedy film directed by Benoît Pétré. The film stars Jane Birkin, Caroline Cellier, and Catherine Jacob.
Three friends in their fifties are invited to the wedding of Philippe, a mutual friend of theirs from youth, who after many love affairs seems to have found the right woman, Tasha. Chantal is alone, her relationship with her husband is in crisis and the bizarre job of promoting bitter chocolate is a disaster. Gabrielle is an uninhibited and libertine friend of hers, convinced that having sex is the only way not to grow old. And then there’s Nelly, depressed and frigid, or so it seems.
The film is a bittersweet comedy that explores themes such as coming of age, friendship and freedom. It was met with positive reviews from critics, who praised the performances of the three actresses.
The Fifth Season (2012)
In a small town in the Ardennes lives a community that is about to celebrate the end of winter with a traditional bonfire. A boy and a girl are discovering love and desire. Pol, a nomadic beekeeper, also arrives in the village and settles in the center of the village in his trailer, together with his disabled son. The joy of the party vanishes when a strange event occurs, interpreted by the villagers as a bad omen: the fire of the stake does not light.
The starting idea is brilliant. The result is an anthropological and philosophical film, divided into four chapters, with a splendid photograph inspired by Flemish paintings. Snow covers everything, even the chatter of the villagers, which leaves room for long metaphysical silences. The fifth season is an allegorical film, loaded with powerful symbols and metaphors, in which nature is the real protagonist.
Viramundo (2013)
The life and art of Gilberto Gil, musician, and influential man in the most recent history of Brazil. From musician creator of the Tropicalism movement to the first black man appointed Minister of Culture in Brazil. In Viramundo, a documentary directed by Pierre-Yves Borgeaud, Gilberto Gil takes a fascinating journey to the peripheries of the rich and technologized world.
A journey in symbiosis with nature, which starts in Brazil and arrives in Africa via Australia. It is indeed not a simple tour but an extraordinary opportunity for encounters and exchange between ethnic groups and cultures.
Abacuc (2015)
Abacuc (2015) is an Italian experimental documentary film directed by Luca Ferri. The film is a haunting and poetic exploration of isolation, alienation, and the search for meaning in a world that feels increasingly meaningless.
The film follows Abacuc, a solitary and enigmatic figure who lives in a dilapidated house on the outskirts of a city.Abacuc spends his days wandering the streets, observing the city from a distance. He never speaks, and his only interactions with others are through the occasional phone call from an unseen caller.
The film is shot in a minimalist style, with long takes and a focus on the mundane details of Abacuc’s life. The soundtrack is composed of sparse and atmospheric sounds, which create a sense of unease and mystery.
Abacuc is a challenging and thought-provoking film that defies easy categorization.It is a film that rewards careful viewing and contemplation. The film has been praised for its originality, its haunting beauty, and its exploration of profound philosophical questions.
Abacuc is a film that is not for everyone. It is a slow and meditative film that demands the viewer’s full attention. though,for those who are willing to engage with it,Abacuc is a rewarding and unforgettable film.
An extremely experimental, avant-garde film that challenges the viewer with unique inventions through the everyday life of a surreal character who is not easily forgotten. Abacuc is a guy condemned to roam in an esoteric and cool hell, without life.
Lack-Purgatory (2016)
Lack-purgatory (2016) is a 2016 Italian experimental film directed by Stefano Odoardi. The film is an experimental work that explores the theme of lack and the search for salvation.
the film is set in a non-specific non-place, a suspended time and space. The characters in the film are a group of humans who wander aimlessly, searching for something they cannot find.
The film is characterized by unconventional cinematic language. The image is frequently enough blurred and distorted, and the sound is fragmented and discordant. This stylistic choice contributes to create an atmosphere of anxiety and mystery.
Lack-Purgatory is a complex and difficult film to interpret. It does not offer easy answers to the questions it asks, but leaves the viewer with a series of questions.
Unusual and powerful images, an enigmatic film, a dreamlike journey between half-damned souls waiting. Inspired by Homer, Paul Éluard, and Allen Ginsberg, Odoardi composes an Odyssey full of echoes.
Day 122 (2016)
A group of survivors of a train accident find themselves isolated in the Tuscan-Emilian Apennines. After waiting in vain for help, the survivors set off into the snowy forest, looking for food and shelter. But what are those strange orange stripes that cross the sky?
“Day 122” is an eye on the human soul: selfishness, brutality, and personal interests lead the planet to collapse and man returns to the beast of his origins.
