The 110 Science Fiction Movies to Watch

Introduction

Sci fi movies work beautifully in the cinematic show: dozens of productions of this genre have become absolutely must-see movies and unmissable masterpieces. They manage to deal with philosophical and political issues with science fiction metaphors that attract a lot of the public. Topics that otherwise would have burdened the cinematic story such as the cold war, xenophobia, pacifism, pollution, social crises. 

Sci fi and arthouse cinema often don’t get along very well. The same could be said of independent cinema, made with low budgets. Sci fi is one of the favorite genres of mainstream movies, exclusive to Hollywood territory. 

Sci fi movies needs special effects, incredible studio sets, star clashes and forays into other planets. Sci fi movies have become the largest source of revenue for the Hollywood industry to cover almost 90% of the revenue in the 1990s. So you might think that science fiction cinema is exclusively something spectacular made with great resources, but it is not.

Indie and Cult Sci Fi Movies

There is an independent science fiction cinema that tells little out of the ordinary stories without the need to show aliens or other planets. In the same way as there is a sci fi movies such as Solaris by Andrei Tarkovskij, Where is the science fiction genre meets important philosophical and existential reflections. 

John Carpenter, one of the most famous directors of sci fi movies, has repeatedly stated that through his sci-fi and horror films he tells his political vision. A striking example of his filmography is They Live, a dystopian sci fi movies from 1988, where his anti-capitalist ideas about consumerism emerge clearly. 

It took several years for sci fi movies to also establish itself as quality and arthouse cinema. It has long been considered a minor genre relegated to b-movie. Over time, however, the special effects have made it possible to achieve much more satisfying results. 

Directors arrived who used the science fiction genre to make their own arthouse films, creating great masterpieces. This is the case, for example, of Stanley Kubrick with 2001: A Space Odyssey and Andrei Tarkovsky with Solaris. 

Sci Fi Movies in Hollywood

Other authors, on the other hand, have used the extraordinary commercial potential of sci fi movies to satisfy the adolescent audience. As in the case of Steven Spielberg and George Lucas. They are extremely spectacular films made in Hollywood that greatly simplify the complexity of the themes they deal with. 

They use language suitable for a large audience and are often overrated by film critics. They are great global costume phenomena that have become franchises like the Star Wars, supported by huge global marketing that has influenced entire generations. Steven Spielberg’s ET was the biggest grossing film in film history for many years, only to be surpassed by Avatar. 

The typical feature of cinema remains that of being extraordinary personal growth tool. A chance to confront ourselves with other possible experiences that we would never otherwise experience in reality. But there is above all a sci fi cinema that is just pure entertainment, galactic travel and adrenaline. 

How is Science Fiction Born? 

The sci fi movies are born from the science fiction literature of the 1900s, which in turn was inspired by scientific literature. Scientific literature was the account of travel and scientific and technical theories. The intent was to study and reflect on the impact of these discoveries on human life. 

These are often tales of exotic journeys to territories populated by strange creatures, where discoveries are made that go beyond all imagination. It is man’s age-old need to explore and imagine other worlds. 

The most ancient roots of science fiction can be found in literary works such as The Greek novel The true story of Lucian of Samosata, written around 150 AD, the first document of a trip to the Moon, and of encounters with an extraterrestrial people called the Selenites. In this novel the main themes of science fiction already coexist: the journey to another planet and the encounter with an extraterrestrial civilization.

Another interesting precursor text of the science fiction genre is Bacon’s New Atlantis. It is the story of a technologically advanced civilization of the future in a philosophical key. In the 1600s science fiction began to explore scientific theories beyond rational understanding, the discoveries of other worlds. The techniques that seem impossible but are the norm for the future society or for alien peoples. 

The characters who began to populate science fiction literature were aliens, cyborgs, mutants, monsters, robots. The English expression science fiction was created by Hugo Gernsback in 1926. Initially it was scientific fiction, then contracted into scientifiction, to finally be reduced to science fiction, often abbreviated to Sci-Fi. The official birth date of sci fi is April 5, 1926, with the first US science fiction magazine, Amazing Stories. But there were already works like Mary Shelley’s Frankenstein, or The novels of Jules Verne and HG Wells.

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The First Sci Fi Movies

At the origins of the history of cinema, science fiction cinema mixes an exotic adventure with a film of exploration of distant worlds. The first sci fi movies were made by the French director and magician Georges Melies. At least three of his sci fi movies are unmissable: A Trip to the Moon, An Impossible Voyage and Conquering the Pole. Conquering the Pole initially presents itself as an exploration film, but quickly turns into a journey into the fantasy world of Melies. A fictional world that is closer to sci fi than adventure movies. 

Watch Melies Movies

Classic Sci fi Movies of the 1920s 

In the early 1920s, two masterpieces of expressionist cinema were made that anticipate the themes of Sci fi movies. Lang and Wiene take from literature the character of the mad scientist who uses science and technology for evil purposes. It will be one of the recurring characters of sci fi movies in the following years. 

The Cabinet of Doctor Caligari

The Cabinet of Doctor Caligari by Robert Wiene from 1920. It is considered to be a cult sci fi film symbol of German Expressionist cinema. The film stars Werner Krauss as Dr. Caligari, Conrad Veidt as Cesare, and Frieda Richard as Jane. The screenplay was written by Carl Mayer and Hans Janowitz and produced by Erich Pommer.

The film is set in Germany in 1830 and tells the story of Cesare, a somnambulist under the control of Dr. Caligari, a sinister hypnotist who uses him to commit a series of murders.

Plot

Francis tells a story to a man: in 1830, in a small town, a guy named Caligari plays the barker at the fair to present his attraction, a sleepwalker who he holds under hypnosis in a coffin. The doctor argues that the sleepwalker is able to know the past and predict the future. Unreal atmospheres and deformed sets, stylized acting, split personality, confusion between dream and reality.

Reception

The Cabinet of Dr. Caligari was met with great critical and commercial success upon its release. It was praised for its technical innovation, its disturbing atmosphere, and its social commentary.

• The film’s Expressionist aesthetic was praised for its use of distorted and angular sets and costumes to create a disturbing and oppressive atmosphere.
• The film’s theme of the nature of madness was explored through the character of Cesare, a somnambulist who is controlled by Dr. Caligari.
• The film’s innovative use of lighting and camerawork helped to create a sense of unease and suspense.

The film has had a significant influence on horror cinema and helped to define the Expressionist genre. It has been cited as an influence on many other horror films, including Nosferatu (1922), Metropolis (1927), and Frankenstein (1931).

The film was also a commercial success, grossing over 2 million German marks. It was distributed worldwide and helped to introduce German cinema to international audiences.

Watch The Cabinet of Doctor Caligari

Dr. Mabuse (1922)

Dr. Mabuse by Fritz Lang is a 1922 cult sci fi movie absolutely worth watching.

Plot

Doctor Mabuse is an evil psychoanalyst, skilled manipulator who enriches himself with illicit means, gambling and fake money. He creates panic in the stock market and crashes the stock prices of a company which he then buys cheaply.

Mabuse succeeds through the most evil actions to overcome the competition and to eliminate his enemies, even to direct the anger of the crowd against the police. He manages to subjugate people by manipulating their minds with hypnosis and magnetism. With these powers he makes a countess fall in love with him.

Themes

• Evil
  • Dr. Mabuse is a complex and fascinating character. He is a criminal mastermind, but he is also a tormented man. Mabuse is a product of his society, and he is a symbol of the evil that exists in the world.
• The power of hypnosis
  • Mabuse uses his hypnotic powers to control people and commit crimes. Hypnosis is a recurring theme in the film, and it is a symbol of the power that can be exerted over man.
• Insanity
  • Mabuse is declared insane and sent to a mental asylum. Insanity is a complex and ambiguous theme in the film. It can be seen as a punishment for Mabuse’s evil, or as a way for him to escape justice.

Reception

• Critical
  • Dr. Mabuse, der Spieler was a critical success upon its release. It was praised for its technical innovation, its complex narrative, and its exploration of the themes of evil.
  • The film was also recognized as one of the most important films of the German Expressionist movement.
• Commercial
  • Dr. Mabuse, der Spieler was also a commercial success. The film was distributed worldwide and grossed over 2 million German marks.

An extraordinary document of an era that Fritz Lang creates inspired by the news he read in the newspaper. It is the meeting point between the Expressionist cinema is The detective plot of which Fritz Lang also demonstrated in subsequent films to be a master.

The grandeur of this masterpiece emerges from the precision of the details linked by a global vision: rhythm, atmospheres, dances, crimes and gambling. Cocaine, jazz and police raids. Allure of the occult and stock market scams, prostitution and smuggling. Nothing is missing in this cult film of the 20s, where we also find the mystery of hypnosis and the manipulation of the human mind.