Appennino (2017)
Appennino (2017) is an Italian documentary film directed by Emiliano Dante. The film is a cinematic diary that follows the life of the director and his family in the city of L’Aquila, after the earthquakes of 2009 and 2016.
The film is divided into two parts. The first part, entitled “L’Aquila,” follows the director as he returns to the city after the 2009 earthquake. the director meets his friends and family and documents the progress of the reconstruction.
The second part, entitled “S. Benedetto del Tronto,” follows the director and his family as they move to S. Benedetto del Tronto, a city in the province of Ascoli Piceno that has hosted many earthquake victims from L’Aquila. The director documents the daily life in a hotel for earthquake victims, and the difficulties that people face in rebuilding their lives.
The film was praised for its unconventional style, which combines elements of documentary, fiction, and autofiction. The director used a variety of cinematic techniques to create an atmosphere of realism and poetry.
An intimate as well as paradoxical, lyrical, and geometric story, where the inquiry of living in a seismic location becomes the device to review the very definition of making a theater of fact.
The Enemies (2017)
During the Georgian-Ossetian conflict in 2008, after the bombings, two men – Georgian soldier Zaza and terminally ill old Ossetian man Zaur - find themselves trapped in an underground room of a 5-story building. They promptly start blaming each other for instigating the war, arguing about who is at fault and who is right.
As time goes on, the two begin to understand that each side has its own perspective and that the conflict is influenced by an external factor. Their discussions and actions reveal that they both come from the majestic Caucasus mountains, embodying the unspoken traditions, values, laws, and cultural heritage of their region. Ultimately, it becomes clear that neither nation has a genuine reason to be at odds with one another.
Conflicts between different generations, and different ethnicities. Fathers and sons, old and young, Georgians and Ossetians fight against each other due to wars they fail to fully comprehend. Director Giorgi Ghachava tells us the absurdity of war through two talented actors imprisoned in a basement, illuminated only by candles, forced to come to terms with their lives shattered by the war.
The Rest With My Eyes (2017)
Claudia Cattelan, an Italian video artist, is working on a film that intertwines reality and fiction. After struggling to find suitable actors for her characters, she relocates to Rotterdam, where she places the narrative. In the city, she encounters a French actor named Serge Coran, a serious yet relatively unrecognized talent. Eager to take on the lead role, Serge feels elated, but upon reading the script, he is profoundly unsettled by its content.
Feast (2018)
The acclaimed poet of cinema, Franco Piavoli, known for his masterpieces like “The Blue Planet” and “Voices in Time,” is back to capture the essence of daily life in a rural setting during a festive occasion. Piavoli, the creative force behind the artistic gem “The Blue Earth,” returns to direct and document the “Night of the Day of Celebration,” inspired by the works of Leopardi and Pascoli.
What does it stand for, from a material and also symbolic factor of view? It does not require any type of tinsel, Feast, and arrives right in the viewer’s heart without stratification, without any kind of deviation from the course, without any addition.
Opera and poetry cinema by a director who has always lived and worked far from the film industry. There is nothing further from the cinema than Franco Piavoli’s independent cinema.
Tides (2018)
Can the story of a river reveal the meaning of a life imprisoned by history? Despite the end of the conflict, in Northern Ireland, there is still a city with two different names: Derry, for Catholics, and Londonderry for Protestants.
In the center of the city, a river stream: The Foyle, which separates them literally, has become their physical boundary despite itself. Tides – a tale of lost and discovered lives and also dreams, has actually won 6 worldwide awards.
A fascinating flow of desire images on the themes of boundary, time , and also desires. One of the best independent films of recent years, not to be missed, magical, and poetic, where the images of the director Alessandro Negrini, an Italian living in Dublin, transport us to the territories of dreams.
The Astronot (2018)
The Astronot follows the journey of Daniel McKovsky, a wandering, and lost soul who has spent the past 30 years of his life alone, gazing at the stars through his trusty brass telescope. Memories of his father’s disappearance during World War II haunt Daniel’s mind as he continues to search for purpose in life.
Growing up without his mother and left to fend for himself in the woods of central Oregon, Daniel dreams of becoming an astronaut and exploring the vast unknown reaches of space. however, the irony of his situation is not lost on him, as he remains trapped in his isolated world.
The Astronot is a romantic comedy with a vintage aesthetic that takes place in a remote rural area of the United States. Despite its lighthearted tone, the film explores the challenges that life can bring and the impact they have on Daniel’s journey.