Atlantis (1921)

In the 1920s, the tale of the lost civilization of Atlantis is the subject of two interesting films, precursors of the sci fi genre. Atlantis of 1921 is directed by Jacques Feyder.

Plot

Captain Morhange and his lieutenant Saint-Avit go on a mission to a distant desert area. They lose their bearings and wander aimlessly until they reach an area that seems hospitable. But a short time later they are captured by the inhabitants of the mythical city of Atlantis, full of amazing architectural structures.

They are brought by the queen who manipulates their mind and takes away their will to escape the city. The queen also begins to create jealousies and resentments between the 2 soldiers with her beauty. But the cataclysm that will make the civilization of Atlantis disappear is imminent.

Critical reception

L’Atlantide was a critical and commercial success upon its release. It was praised for its technical innovation, its stunning visuals, and its exotic and thrilling story. The film is now considered to be a classic of French cinema.

Legacy

L’Atlantide has had a lasting influence on cinema. It has been cited as an influence on many other films, including Metropolis (1927), Raiders of the Lost Ark (1981), and The Mummy (1999). The film has also been praised for its groundbreaking use of special effects, and its innovative use of camerawork.

Production

L’Atlantide was filmed in Morocco and Tunisia. The film was shot on a large budget, and it featured a number of elaborate sets and costumes. The film’s special effects were also groundbreaking, and they helped to create the film’s dreamlike atmosphere.

Paris qui dort (1925)

In 1924 another film was made in France, Paris qui dort, by the avant-garde director René Clair. Although René Clair’s interest is not at all to try his hand at the sci fi genre, in the film there are the foundations that would develop in subsequent productions of Sci-Fi. 

Paris qui dort is one of the prototypes of sci fi cinema: in it the figure of the mad scientist appears for the first time. He has invented a mysterious ray which he experiments on Paris, causing the entire population to fall asleep. Parisians remain paralyzed, still as statues. Albert, the guardian of the Eiffel Tower remains immune to the effects of the beam due to the height of the Tower and realizes that Paris has fallen under a strange curse. Another 5 people who landed with an airplane have not been affected by the ray and are exploring the deserted city.

Aelita (1924)

In 1924 the Russian director Jakov Aleksandrovič Protazanov made one of the first cult sci fi movies of great impact: Aelita. Based on a novel by Alexei Nikolaevich Tolstoy, it is the first Soviet cinematic blockbuster and the first sci fi movies shot in Russia.

A mysterious message in an unknown language of only three words is broadcast on the radio around the world: “anta … odeli … uta”. In Moscow, engineer Los and his colleague Spiridov feel spied on. Observing them is the queen of a distant planet who looks at them through a powerful telescope called Aelita.

The engineer begins to live in a state of consciousness where reality and dream mix, without being able to understand what really happens and what is fantasy. He kills his wife in a fit of jealousy and sets off in search of the telescope to the planet Mars, where he will meet the queen.

Critical reception

Aelita was a critical and commercial success upon its release. It was praised for its innovative special effects, its complex narrative, and its exploration of themes of revolution and social justice. The film is now considered to be one of the most important films of Soviet science fiction cinema.

Legacy

Aelita has had a lasting influence on cinema. It has been cited as an influence on many other films, including Metropolis (1927), Star Wars (1977), and Avatar (2009). The film has also been praised for its groundbreaking use of special effects, and its innovative use of camerawork.

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The Lost World (1925)

The Lost World (1925) is an American silent fantasy giant monster adventure film directed by Harry O. Hoyt and written by Marion Fairfax, adapted from Sir Arthur Conan Doyle’s 1912 novel of the same name.

Produced and distributed by First National Pictures, a major Hollywood studio at the time, the film stars Wallace Beery as Professor Challenger and features pioneering stop motion special effects by Willis O’Brien, a forerunner of his work on King Kong (1933).

Plot

Professor George Challenger, comes into possession of the diary of the explorer Maple White, who disappeared on a plateau in South America; the diary contains drawings of dinosaurs through which he understands that these animals are not yet completely extinct.

Challenger exposes the theory to other scientists but is mocked. But soon the professor will organize an expedition to South America.

Critical reception

The Lost World was a critical and commercial success upon its release. It was praised for its innovative special effects, its suspenseful storyline, and its charismatic performances. The film is now considered to be a classic of silent cinema.

Legacy

The Lost World is considered to be one of the first successful dinosaur films, and it helped to popularize the genre. The film’s special effects were groundbreaking for their time, and they set a new standard for dinosaur movies.

The film has also been praised for its exploration of themes such as the power of belief, the importance of exploration, and the dangers of hubris. It is a timeless story that continues to entertain and engage audiences today.

Production

The Lost World was filmed on location in Mexico and California. The film’s special effects were created by Willis O’Brien, who used stop motion animation to bring the dinosaurs to life. O’Brien’s work on the film was groundbreaking for its time, and it set a new standard for dinosaur movies.

The film was a commercial success, grossing over $2 million at the box office. It was also a critical success, and it was praised for its innovative special effects, its suspenseful storyline, and its charismatic performances.

The film brings dinosaurs to cinemas for the first time. Lost Worlds will continue to be one of the most successful subgenres in science fiction in the future.

Metropolis (1927)

In 1927, a cult sci fi film arrives that will become a true icon of the science fiction genre. This is Metropolis of Fritz Lang. An absolutely must-watch science fiction film, made with a large budget by the legendary German director who represents the class struggle with extraordinary visual metaphors. 

Plot

We are in 2026. A group of wealthy capitalists live and govern in the city of Metropolis. The richest of all is the entrepreneur dictator Fredersen who lives on top of the tallest skyscraper. A teacher and prophet named Maria, accompanied by the workers’ children, talks to Fredersen and convinces him to visit the underground.

The dictator discovers the inhuman conditions in which the proletarians live: they work in a disturbing assembly line where they cannot make any mistakes, otherwise the machine M that supplies water to the city by diverting an underground river would explode. Event that comes true and to which Fredersen witnesses with horror. The machine turns into a Moloch that eats humans.

Critical reception

Metropolis was a critical and commercial success upon its release. It was praised for its innovative special effects, its groundbreaking use of camerawork, and its exploration of themes such as class division, social unrest, and the role of technology in society. The film is now considered to be a masterpiece of German expressionism.

Legacy

Metropolis has had a lasting influence on cinema. It has been cited as an influence on many other films, including Star Wars (1977), Blade Runner (1982), and The Matrix (1999). The film has also been praised for its groundbreaking use of special effects and its innovative use of camerawork.

Production

Metropolis was a massive undertaking and one of the most expensive films ever made at the time. The film was shot in the Babelsberg Studios in Berlin-Babelsberg, Germany, and it took over three years to complete.

The film’s special effects were created by a team of experts, including Willy Georgius, who was responsible for the film’s robot costumes, and Eugen Schüfftan, who developed the Schüfftan technique, which allowed filmmakers to create the illusion of massive sets on a small scale.

It is the first film that manages to fully express the extraordinary potential of science fiction: to represent political and philosophical concepts with a spectacularity that also attracts the mass audience. Metropolis and also one of the first sci fi movies of dystopian genre. 

Woman on the Moon (1929)

Woman on the Moon is a silent science fiction film directed by Fritz Lang. It is a science fiction melodrama, the last silent film of the great German director, based on a novel of the same name by Thea von Harbou, the director’s wife.

The film stars Brigitte Helm, Gustav Fröhlich, Klaus Pohl, and Fritz Rasp.

Plot

Professor Manfeldt, a wealthy industrialist, claims that there is gold on the Moon and organizes an expedition to extract it. Four men and one woman, Friede Velten, the professor’s daughter, board the spaceship “Frau im Mond”.

The expedition is a success and the passengers arrive on the Moon. However, Manfeldt discovers that the gold is actually a precious mineral called “monolite” that can be used to create unlimited energy.

Manfeldt tries to take possession of the monolite, but he is killed by his own ambition. Friede Velten, who has fallen in love with one of the astronauts, manages to save the monolite and bring it back to Earth.

Critical reception

Woman on the Moon was a critical and commercial success upon its release. It was praised for its innovative special effects, its suspenseful storyline, and its charismatic performances. The film is now considered a classic of silent cinema.

Legacy

Woman on the Moon has had a lasting influence on cinema. It has been cited as an influence on many other films, including 2001: A Space Odyssey (1968) and Moon (2009). The film has also been praised for its pioneering use of special effects and its innovative use of cinematography.

Production

Woman on the Moon was filmed at the Babelsberg Studios in Berlin-Babelsberg, Germany, and took over a year to complete.

The film’s special effects were created by a team of experts, including Willy Georgius, who was responsible for the film’s robot costumes, and Eugen Schüfftan, who developed the Schüfftan technique, which allowed filmmakers to create the illusion of massive sets on a small scale.

Classic Sci Fi Movies of the 30s 

Avant-garde films such as these cited will provide inspiration in the 1930s to the commercial film industry to make films such as Frankenstein, The Mask of Fu Man chu, Island of Lost Souls, The Woman the Monster. The science fiction genre begins to take on a more defined personality. 

Frankenstein (1931)

Frankenstein (1931) is an American pre-Code science fiction horror film directed by James Whale, produced by Carl Laemmle Jr., and adapted from a 1927 play by Peggy Webling, which in turn was based on Mary Shelley’s 1818 novel Frankenstein; or, The Modern Prometheus. The film stars Colin Clive as Henry Frankenstein, a medical student who experiments in creating life from inanimate matter, and Boris Karloff as the Creature, the result of his experiments.

Plot

Dr. Henry Frankenstein, a brilliant but obsessive medical student, is determined to create life from inanimate matter. He steals a corpse from a graveyard and, with the help of his hunchbacked assistant Fritz (Dwight Frye), assembles a body using parts from various cadavers. He then brings the creature to life using electricity.

The creature, who is initially childlike and innocent, is horrified by his own appearance and abandoned by his creator. He wanders through the countryside, encountering people who are frightened and repulsed by him. He eventually finds refuge in a family’s barn, where he learns to communicate and befriends a young girl named Justine (Mae Clarke).

Frankenstein, tormented by guilt and regret, decides to create a mate for the creature, believing that it will make him happy and content. However, he destroys the unfinished creation before it is complete, fearing that it will be even more monstrous than the creature.

Enraged by Frankenstein’s betrayal, the creature vows revenge. He murders Fritz and Justine, and then confronts Frankenstein, threatening to kill him if he does not create a mate for him. Frankenstein reluctantly agrees, but the creature smashes the female creation and then disappears into the night.

Critical reception

Frankenstein was a critical and commercial success upon its release. It was praised for its groundbreaking special effects, its suspenseful storyline, and its performances, particularly Karloff’s portrayal of the Creature. The film is now considered a classic of horror cinema.

Legacy

Frankenstein has had a lasting influence on popular culture. The image of the Creature, with his flat head, bolts through his neck, and shuffling gait, is one of the most iconic in horror cinema. The film has also been cited as an influence on many other films, including Bride of Frankenstein (1935), The Mummy (1932), and King Kong (1933).

Production

Frankenstein was filmed at the Universal Studios lot in Hollywood, California. The film’s special effects were created by a team of experts, including Jack Pierce, who was responsible for the Creature’s makeup, and Kenneth Strickfaden, who created the film’s electrical effects.

The film was originally shot with a sound track, but the sound effects were later removed and the film was released as a silent film. This was due to the fact that sound technology was still in its early stages of development, and the studio was concerned that the sound would be a distraction from the film’s visuals.

Distribution

Frankenstein was released in the United States on November 21, 1931. The film was a commercial success, grossing over $12 million at the box office. It was also a critical success, and it is now considered one of the greatest horror films of all time.

The End of the World (1931)

The End of the World is a 1931 French silent science fiction film directed by Abel Gance. It is based on the novel of the same name by Camille Flammarion, published in 1894.

The film stars Colette Darfeuil, Victor Francen, Abel Gance, Georges Colin, and Samson Fainsilber.

Plot

The film tells the story of a group of people who gather to witness the impact of a comet on Earth. The comet has been discovered by a group of astronomers, including Professor Martial Novalic, who proclaims the end of the world.

The people gather in a large building to witness the impact. The impact is devastating and destroys much of Earth. The survivors are forced to rebuild their society in a new and different world

Critical reception

The End of the World was a critical and commercial success upon its release. It was praised for its spectacular visuals and its exploration of the themes of the end of the world and hope for the future. The film is now considered a classic of science fiction cinema.

Legacy

The End of the World has had a lasting influence on cinema. It has been cited as an influence on many other films, including 2001: A Space Odyssey (1968) and Blade Runner (1982). The film has also been praised for its technical innovation, particularly its use of special effects and the Schüfftan process.

Production

The End of the World was a massive undertaking and one of the most expensive films ever made at the time. The film was shot at the Babelsberg Studios in Berlin-Babelsberg, Germany, and took over three years to complete.

The film’s special effects were created by a team of experts, including Willy Georgius, who was responsible for the film’s robot costumes, and Eugen Schüfftan, who developed the Schüfftan process, which allowed filmmakers to create the illusion of massive sets on a small scale.

Island of Lost Souls (1932)

Island of Lost Souls is a 1932 American science fiction horror film directed by Erle C. Kenton, based on the novel of the same name by H. G. Wells. The film stars Charles Laughton, Bela Lugosi, Richard Arlen, Leila Hyams, Kathleen Burke, Arthur Hohl, Stanley Fields, and Paul Hurst.

Plot

Dr. Moreau, a brilliant but mad scientist, lives on a remote island where he conducts genetic experiments to create half-human, half-animal creatures. Edward Parker, a shipwrecked sailor, is captured and brought to the island, where he is forced to work for Dr. Moreau. Parker soon discovers that Dr. Moreau’s creatures are violent and unpredictable.

Critical reception

Island of Lost Souls was a critical and commercial success upon its release. It was praised for its evocative imagery, charismatic performances, and provocative theme. The film is now considered a classic of horror cinema.

Legacy

Island of Lost Souls has had a lasting influence on cinema. It has been cited as an influence on many other films, including Frankenstein (1931), Bride of Frankenstein (1935), and King Kong (1933). The film has also been praised for its pioneering use of special effects and the Schüfftan process.

Production

Island of Lost Souls was filmed at the Universal Studios lot in Hollywood, California. The film was a complex undertaking, requiring the use of innovative special effects to create Moreau’s creatures.

Distribution

Island of Lost Souls was released in the United States on December 24, 1932. The film was a commercial success, grossing over $3 million at the box office.

The Invisible Man (1933)

The Invisible Man (1933) is a 1933 American pre-Code science fiction horror film directed by James Whale, based on the novel of the same name by H. G. Wells. The film stars Claude Rains, Gloria Stuart, William Harrigan, Henry Travers, Una O’Connor, and Dwight Frye.

Plot

Dr. Jack Griffin, a brilliant scientist, discovers a formula that allows him to become invisible. Griffin is obsessed with power and immortality, and decides to use his discovery for his own personal purposes.

Critical reception

The Invisible Man was a critical and commercial success upon its release. It was praised for its pioneering special effects, its suspense, and Claude Rains’s performance as the lead. The film is now considered a classic of horror cinema.

Legacy

The Invisible Man has had a lasting influence on cinema. It has been cited as an influence on many other films, including Bride of Frankenstein (1935), The Return of the Invisible Man (1940), and The Phantom of the Opera (1925). The film has also been praised for its pioneering use of special effects and the Schüfftan process.

Production

The Invisible Man was filmed at the Universal Studios lot in Hollywood, California. The film was a complex undertaking, requiring the use of innovative special effects to create the illusion of invisibility.

Distribution

The Invisible Man was released in the United States on November 13, 1933. The film was a commercial success, grossing over $12 million at the box office.

Deluge (1933)

Deluge (1933) is a 1933 American post-apocalyptic science fiction cult film directed by Felix E. Feist. The film is loosely based on the 1928 novel of the same name by S. Fowler Wright, with the setting changed from England to the United States. It is one of the earliest and rarest examples of a disaster film.

Plot

After a solar eclipse, a terrible earthquake and a terrifying tsunami strike the American coasts, leading to death and destruction. Among the ruins of New York, a man, convinced that he has lost his family, begins a love story with a woman and a few other survivors.

Critical reception

Deluge received mixed reviews upon its release. Some critics praised its spectacular visuals and its exploration of the themes of catastrophe and hope for the future. Others criticized its melodramatic plot and rudimentary special effects.

Legacy

Deluge has had a limited influence on cinema. However, it has been cited as an influence on some later films, including Day of the Triffids (1959) and Waterworld (1995).

Production

Deluge was shot in black and white and on location in New York and the surrounding area. The film was produced by RKO Radio Pictures and released in the United States on August 18, 1933.

King Kong (1933)

King Kong (1933) is a 1933 American pre-Code adventure horror monster film directed and produced by Merian C. Cooper and Ernest B. Schoedsack, with special effects by Willis H. O’Brien. It tells the story of a giant ape named Kong, who is captured from a remote island and brought to New York City, where he escapes and rampages.

Plot

Carl Denham, a disgraced filmmaker, assembles a crew to shoot a movie on a remote island, Skull Island. Denham believes that a legendary giant ape, King Kong, lives on the island, and he is determined to capture it and bring it back to New York City.