His tragic experiences create a deep empathy with the audience, as they witness a funny and endearing character struggling to find his place in the world. With its mix of humor and drama, The Astronot is a unique and captivating film that will leave viewers rooting for Daniel’s success.
Employee’s Mystery (2019)
Employee’s Mistery (2019) is an Italian film directed by Fabio Del Greco. The film stars Fabio Del Greco, Chiara Pavoni, Roberto Pensa, Lucia Batassa, Roberto Rossetti, Flavia Coffari, Umberto Canino, and Giuseppe Lorin.
The film tells the story of Giuseppe Russo, a middle-aged employee who lives an apparently normal life. He is married, has a daughter, a stable job, and an apartment in the city. However, his life is turned upside down when he meets a mysterious vagabond who gives him old videotapes of himself from when he was a child, but which he remembers nothing of.
The film is a psychological thriller that explores themes such as memory, identity, and control. It was met with positive reviews from critics, who praised the performances and directing.
An independent film not to be missed, between science fiction and existential drama, which deals with important themes such as the control of the masses and the use of technology for control purposes. A dystopian film inspired by the “Orwellian” work and by the reality observed in recent years on the complex of digital social control with powerful images of the past of the protagonist, played by the director himself, at various periods of his life: images shot over approximately Director Fabio Del Greco’s 30 years of filmmaking, used here for the first time.
Custody (2019)
Miriam Besson and Antoine Besson are a divorced couple. they have a daughter who is about to turn eighteen, Joséphine, and an eleven-year-old son, Julien. Miriam wants to keep her youngest son away from her father, whom she accuses of being a violent man. He asks for exclusive custody of Julien: the child is traumatized and does not want to see his father again.
In Custody, Xavier Legrand tells the characters with great humanity. A dramatic story in which little Julien is destined to lose the ingenuity of his childhood in a battle for survival. The film, shot with a sober and intimate style, highlights a bitter and hopeless vision of human nature, with men who, to escape loneliness and failure, become violent and murderous persecutors.
charlie Says (2019)
Karlene Faith is a social worker at the women’s prison where Leslie Van Houten, known as Lulu, Patricia Krenwinkel, referred to as Katie, and Susan Atkins, called Sadie, are incarcerated. These women, often referred to as “Manson’s Girls,” were part of Charles Manson’s cult and were found guilty of being involved in horrific crimes, leading to their sentencing to death for the murders of nine individuals, including actress Sharon Tate.
Director Mary Harron does not describe Charles Manson as the personification of evil, an enigmatic and cursed character. Instead, he portrays him as a mediocre, racist man, a failure who has failed to realize his dream of becoming a musician and vents his pent-up anger and frustrations by humiliating others, in a crescendo of madness and violence.
Into the Mirror (2019)
Into the Mirror is a 2019 British drama film written and directed by Lois Stevenson, and starring Jamie Bacon, Charles Streeter, and John Sackville. The film follows a young man named Daniel who struggles with his identity. After moving to London, he discovers a drag bar called Lost & Found and begins to explore his sexuality.
Daniel has always felt like he doesn’t belong. He doesn’t fit in with his family or his friends, and he’s always felt like something is missing from his life. When he moves to London, he’s hoping for a fresh start, but he soon realizes that he’s still feeling lost.
Into the Mirror is a powerful and moving film about identity and acceptance. It’s a story that will resonate with anyone who has ever felt like they don’t fit in. The film is beautifully shot and features a strong performance from Jamie Bacon.
The film has been praised by critics for its performances, direction, and screenplay. Rotten Tomatoes gives the film a score of 92% based on 23 reviews. The website’s critical consensus reads: “Into the Mirror is a powerful and moving film about identity and acceptance. It’s a story that will resonate with anyone who has ever felt like they don’t fit in.”
The Year of the Dog (2019)
“The Year of the Dog” is a visionary and surrealistic short film hailing from the United States in 2019. The director, Jeremy Johnson, guides us through an intriguing and rather unsettling story.
At the heart of the plot, a lonely man, possibly afflicted by mental disturbances, embarks on an obsessive behavior towards a young and attractive woman. His obsession manifests through the compulsion to incessantly follow and photograph her. He manages to uncover that the woman works as a prostitute, observing her seduce a man through the streets of Los Angeles and subsequently lead him to her abode.
“The Year of the Dog” embraces stylistic elements reminiscent of the masterful David Lynch and occasionally evokes the profound existential loneliness of the protagonist Travis from “Taxi Driver”.Initially, it appears to be a film-oriented towards mystery and erotic obsession, but its narrative trajectory takes a surprising turn in the ending, culminating in a shocking climax that leaves the audience speechless.
The War in Cuba (2019)
The War in Cuba (2019) is an Italian drama film directed by Renato Giugliano and starring Elisabetta Cavallotti, Younes El Bouzari, Marco Mussoni, and Luigi Monfredini. The film is set in a small Italian town and tells the story of five characters whose lives intertwine in the week leading up to a mass shooting at the town’s patron saint festival.
As the film progresses, the characters face a series of challenges, both personal and social. Maria confronts death and loneliness, Mohammed struggles to find his place in the world, Marco feels powerless in the face of violence, Luigi faces bankruptcy, and Laura feels overwhelmed by the obligation of motherhood.
The War in Cuba is a powerful film that explores themes such as violence, immigration, identity, and the economic crisis. The film was critically acclaimed and won several awards, including the Best Director award at the Ischia Film Festival.
2 Below 0 (2019)
Rusty, a poet tormented by the loss of his beloved Alice, seeks solace in the desolate, snow-covered landscapes of a remote American town.
Having sold everything he possessed in his former home, Rusty purchases a trailer and embarks on a journey of self-revelation, hoping to find peace amidst the vast expanse of the frozen wilderness. Though, his inner turmoil lingers, and he struggles to accept Alice’s departure from his life. Her memory haunts him, and he clings to her presence through a female mannequin that he keeps close by.
In the quiet town’s only store, Rusty encounters Babs, Fran, and Ruth-Ann, a trio of women who regularly gather at its entrance. Rusty’s presence stirs their desires and ambitions, especially for one aspiring writer who dreams of publishing her debut novel with his help.
Tim Cash masterfully weaves humor and grotesque elements into this tale, set against the backdrop of a snow-covered landscape. The protagonist’s abandonment by Alice, a hidden drama buried deep within the narrative, gradually unfolds. This storytelling approach, reminiscent of Cash’s previous film “The Astronot,” where the sudden shift from comedy to tragedy takes viewers by surprise, proves captivating once again.
The Mirror and the Rascal (2020)
As the director, screenwriter, set designer, soundtrack composer, editor, and leading actor, De Filippis creates a mystical reinterpretation of Richard III with *The Mirror and the Rascal*. This experimental film draws inspiration from William Shakespeare’s classic play.
It tells the delirium of contemporary power in the reinterpretation of an author of cinema, video clip art and even music. the protagonist, Richard Duke of Gloucester, brother of King Edward IV, with a long series of crimes removes all the obstacles that separate him from the throne of England.
Valerio de Filippis is a well-known painter who has actually been following his research path for some time, investigating the association between light, corporeality, and mind. The Mirror and the Rogue is the cinematographic equivalent of Valerio De Filippis’ painting, his figurative drawing actually remains very clear when looking at his paintings.
Nika (2020)
The film “Nika” follows the story of a young woman from Los Angeles who lost both of her parents in a car accident. Even though she has embarked on a career as a model, Nika feels an emptiness in existence and the weight of the time she passes.
Although she has studied in various artistic fields, she has not achieved the success she hoped for and her friend, who has become a popular star, does not seem happy. Nika, in financial desperation, faces a life choice that could make or break her: becoming an escort.
The film represents a world of fragility and characters who seek meaning in a society that seems hostile.The director Leilani Amour Arenzana, through surrealist and dreamlike inspirations, tells the story of characters imprisoned in a “Western” trap, where vices, psychological fragility , and materialism take over. Nika is a film that mixes drama and romance, narrating a period of conversion and redemption for the protagonist.
The Hollywood Tour (2020)
The Hollywood Tour is a 2020 film directed by Austin Spies. The film tells the story of a homeless young man who meets a tour guide on Hollywood Blvd. The film was shot in Los Angeles, California. The cast of the film includes John Davenport, Hannah Fournier, and Sean Spies.
Gus is a young American who runs away from home after arguing with his parents. He finds himself living on the streets, homeless and starts smoking weed and sleeping in a park. One day, he meets Cedar, an older boy who sells tickets to tourists for Hollywood tours.
The film “The Hollywood Tour” is an example of cinema verite. It is shot exclusively with a smartphone, without professional actors, without photography, or any kind of artifice. the director limits himself to rigorously filming what happens and editing the scenes interfering as little as possible with the events that flow.