Denham’s crew arrives on Skull Island and soon encounters Kong. The crew is attacked by the island’s native inhabitants, who worship Kong as a god. Ann Darrow, a young woman who was hired as the film’s female lead, is captured by the natives and offered to Kong as a sacrifice.

Kong takes Ann back to his lair, where he grows fond of her. Denham and his crew rescue Ann, but Kong is captured and brought back to New York City.

In New York City, Kong is put on display at the Broadway Theater. He is initially a popular attraction, but he soon becomes bored and lonely. He escapes from his confinement and rampages through the city, eventually climbing the Empire State Building. Kong is shot down by airplanes and falls to his death

Critical reception

King Kong was a critical and commercial success upon its release. It was praised for its special effects, its performances, and its exploration of themes of beauty and the beast, man versus nature, and the perils of ambition. The film is now considered a classic of cinema.

Legacy

King Kong has had a lasting influence on cinema. It has been cited as an influence on many other films, including The Blob (1958), Jurassic Park (1993), and Kong: Skull Island (2017). The film has also been praised for its pioneering use of special effects, particularly its use of stop-motion animation.

Production

King Kong was a complex and expensive film to make. The special effects were particularly challenging, and O’Brien developed innovative techniques to create the illusion of a giant ape. The film was shot in black and white and on location in New York City and at the RKO Radio Pictures studios in Hollywood.

Distribution

King Kong was released in the United States on March 2, 1933. The film was a box office success, grossing over $2 million.

Bride of Frankenstein (1935)

Bride of Frankenstein is a 1935 American gothic horror film directed by James Whale. It is a sequel to Frankenstein (1931), and follows Dr. Henry Frankenstein (Colin Clive) and his assistant Fritz (Preston Foster) as they create a new creature, a woman (Elsa Lanchester).

Plot

After the death of his creature, Dr. Frankenstein retreats to a mountain castle to forget his mistake. However, his assistant Fritz convinces him to create a new creature, a woman this time.

The creature is brought to life, but she is deformed and hideous. Frankenstein is disgusted by her appearance and rejects her. The creature is devastated and seeks revenge by killing Fritz and Frankenstein’s monster.

Frankenstein and the creature face off in a dramatic finale. Frankenstein tries to kill the creature, but she wounds him badly. In the end, the creature sacrifices herself to save Frankenstein, and the two die together.

Critical reception

Bride of Frankenstein was a critical and commercial success upon its release. It was praised for its special effects, its performances, and its exploration of the themes of the nature of man, science, and morality. The film is now considered a classic of horror cinema.

Legacy

Bride of Frankenstein has had a lasting influence on horror cinema. It has been cited as an influence on many other films, including The Curse of Frankenstein (1957), Young Frankenstein (1974), and Van Helsing (2004). The film has also been praised for its pioneering use of special effects, particularly its use of makeup.

Production

Bride of Frankenstein was filmed in black and white and on location at the Universal Studios in Hollywood, California. The film was produced by Universal Pictures and released in the United States on March 22, 1935.

Distribution

Bride of Frankenstein was released in the United States on March 22, 1935. The film was a box office success, grossing over $2 million.

Things to Come (1936)

Things to Come is a 1936 British science fiction cult film directed by William Cameron Menzies. It is based on the novel of the same name by H.G. Wells, and tells the story of the world from World War I to 2036.

Plot

The film begins in 1918, with the end of World War I. The world is in ruins, and humanity is on the brink of destruction. However, a group of scientists and engineers work to build a new world, based on peace and prosperity.

In 1940, World War II breaks out, and the world plunges back into chaos. However, the scientists and engineers manage to stop the war, and to build a new world, based on technology and science.

In 2036, the world is a peaceful and prosperous place. Humanity has reached an advanced level of technology, and lives in an egalitarian society.

Critical reception

Things to Come was a critical and commercial success upon its release. It was praised for its special effects, its vision of the future, and its exploration of the themes of technological progress, hope for the future, and the importance of cooperation. The film is now considered a classic of science fiction cinema.

Legacy

Things to Come has had a lasting influence on science fiction cinema. It has been cited as an influence on many other films, including 2001: A Space Odyssey (1968), The Future (1976), and Blade Runner (1982). The film has also been praised for its pioneering use of special effects, particularly its use of the matte painting technique.

Cast

• Raymond Massey as Oswald Cabal
• Ralph Richardson as John Cabal
• Margaretta Scott as Roxanna
• Cedric Hardwicke as Theotocopulos
• Ann Todd as Mary
• Maurice Braddell as The Man

Crew

• Director: William Cameron Menzies
• Screenplay: H.G. Wells, Lajos Biro, H.G. Wells, based on the novel by H.G. Wells
• Cinematography: Cedric Williams
• Editing: Charles Frend
• Music composed by: Arthur Bliss
• Production design: Vincent Korda, Arthur Baker
• Producer: Alexander Korda
• Production company: London Films

Production

Things to Come was filmed in black and white and on location in London and other locations in the United Kingdom. The film was produced by Alexander Korda and released in the United Kingdom on October 26, 1936.

Distribution

Things to Come was released in the United States on December 17, 1936. The film was a box office success, grossing over $1 million.

Flash Gordon (1936)

Flash Gordon (1936) is a 1936 American science fiction action serial film directed by Frederick Stephani and Ray Taylor. The serial is based on the comic strip of the same name by Alex Raymond and follows the adventures of Flash Gordon, a fearless adventurer who travels to the planet Mongo to rescue Dale Arden from the evil Ming the Merciless.

Plot

Dr. Alexis Zarkov, an eccentric scientist, believes that the planet Mongo is on a collision course with Earth. He builds a rocket ship and intends to travel to Mongo to investigate. However, his rocket is sabotaged by Ming the Merciless, the evil ruler of Mongo, who wants to prevent Earth from interfering with his plans to conquer the planet.

Flash Gordon, a famous polo player, and Dale Arden, a young woman who works for Zarkov, volunteer to accompany him on the rocket trip to Mongo. When their rocket is attacked by Ming’s spaceships, Flash and Dale are forced to parachute out of the rocket and land on Mongo.

On Mongo, Flash and Dale are captured by Ming’s soldiers and taken to his palace. Ming the Merciless is intrigued by Flash’s bravery and offers him a position in his army. However, Flash refuses and is thrown into the dungeon.

Dale Arden is also imprisoned, but she is soon rescued by Prince Barin, one of Ming’s enemies. Barin takes Dale to his hideout, where he explains that Ming is planning to conquer Earth and that he needs Flash’s help to stop him.

Flash escapes from the dungeon and joins forces with Barin and Dale. Together, they set out to defeat Ming and save Earth.

Critical reception

Flash Gordon (1936) was a critical and commercial success upon its release. The serial was praised for its special effects, its action sequences, and its performances. The serial is now considered a classic of science fiction cinema.

Legacy

Flash Gordon (1936) has had a lasting influence on popular culture. The serial has been adapted into numerous other media, including comic books, radio shows, television shows, and video games. The serial has also been parodied in many films and television shows.

Cast

• Buster Crabbe as Flash Gordon
• Jean Rogers as Dale Arden
• Charles Middleton as Ming the Merciless
• Frank Shannon as Dr. Alexis Zarkov
• Priscilla Lawson as Princess Aura
• Richard Alexander as Prince Barin
• James Pierce as Prince Thun
• Jack Lipson as King Vultan

Crew

• Directors: Frederick Stephani, Ray Taylor
• Screenplay: Wyndham Webb, George W. Sayre, Bruce Mitchell, Morgan de Kruze, Harry Houdini, Jr., Victor McLeod
• Cinematography: Henry Sharp, Karl Struss
• Editing: Maurice Pivar, Harold Seadler
• Music composed by: Frank Skinner
• Production design: Ralph Berger, Bernard Herzbrun
• Producer: John MacQueen
• Production company: Universal Pictures

Production

Flash Gordon (1936) was filmed in black and white and on location in various locations, including the Bronson Caves, the Iverson Ranch, and Vasquez Rocks Natural Area Park. The serial was produced by Universal Pictures and released in the United States in thirteen installments between April 6, 1936, and July 17, 1936.

Distribution

Flash Gordon (1936) was distributed in the United States by Universal Pictures. The serial was also released in other countries, including the United Kingdom, France, and Germany.

Lost Horizon (1937)

Lost Horizon is a 1937 American science fiction film directed by Frank Capra. It is based on the novel of the same name by James Hilton, and tells the story of a group of people who crash-land in a remote monastery located in the high mountains of Tibet.

Plot

During the war between China and Japan, an airplane carrying a British consul, a journalist, a pilot, and other passengers is forced to land in a remote monastery located in the high mountains of Tibet.

The monastery is hidden from the outside world and houses a community of people who live in peace and harmony. The airplane passengers are initially skeptical, but they are soon drawn to the culture of the monastery.

The head of the monastery, the lama, explains to the passengers that the monastery is located in a place called Shangri-La, a terrestrial paradise where people live for centuries. The lama offers the passengers the opportunity to stay in Shangri-La, but not everyone accepts.

The British consul, the journalist, and the pilot eventually decide to leave Shangri-La and return to the outside world. However, they are changed forever by their experience

Critical reception

Lost Horizon was a critical and commercial success upon its release. The film was praised for its stunning visuals, its gripping story, and its performances. The film is now considered a classic of science fiction cinema.

Legacy

Lost Horizon has had a lasting influence on popular culture. The film has been adapted into numerous other media, including comics, radio dramas, television shows, and video games. The film has also been parodied in many films and television shows.

Cast

• Ronald Colman as British consul Robert Conway
• Jane Wyatt as Sondra
• Edward Everett Horton as journalist Alexander P. Lovett
• Sam Jaffe as the lama
• Margo as Maria
• Isabel Jewell as Gloria Stone
• John Howard as pilot George Conway

Crew

• Director: Frank Capra
• Screenplay: Robert Riskin, based on the novel by James Hilton
• Cinematography: Joseph Walker
• Editing: Henry Berman
• Music composed by: Dimitri Tiomkin
• Production design: Stephen Goosson, Lionel Banks
• Producer: Frank Capra
• Production company: Columbia Pictures

Production

Lost Horizon was filmed in black and white and on location in various locations, including the Sierra Nevada mountains, California, and the Grand Canyon, Arizona. The film was produced by Columbia Pictures and was released in the United States on September 1, 1937.

1940s Classic Sci Fi Movies 

Dr. Cyclops (1940)

Dr. Cyclops is a 1940 American science fiction horror film directed by Ernest B. Schoedsack. The film is based on the story “The Cyclops” by H.G. Wells, and tells the story of a mad scientist who shrinks a group of people to microscopic size.

Plot

Dr. Alexander Thorkel, a brilliant but megalomaniacal scientist, invites a group of scientists to his remote laboratory in the Amazon jungle to assist him in his research on cell regeneration. However, Thorkel’s true intentions are far more sinister. He plans to use his shrinking ray to miniaturize the scientists and exploit their knowledge for his own purposes.

When the scientists become aware of Thorkel’s plan, they attempt to escape. However, Thorkel shrinks them to microscopic size and imprisons them in a miniature cell. The scientists must find a way to escape the laboratory and return to normal size before it’s too late.

Critical reception

Dr. Cyclops was a critical and commercial success upon its release. The film was praised for its special effects, its performances, and its exploration of the themes of science, power, and cooperation. The film is now considered a classic of science fiction horror cinema.

Legacy

Dr. Cyclops has had a lasting influence on popular culture. The film has been referenced and parodied in many other films and television shows, including The Simpsons, Family Guy, and The Big Bang Theory.

Cast

• Albert Dekker as Dr. Alexander Thorkel
• Janice Logan as Mary Mitchell
• Thomas Coley as Dr. Ralph Robinson
• Charles Halton as Dr. Peter Morgan
• Frank Yaconelli as Hastings
• Victor Kilian as Hans
• Fortunio Bonanova as Antonio

Crew

• Director: Ernest B. Schoedsack
• Screenplay: Dudley Nichols, based on the story by H.G. Wells
• Cinematography: John J. Mescall
• Editing: Ted Kent
• Music composed by: Frank Skinner
• Production design: Charles D. Hall
• Producer: Dale Van Every
• Production company: Paramount Pictures

Production

Dr. Cyclops was filmed in black and white and on location in Los Angeles and the Guatemalan jungle. The film was produced by Paramount Pictures and was released in the United States on April 12, 1940.

The Mad Monster (1944)

The Mad Monster is a 1942 American science fiction horror film directed by Sam Newfield. The film is a low-budget black-and-white film that stars a mad scientist and a werewolf; it is considered a classic in its genre.

Plot

On a moonlit night in a fog-shrouded swamp, a wolf howls. In a nearby laboratory, Dr. Lorenzo Cameron is extracting blood from a caged wolf. Bound to a table lies the doctor’s meek and burly gardener, Petro, who is the subject of the doctor’s experiment.

Dr. Cameron has discovered a serum that can transform man into wolf and vice versa. After various experiments, which cost the life of an innocent child, Dr. Cameron uses Petro to kill his two rival scientists.

The doctor’s daughter, Leonora, and her boyfriend Tom, who are unaware of the true personality of Leonora’s father, discover, horrified, the terrible reality: Dr. Cameron is using Petro to kill the other scientists.

When Leonora and Tom discover the truth, they attempt to stop Dr. Cameron and Petro. However, Dr. Cameron and Petro are caught in a fire caused by lightning.

Critical reception

The Mad Monster was a critical and commercial success upon its release. The film was praised for its Gothic atmospheres, performances, and its exploration of the themes of good, evil, and madness. The film is now considered a classic of science fiction horror cinema.

Legacy

The Mad Monster has had a lasting influence on popular culture. The film has been referenced and parodied in many other films and television shows, including The Simpsons, Family Guy, and The Big Bang Theory.

Cast

• George Zucco as Dr. Lorenzo Cameron
• Johnny Downs as Tom Gregory
• Anne Nagel as Leonora Cameron
• Mae Busch as Mrs. Cameron
• Sarah Padden as Mary
• Glenn Strange as Petro

Crew

• Director: Sam Newfield
• Screenplay: Fred Myton
• Cinematography: Jack Greenhalgh
• Editing: Ted Kent
• Music composed by: David Chudnow
• Production design: Fred Preble
• Producer: Sigmund Neufeld
• Production company: Producers Releasing Corporation (PRC)

Production

The Mad Monster was shot in black and white and on location in various locations, including Bronson Caves, Iverson Ranch, and Vasquez Rocks Natural Area Park. The film was produced by Producers Releasing Corporation (PRC) and was released in the United States on May 15, 1942.

Krakatit (1948)

Krakatit (1948) is a Czech science fiction film directed by Otakar Vávra, based on the 1922 novel of the same name by Karel Čapek. The film tells the story of a chemist who invents a powerful explosive, Krakatit, that could be used for military or civilian purposes.

Plot

Chemist Dr. Prokop stumbles upon an extremely powerful explosive substance, which he names Krakatit. The doctor is initially excited about his discovery, but he soon realizes that Krakatit could be used for terrible purposes.

The doctor meets a group of revolutionaries who want to use Krakatit to overthrow the government. The doctor is initially reluctant to collaborate with the revolutionaries, but he eventually convinces himself that it is the right thing to do.

The doctor gives the revolutionaries the formula for Krakatit and helps them build a bomb. The bomb is used to destroy a government building, but the explosion also kills many civilians.

The doctor is shaken by the use of Krakatit and realizes that he has made a mistake. The doctor commits suicide, leaving Krakatit to the world to be used for good or evil.

Critical reception

Krakatit was a critical and commercial success upon its release. The film was praised for its imagery, performances, and its exploration of the themes of the responsibility of science, the power of technology, and the nature of violence. The film is now considered a classic of science fiction cinema.

Legacy

Krakatit has had a lasting influence on popular culture. The film has been referenced and parodied in many other films and television shows, including Dr. Strangelove, The Simpsons, and The Big Bang Theory.

Cast

• Karel Höger as Dr. Prokop
• Zdeněk Štěpánek as Viktor
• František Smolík as Jan
• Marie Tomášová as Anna
• Josef Kemr as František
• Jaroslav Průcha as Karel

Crew

• Director: Otakar Vávra
• Screenplay: Otakar Vávra and Miloš Forman, based on the novel by Karel Čapek
• Cinematography: Jaroslav Kučera
• Editing: František Veselý
• Music composed by: Jaroslav Ježek
• Production design: František Trnka
• Producer: Jiří Brdečka
• Production company: Filmové studio Barrandov

Production

Krakatit was filmed in black and white and on location in various locations, including Prague, Brno, and the Krkonoše Mountains. The film was produced by Filmové studio Barrandov and was released in Czechoslovakia on June 25, 1948.

The Sci Fi Movies of the 50s 

The sci fi movies genre, however, was officially created only starting from the 50s, when there is a vast production of sci fi movies that tell in a veiled way the fears of the cold war. The science fiction production of the 1950s focuses above all on the relationship between man and space: conquests of other planets, explorations, extraterrestrials arriving on Earth.

The independent director Roger Corman explores different subgenres of science fiction, from horror science fiction to adventures on other planets. Often they are low-cost films made in a few days, with little-known actors, with cheap sets and special effects, sometimes grotesque. It is about the b-movie. 

The sci fi genre explodes in the United States, initially in comic book printing aimed at a teen audience. Then you get to the cinema, with films and cartoons. Many films are produced, both in the big studios and among independent productions, also inspired by the prolific industry of missiles and aerospace rockets that the US uses in the race to conquer space.contributed to the success of sci fi movies UFO sightings and the birth of ufology.

Destination Moon (1950)

Destination Moon is a 1950 American science fiction film directed by Irving Pichel and produced by George Pal. It is considered one of the most important science fiction films of all time, and was one of the first films to realistically depict a journey to the Moon.

Plot

In 2022, a group of American entrepreneurs fund a journey to the Moon. The mission is led by Dr. Cargraves, an aerospace engineer, and pilot Mitchell.

The mission launches successfully and the crew lands on the Moon without incident. The astronauts explore the lunar surface and plant the American flag.

During the exploration, the astronauts are caught in a sand storm. Mitchell is injured and must be returned to Earth. Cargraves remains on the Moon and continues the exploration.

In the end, Cargraves returns to Earth, becoming the first man to make a round-trip journey to the Moon

Critical reception

Destination Moon was a critical and commercial success upon its release. The film was praised for its special effects, which were state-of-the-art at the time. The film was also praised for its gripping story and its important themes.

Legacy

Destination Moon has had a lasting influence on popular culture. The film has been referenced and parodied in many other films and television shows, including 2001: A Space Odyssey, Star Trek, and The Big Bang Theory.

Cast

• Warner Anderson as Dr. Cargraves
• John Archer as Pilot Mitchell
• Dick Wesson as Dr. Barnhardt
• Tom Powers as Dr. Dodge
• Erin O’Brien-Moore as Patricia Neal

Crew

• Director: Irving Pichel
• Screenplay: Robert A. Heinlein, based on the novel by Robert A. Heinlein
• Cinematography: Lionel Lindon
• Editing: Ted Kent
• Music composed by: Leith Stevens
• Production design: Charles D. Hall
• Producer: George Pal
• Production company: George Pal Productions

Production

Destination Moon was filmed in black and white and on location in various locations, including the Mojave Desert and Owens Lake. The film was produced by George Pal and was released in the United States on June 27, 1950.

The Day the Earth Stood (1951)

The Day the Earth Stood Still is a 1951 American science fiction cult film directed by Robert Wise and starring Michael Rennie, Patricia Neal, Hugh Marlowe, Sam Jaffe, and Lock Martin. The film was adapted from the 1940 short story “Farewell to the Master” by Harry Bates.

Plot

An alien spacecraft lands in a field outside of Washington, D.C. Klaatu, an humanoid alien, emerges from the craft and is accompanied by a powerful robot named Gort. Klaatu uses a device to stop all machines on Earth, including airplanes, radios, and automobiles.

Klaatu is taken to a military base, where he meets Professor Bernhard, a renowned scientist. Klaatu explains that he has come to Earth to warn humanity of the consequences of its continuing violence and nuclear weapons development. He demands that all nations disarm and cease their conflicts, or he will destroy the Earth.

Klaatu’s message is met with skepticism and hostility by many world leaders, but he demonstrates his power by causing a series of natural disasters. Eventually, Klaatu is assassinated by a group of extremists, and Gort kills the assassins in retaliation.

Before dying, Klaatu leaves behind a message for humanity. He warns that if humanity does not change its ways, it will be destroyed. He also expresses hope that humanity will learn to live in peace and harmony.

Critical reception

The Day the Earth Stood Still was a critical and commercial success upon its release. The film was praised for its special effects, its performances, and its exploration of important themes. It is now considered a classic of science fiction cinema.

Legacy

The Day the Earth Stood Still has had a lasting influence on popular culture. The film has been referenced and parodied in many other films and television shows, including The Twilight Zone, Star Trek, and The Simpsons.

Cast

• Michael Rennie as Klaatu
• Patricia Neal as Helen Benson
• Hugh Marlowe as Professor Bernhard
• Sam Jaffe as Jacob Barker
• Lock Martin as Billy Gray
• Frances Bavier as Mrs. Estelle Crayton
• Chet Brandenburg as Mr. Harriman

Crew

• Director: Robert Wise
• Screenplay: Edmund H. North, based on the story by Harry Bates
• Cinematography: Robert Surtees
• Editing: Elmo Williams
• Music composed by: Bernard Herrmann
• Production design: Lyle Wheeler
• Producer: Julian Blaustein
• Production company: 20th Century Fox

Production

The Day the Earth Stood Still was filmed in black and white and on location in various locations, including Washington, D.C., New York City, and the Mojave Desert. The film was produced by 20th Century Fox and was released in the United States on September 28, 1951.

Watch The Day the Earth Stood

The Thing from Another World (1951)

The Thing from Another World (1951) is a 1951 American science fiction cult film directed by Howard Hawks and starring Kenneth Tobey, Margaret Sheridan, Robert Cornthwaite, and Douglas Spencer. The film is based on the 1938 short story “Who Goes There?” by John W. Campbell Jr.

Plot

A group of researchers at an Arctic base discover a crashed flying saucer in the ice. Inside the saucer, they find an alien being, which is actually a shapeshifting organism that can assume the form of anything it touches.

The alien being kills one of the researchers and assumes his form. The alien being infiltrates the group of researchers, killing them one by one.

In the end, Captain Patrick Hendry, one of the researchers, discovers the truth about the alien being. Hendry kills the alien being by burning it with a flamethrower.

Critical reception

The Thing from Another World was a critical and commercial success upon its release. The film was praised for its special effects, performances, and suspense. It is now considered a classic of science fiction cinema.

Legacy

The Thing from Another World has had a lasting influence on popular culture. The film has been referenced and parodied in many other films and television shows, including The Simpsons, South Park, and The X-Files.

Cast

• Kenneth Tobey as Captain Patrick Hendry
• Margaret Sheridan as Nikki Nicholson
• Robert Cornthwaite as Dr. Carrington
• Douglas Spencer as Dr. Blair
• James Arness as Ed Malone
• George Fenneman as Sergeant Barnes
• Eduard Franz as Professor Carrington
• Richard Deacon as Eddie

Crew

• Director: Howard Hawks
• Screenplay: Charles Lederer and Howard Hawks, based on the story by John W. Campbell Jr.
• Cinematography: Russell Harlan
• Editing: Christian Nyby
• Music composed by: Dimitri Tiomkin
• Production design: Albert S. D’Agostino and Jack Okey
• Producer: Howard Hawks
• Production company: Howard Hawks Productions

Production

The Thing from Another World was filmed in black and white and on location in various locations, including Mount Rainier National Park and the town of Roslyn, Washington. The film was produced by Howard Hawks Productions and was released in the United States on November 25, 1951.

When Worlds Collide (1951)

When Worlds Collide (1951) is a 1951 American science fiction film directed by Rudolph Maté and starring Richard Derr and Barbara Rush. The film is based on the 1933 novel The War of the Worlds by H.G. Wells.

Plot

A spaceship from a dying planet crashes in the Arizona desert. The aliens are at war with their sister race and are looking for a new planet to colonize. The aliens begin to fire heat rays from their eyes to destroy everything they encounter.

A young pilot, David Brandon, and a woman, Sylvia Van Buren, witness the spaceship crash and decide to investigate. After discovering the aliens, the two join a group of survivors to try to stop them.

In the end, the aliens are defeated by an air attack by the United States. The world is saved, but the alien threat still looms.

Critical reception

When Worlds Collide (1951) was a critical and commercial success upon its release. The film was praised for its special effects, performances, and suspense. It is now considered a classic of science fiction cinema.

Legacy

When Worlds Collide (1951) has had a lasting influence on popular culture. The film has been referenced and parodied in many other films and television shows, including The Simpsons, South Park, and The X-Files.

Cast

• Richard Derr as David Brandon
• Barbara Rush as Sylvia Van Buren
• Gene Barry as Lieutenant Clayton Forrester
• Lewis Martin as General Mann
• Robert Cornthwaite as Dr. Pryor

Crew

• Directed by Rudolph Maté
• Screenplay by Barré Lyndon
• Cinematography by Sidney Hickox
• Editing by James B. Clark
• Music composed by Leith Stevens
• Production design by Cedric Gibbons and Jack Martin Smith
• Producer: George Pal
• Production company: Paramount Pictures

Production

When Worlds Collide (1951) was filmed in Technicolor and in studio. The film was produced by Paramount Pictures and was released in the United States on September 25, 1951.

It Came From Outer Space (1953)

The War of the Worlds (1953) is a 1953 American science fiction directed by Byron Haskin and starring Gene Barry and Ann Robinson. The film is based on the novel of the same name by H.G. Wells.

Plot

A meteorite crashes near Linda Rosa, a small town in Southern California. Local residents are curious about the meteorite, but they soon discover that it is an alien spacecraft.

The aliens, called Tripods, are giant machines with three legs. The Tripods begin to fire lethal rays at the population, killing thousands of people.

A group of survivors, including Dr. Clayton Forrester and Sylvia Van Buren, take shelter in an air-raid shelter. Forrester discovers that the Tripods are actually parasites that feed on the life energy of humans.

Forrester and Van Buren manage to escape from the shelter and reach a group of soldiers. The soldiers attack the Tripods, but they are overwhelmed.

In the end, the Tripods abandon Earth, but Forrester and Van Buren are convinced that they will return.

Critical reception

The War of the Worlds (1953) was a critical and commercial success upon its release. The film was praised for its special effects, performances, and suspense. It is now considered a classic of science fiction cinema.

Legacy

The War of the Worlds (1953) has had a lasting influence on popular culture. The film has been referenced and parodied in many other films and television shows, including The Simpsons, South Park, and Doctor Who.

Cast

• Gene Barry as Dr. Clayton Forrester
• Ann Robinson as Sylvia Van Buren
• Hugh Marlowe as Colonel Thomas Stevens
• Sam Jaffe as Jacob Barnhardt
• Lock Martin as Billy Gray
• Frances Bavier as Mrs. Estelle Crayton
• Chet Brandenburg as Mr. Harriman

Crew

• Director: Byron Haskin
• Screenplay: Barré Lyndon, based on the novel by H.G. Wells
• Cinematography: Gordon Jennings
• Editing: Elmo Williams
• Music composed by: Leith Stevens
• Production design: Lyle Wheeler
• Producer: Julian Blaustein
• Production company: 20th Century Fox

Production

The War of the Worlds (1953) was filmed in black and white and on location in various locations, including the Mojave Desert and the city of Los Angeles. The film was produced by 20th Century Fox and was released in the United States on September 25, 1953.

War of the Worlds (1953)

The War of the Worlds (1953) is a 1953 American science fiction cult film directed by Byron Haskin and starring Gene Barry and Ann Robinson. The film is based on the novel of the same name by H.G. Wells.

Plot

A meteorite crashes near Linda Rosa, a small town in Southern California. Local residents are curious about the meteorite, but they soon discover that it is an alien spacecraft.

The aliens, called Tripods, are giant machines with three legs. The Tripods begin to fire lethal rays at the population, killing thousands of people.

A group of survivors, including Dr. Clayton Forrester and Sylvia Van Buren, take shelter in an air-raid shelter. Forrester discovers that the Tripods are actually parasites that feed on the life energy of humans.

Forrester and Van Buren manage to escape from the shelter and reach a group of soldiers. The soldiers attack the Tripods, but they are overwhelmed.

In the end, the Tripods abandon Earth, but Forrester and Van Buren are convinced that they will return.

Critical reception

The War of the Worlds (1953) was a critical and commercial success upon its release. The film was praised for its special effects, performances, and suspense. It is now considered a classic of science fiction cinema.

Legacy

The War of the Worlds (1953) has had a lasting influence on popular culture. The film has been referenced and parodied in many other films and television shows, including The Simpsons, South Park, and Doctor Who.

Cast

• Gene Barry as Dr. Clayton Forrester
• Ann Robinson as Sylvia Van Buren
• Hugh Marlowe as Colonel Thomas Stevens
• Sam Jaffe as Jacob Barnhardt
• Lock Martin as Billy Gray
• Frances Bavier as Mrs. Estelle Crayton
• Chet Brandenburg as Mr. Harriman

Crew

• Director: Byron Haskin
• Screenplay: Barré Lyndon, based on the novel by H.G. Wells
• Cinematography: Gordon Jennings
• Editing: Elmo Williams
• Music composed by: Leith Stevens
• Production design: Lyle Wheeler
• Producer: Julian Blaustein
• Production company: 20th Century Fox

Production

The War of the Worlds (1953) was filmed in black and white and on location in various locations, including the Mojave Desert and the city of Los Angeles. The film was produced by 20th Century Fox and was released in the United States on September 25, 1953.

Destination… Earth! (1953)

Destination… Earth! (1953) is a 1953 American science fiction film directed by Jack Arnold and starring Richard Carlson, Barbara Rush, Charles Drake, Russell Johnson, and Kathleen Hughes. The film is based on a story by Ray Bradbury.

Plot

A disabled alien spacecraft lands in a desert area of the United States. A young scientist, David Sheppard, tries to establish a relationship with the extraterrestrials, but the xenophobic locals see the visitors as a threat.

Sheppard discovers that the aliens are castaways, victims of the prejudice and hatred generated by fear of the other and the unknown. In the end, Sheppard manages to convince the locals not to attack the aliens, and the two groups learn to live together in peace.

Critical reception

Destination… Earth! (1953) was a critical and commercial success upon its release. The film was praised for its compelling story and its message of tolerance and understanding. It is now considered a classic of science fiction cinema.

Legacy

Destination… Earth! (1953) has had a lasting influence on popular culture. The film has been referenced and parodied in many other films and television shows, including The Simpsons, South Park, and The X-Files.

Cast

• Richard Carlson as David Sheppard
• Barbara Rush as Helen Benson
• Charles Drake as John Putnam
• Russell Johnson as Mike Wilson
• Kathleen Hughes as Carol

Crew

• Director: Jack Arnold
• Screenplay: Harry Essex and Ray Bradbury
• Cinematography: Clifford Stine
• Editing: Robert Parrish
• Music composed by: Henry Mancini
• Production design: Bernard Herzbrun
• Producer: William Alland
• Production company: Universal Pictures

Production

Destination… Earth! (1953) was filmed in black and white and on location in various locations, including the Mojave Desert and the city of Los Angeles. The film was produced by Universal Pictures and was released in the United States on May 25, 1953.

The Creature from The Black Lagoon (1954)

The Creature from the Black Lagoon (1954) is a 1954 American science fiction film directed by Jack Arnold and starring Richard Carlson, Julia Adams, Richard Denning, and Whitfield Cook. The film is based on a story by Jack Arnold and Maurice Zimm.

Plot

A group of American scientists are conducting a paleontological expedition in the Amazon rainforest. During a survey, the group discovers a secret lagoon, where a man-like creature lives, but with scaly skin and a fish head.

The creature, called Gill-Man, is attracted to the beauty of Kay Lawrence, one of the scientists in the group. Kay is kidnapped by the creature and taken to his underground cave.

The group of scientists, led by Dr. David Reed, sets out to find Kay. Reed manages to rescue Kay from the creature, but the creature is killed by a trap.

Critical reception

The Creature from the Black Lagoon (1954) was a critical and commercial success upon its release. The film was praised for its special effects, performances, and suspense. It is now considered a classic of science fiction cinema.

Legacy

The Creature from the Black Lagoon (1954) is a cult movie and has had a lasting influence on popular culture. The film has been referenced and parodied in many other films and television shows, including The Simpsons, South Park, and The X-Files.

Cast

• Richard Carlson as Dr. David Reed
• Julia Adams as Kay Lawrence
• Richard Denning as Dr. Mark Williams
• Whitfield Cook as Dr. Carl Maia
• Antonio Moreno as Lucas
• Nestor Paiva as Gomez
• Ben Chapman as the monster

Crew

• Director: Jack Arnold
• Screenplay: Jack Arnold and Maurice Zimm
• Cinematography: Clifford Stine
• Editing: Robert Parrish
• Music composed by: Henry Mancini
• Production design: Bernard Herzbrun
• Producer: William Alland
• Production company: Universal Pictures

Production

The Creature from the Black Lagoon (1954) was filmed in black and white and on location in various locations, including the city of Los Angeles and Sherwood Lake, California. The film was produced by Universal Pictures and was released in the United States on June 20, 1954.

Them! (1954)

Them! (1954) is a 1954 American science fiction monster film directed by Gordon Douglas and starring James Whitmore, Edmund Gwenn, Joan Weldon, James Arness, Onslow Stevens, Sean McClory, Chris Drake, Sandy Descher, Mary Alan Hokanson, Don Shelton, Fess Parker, and Olin Howland. The film is based on a story by Robert A. Heinlein.

Plot

A group of American scientists are conducting a series of nuclear tests in the Mojave Desert. During one of the tests, a group of ants is contaminated by radiation and begins to grow to enormous size.

The giant ants begin to attack humans and destroy cities. A group of soldiers and scientists is sent to stop the ants, but the situation is desperate.

In the end, the ants are defeated by a chemical weapon, but the world is changed forever.

Critical reception

Them! (1954) was a critical and commercial success upon its release. The film was praised for its special effects, performances, and suspense. It is now considered a classic of science fiction cinema.

Legacy

Them! (1954) has had a lasting influence on popular culture. The film has been cited and parodied in many other films and television shows, including The Simpsons, South Park, and The X-Files.

Cast

• James Whitmore as Colonel Joseph M. Perry
• Edmund Gwenn as Dr. Harold Medford
• Joan Weldon as Patricia Medford
• James Arness as Sergeant Ben Peterson
• Onslow Stevens as General Edward Foster
• Sean McClory as Lieutenant Ed Carruthers
• Chris Drake as Corporal George R. Young
• Sandy Descher as Susan Medford
• Mary Alan Hokanson as Ruth Medford
• Don Shelton as Tom Medford
• Fess Parker as Hank Medford
• Olin Howland as Lieutenant Colonel William M. “Bud” Brown

Crew

• Directed by Gordon Douglas
• Screenplay by Robert A. Heinlein and James O’Hanlon
• Cinematography by Gordon Jennings
• Editing by Elmo Williams
• Music composed by Henry Mancini
• Production design by Bernard Herzbrun
• Producer: William Alland
• Production company: Universal Pictures

Production

Them! (1954) was filmed in black and white and on location in various locations, including the Mojave Desert and the city of Los Angeles. The film was produced by Universal Pictures and was released in the United States on September 25, 1954.

Godzilla (1954)

Godzilla (1954), also known as Gojira, is a 1954 Japanese science fiction kaiju film directed by Ishirō Honda and produced by Tomoyuki Tanaka. The film, the first in the Godzilla franchise, features a monstrous creature, awakened by nuclear testing, that terrorizes Tokyo.

Plot

In the coastal village of Odo Island, a massive creature emerges from the sea, attacking fishing boats and leaving behind a trail of destruction. The creature, named Godzilla, is identified by a paleontologist as a prehistoric dinosaur mutated by nuclear testing.

As Godzilla makes its way to Tokyo, causing widespread panic and destruction, the Japanese government struggles to find a way to stop the creature. Military attacks prove ineffective, and scientists develop a plan to use an oxygen destroyer, a device that can dissolve all forms of life.

The oxygen destroyer is deployed in Tokyo Bay, seemingly killing Godzilla. The film ends with a sense of unease, as the scientists warn that other mutated creatures could exist.

Critical reception

Godzilla (1954) was a critical and commercial success upon its release. The film was praised for its special effects, performances, and its exploration of themes relevant to post-war Japan. It is now considered a classic of science fiction cinema and a cultural touchstone for Japan.

Legacy

Godzilla (1954) has had a lasting influence on popular culture. The film spawned a long-running franchise of Godzilla films, television shows, video games, and other media. The character of Godzilla has become an iconic symbol of Japanese culture and has been referenced in numerous works of art and entertainment.

Cast

• Akira Takarada as Hidehiko Hoshino
• Momoko Kōchi as Emiko Yamashita
• Takashi Shimura as Dr. Kyohei Yamane
• Kenji Sahara as Ichirō Maki
• Haruo Nakajima as Godzilla

Crew

• Directed by Ishirō Honda
• Produced by Tomoyuki Tanaka
• Screenplay by Ishirō Honda, Takeo Matsubara, and Ken Kuronuma
• Cinematography by Masao Kobayashi
• Editing by Akira Tasaki
• Music composed by Akira Ifukube
• Production design by Motoyoshi Tamura
• Production company: Toho

Production

Godzilla (1954) was filmed in black and white and on location in various locations, including Tokyo and the Izu Ōshima island. The film was produced by Toho and was released in Japan on July 28, 1954.

20,000 Leagues Under the Sea (1954)

20,000 Leagues Under the Sea (1954) is a 1954 American science fiction film directed by Richard Fleischer and starring Kirk Douglas, James Mason, Paul Lukas, and Peter Lorre. The film is an adaptation of the 1870 novel of the same name by Jules Verne.

Plot

In 1866, the French warship Abraham Lincoln is attacked by a mysterious sea monster. Professor Pierre Aronnax, a French naturalist, is kidnapped by the monster and taken aboard its submarine, the Nautilus. The Nautilus is commanded by Captain Nemo, a mysterious man who has sworn revenge on humanity for its crimes against the ocean.

During their journey, Aronnax and his assistant, Conseil, witness the wonders of the underwater world. They see fantastic marine creatures, such as whales, sharks, jellyfish, and coral reefs. They also meet other people who have been kidnapped by the Nautilus, including the sailor Ned Land.

In the end, Aronnax and his companions manage to escape from the Nautilus. Captain Nemo commits suicide, leaving the Nautilus to sink.

Critical reception

20,000 Leagues Under the Sea (1954) was a critical and commercial success upon its release. The film was praised for its special effects, performances, and its faithfulness to Verne’s novel. It is now considered a classic of science fiction cinema.

Legacy

20,000 Leagues Under the Sea (1954) has had a lasting influence on popular culture. The film has spawned a number of adaptations, including a 1961 film and a 1970s television series. The Nautilus has become an icon of science fiction and has been referenced in numerous works of art and entertainment.

Cast

• Kirk Douglas as Professor Pierre Aronnax
• James Mason as Captain Nemo
• Paul Lukas as Conseil
• Peter Lorre as Ned Land

Crew

• Directed by Richard Fleischer
• Screenplay by Earl Felton
• Cinematography by Ralph O. Musgrave
• Editing by Robert Swink
• Music composed by Paul J. Smith
• Production design by John Meehan and Emile Kuri
• Production company: Walt Disney Productions

Production

20,000 Leagues Under the Sea (1954) was filmed in Technicolor and in studio. The film was produced by Walt Disney and distributed in the United States on June 30, 1954.

Tarantula (1955)

Tarantula (1955) is a 1955 American science fiction horror film directed by Jack Arnold and starring John Agar, Mara Corday, Leo G. Carroll, Nestor Paiva, Ross Elliott, Edwin Rand, Raymond Bailey, Hank Patterson, Bert Holland, and Clint Eastwood. The film is based on a story by R. M. Fresco.

Plot

In the Arizona desert, Professor Gerald Deemer is conducting experiments on growth hormone in the hopes of finding a way to increase food supplies for the world population. During one of these experiments, a group of tarantulas are contaminated by radiation and begin to grow to enormous size.

The giant tarantulas begin to attack humans and destroy the town. A group of soldiers and scientists is sent to stop the tarantulas, but the situation is desperate.

In the end, the tarantulas are defeated by a chemical weapon, but the world is changed forever.

Critical reception

Tarantula (1955) was a critical and commercial success upon its release. The film was praised for its special effects, performances, and suspense. It is now considered a classic of science fiction horror cinema.

Legacy

Tarantula (1955) has had a lasting influence on popular culture. The film has been referenced and parodied in many other films and television shows, including The Simpsons, South Park, and The X-Files.

Cast

• John Agar as Colonel Joseph M. Perry
• Mara Corday as Patricia Medford
• Leo G. Carroll as Dr. Harold Medford
• Nestor Paiva as Sergeant Ben Peterson
• Ross Elliott as Lieutenant Ed Carruthers
• Edwin Rand as Corporal George R. Young
• Raymond Bailey as General Edward Foster
• Hank Patterson as Major James R. “Bud” Brown
• Bert Holland as Sergeant John D. “Doc” Anderson
• Clint Eastwood as Pvt. Chuck Rogers

Crew

• Directed by Jack Arnold
• Screenplay by Jack Arnold and James O’Hanlon
• Cinematography by Gordon Jennings
• Editing by Elmo Williams
• Music composed by Henry Mancini
• Production design by Bernard Herzbrun
• Producer: William Alland
• Production company: Universal Pictures

Production

Tarantula (1955) was shot in black and white and on location in various locations, including the Mojave Desert and the city of Los Angeles. The film was produced by Universal Pictures and was released in the United States on December 14, 1955.

It Came from Beneath the Sea (1955)

The Monster of the Sea (1955) is a 1955 American science fiction horror film directed by Robert Gordon (II) and starring Faith Domergue, Ian Keith, Kenneth Tobey, Donald Curtis, and Harry Lauter. The film is based on a short story by Ray Bradbury.

Plot

A United States nuclear submarine, the USS Seaview, is on patrol in the Pacific Ocean when it is attacked by a giant sea creature. The submarine is badly damaged and the crew is forced to take refuge on a deserted island.

The island is inhabited by a tribe of natives who tell the crew of a legendary creature that lives in the surrounding waters. The Seaview crew decides to face the creature to defend themselves and to save the ship.

In the end, the crew manages to defeat the creature using a nuclear weapon. The submarine is saved and the crew can return home.

Critical reception

The Monster of the Sea (1955) was a critical and commercial success upon its release. The film was praised for its special effects, performances, and suspense. It is now considered a classic of science fiction horror cinema.

Legacy

The Monster of the Sea (1955) has had a lasting influence on popular culture. The film has been referenced and parodied in many other films and television shows, including The