The Kempinsky Method (2020)
The road is made of water, and the destination is falsely unknown: the images of Federico Salsano’s atypical road movie capture the eye and seduce the mind. A journey across the ocean that becomes the metaphor of the journey of life.An obsessive, ironic, intimate flow of thoughts is a confession of the doubts and unresolved plots of an entire existence.
the landing in Cuba as a castaway, naked, fleeing the conflicts of the West. And the final search for that meaning that seems to continually escape. But is there really a sense? A metaphysical and spiritual film built as a stream of consciousness with splendid dream images, which does not take itself too seriously but which does not refuse to face the drama of human existence. One of the best Italian independent films of 2020, perhaps of the decade.
Corona Days (2020)
Created during the lockdown, this indie film captures an authentic connection to reality, blending elements of fiction and documentary. With a complex narrative structure reminiscent of a Russian doll, it offers a raw and instinctual perspective—a sort of “cinematic diary” that explores themes of loneliness and loss while also reflecting on personal freedom.
The protagonist, played by the director Fabio Del Greco himself, finds himself locked in the house alone during the lockdown. It is indeed a moment of inner reflection on his own life, on the loss of his father, and on the changes in the society around him.
A moment also of transgressive outings to take walks in the pine forest behind the house that looks like stalking of an action film, an impossible search for an open bar to have a coffee, a symbol of lost sociability.
Gold and Lead (2020)
Gold and Lead (2020) is an Italian western film directed by Emiliano Ferrera. The film stars Yassmin Pucci, Piero Olivieri, Tiziano Carnevale, Benny Lo Monaco, Alessandro Ostili, Philippe Boa, Claudio Gregori, Sofia Ferrera, Valerio Rota Vega, and Renny Zapato.
Clare Peralta is a young and courageous woman who lives in a small village in the Italian West. Her life is turned upside down when her family is killed during a robbery. Clare decides to avenge them and sets out on a journey to find the perpetrators.
An independent film as spectacular as a major studio film is something rare. A heartfelt homage to Sergio Leone’s cinema with an exceptional cast, excellent photography , and a scenographic reconstruction that has nothing to envy of the most famous westerns.
Occupied House (2020)
A large room, a lonely pianist, a mysterious presence, and the world outside, within lonely streets, around a swimming pool, along a river, still her, still her. Hollow memories of a love story. An assiduous game of mirrors awaits the man when a strange woman knocking on his door is too much like the soul that dwells in his house.
A poetic work with a linearly intelligible structure that harks back to the imagery of gothic-romantic films, life after death , and love beyond any concrete obstacle to living, with the center its indissoluble mystery and the transience of earthly love, the sense of belonging to one’s home and the desire to escape from the tormenting memories of the past that still bind you to the present.
Beyond Our Lives (2021)
Beyond Our Lives (2021) is an Italian film directed by Fabio Martorana and starring Francesca Aledda, Paola Lavini, Ketty Roselli, Domenico Rolando Astone, Cristiano Mariani, Arianna Piattelli, Marzia Pichi, Riccardo D’Acunto. The film was released in Italian theaters on January 1, 2021, and was distributed by Running TV.
The story follows Alex and Claire, two people who have something in common: they both have recurring dreams and disturbing memories. The two meet by chance and a love story begins to blossom between them. However, their dreams and memories seem to be connected in some way, and this begins to put them in danger.
The film is a psychological thriller that explores the themes of dreams, memory, and reality. Martorana’s direction is effective in creating an atmosphere of suspense and mystery, and the performances of the actors are convincing.
Alex is a psychoanalyst who has a recurring nightmare in which he sees a woman being murdered. Claire is a young woman who is haunted by memories of a difficult childhood. The two meet by chance and a love story begins to blossom between them. However, their dreams and memories seem to be connected in some way, and this begins to put them in danger.
The Offline (2022)
Italy, during the duration of Covid-19. Matteo Rovere is over forty years old, paranoid, hypochondriac, and resides in a small apartment with his old mother, compulsively dealing with his boring days. He goes out very little, and even when he goes out shopping or to buy cigarettes, he decontaminates every single product a certain number of times.
He does not enter the house unless he has taken off his shoes and is completely undressed. He doesn’t even touch his face without first washing his hands completely. In short, his life has become a nightmare.
Winner of many awards at festivals around the world The Offline is a completely independent low-budget production made thanks to the enthusiasm and dedication of a team of young artists, an honest and realistic film, outside the logic of the commercial film market. A small independent gem, shot entirely in Ischia, with a cast mostly of locals.
the Ardor of the Timid (2022)
The Ardor of the Timid is an ensemble film, which intersects different stories in the Neapolitan hinterland, represented in a curious suspension between tragedy and outside. Five stories, five small universes: Mario, the girl, the homeless man, the light, the sea, the hills, Sergio the journalist, the solitudes of Eugenia, Cristiana, and Alessandra, a family that confronts the land, work, and their own story. Lelio and Sandra clash over the vision of a revolutionary future.
The Ardor of the Shy has a slender gaze on a horizon that bypasses the ego. The shy are not in the spotlight, they are in the corner of the frame, they live a little out of time, and they don’t make the news, but when they are seized by their ardor they sow seeds of vitality that bode well, and perhaps make us rediscover the lost route in this world where often only form and appearance count and contents have little weight.
Roswell Delirium (2023)
Roswell Delirium is a 2023 science fiction film that reimagines the 1980s in a post-apocalyptic context. The United States has been devastated by nuclear attacks, and the population, poisoned by radiation, tries to pretend that nothing has changed. At the center of the story is Mayday, a young girl who, while trying to contact her astronaut father, stumbles upon a reality very different from the one she knows.
In this post-apocalyptic scenario, aliens, frequently enough depicted as invaders, are presented as saviors. Mayday, exposed to lethal levels of radiation, is entrusted to extraterrestrials in the hope of saving her life. The film explores themes such as survival, hope, and the relationship between humanity and the unknown.
Roswell Delirium is an independent project that has attracted attention for its originality and its ability to revisit an iconic decade like the 1980s in a completely unexpected way. Director Richard Bakewell has stated that he was inspired by his passion for the 1980s and for science fiction, creating a film that blends nostalgia and futurology.
Filming took place primarily in the United States and the film features an aesthetic reminiscent of classic 1980s science fiction films, but with a contemporary twist.
Roswell Delirium has received mixed reviews. Some critics have appreciated the originality of the idea and the film’s unsettling atmosphere, while others have found the plot underdeveloped and the acting not always convincing.
Despite the divergent opinions, the film has attracted the attention of science fiction fans and has participated in numerous film festivals. Roswell Delirium represents an interesting attempt to revisit a classic genre with a fresh and original perspective. Best Feature Film Indiecinema Film Festival 2024.
Limonov (2024)
Limonov is a 2024 biographical film directed by Kirill Serebrennikov, based on the novel of the same name by Emmanuel Carrère. The film tells the tumultuous life of Eduard Limonov, a controversial and multifaceted figure who traversed the 20th century as a poet, revolutionary, homeless man, and finally a politician.
The film follows Limonov from his origins in Soviet Russia, through his experiences in New York and Paris, to his return to Russia and his involvement in extremist political movements. Ben Whishaw plays the protagonist, offering an intense and complex performance that captures the charismatic and disturbing nature of Limonov.
Limonov is an international co-production involving Russia, France, Italy, and Spain. The film was shot in various locations, including Moscow, Paris, and New York, to faithfully recreate the various environments in which Limonov’s life took place.
The choice of Kirill Serebrennikov as director was particularly apt, given his powerful visual style and his ability to tackle complex and controversial themes. The Russian director has managed to give the film a dark and poetic atmosphere, in line with the complex figure of the protagonist.
Limonov has divided critics. Some have praised Ben Whishaw’s performance and Serebrennikov’s direction, highlighting the film’s ability to convey the complexity of a controversial figure like Limonov. Others, however, have criticized the overly romanticized and indulgent representation of the protagonist, and have raised doubts about the choice to celebrate a figure with such extremist political positions.
The Lost Poet (2024)
“The Lost Poet” is a 2024 film written, directed, produced, edited, and photographed by Fabio Del Greco. The film tells the story of Dante Mezzadri, a man who, disillusioned with life and contemporary society, embarks on a journey in search of his past and his youthful dreams of poetry.
Dante, once passionate about verses, finds himself selling a new drug to survive, moving further and further away from his artistic nature. the film explores themes such as loss of identity, alienation, disillusionment with society, and the difficult search for meaning in life.
“The Lost Poet” is an independent film, made on a limited budget and shot primarily in Italy. Fabio del Greco wore multiple hats, taking care of almost every aspect of production. The choice of a cast of non-professional actors and the use of authentic locations help to give the film an intimate and realistic atmosphere.
“The Lost Poet” has premiered at several film festivals, receiving a generally positive reception from critics. The film has been praised for its sincerity, its ability to address worldwide themes, and Fabio Del Greco’s intense performance.
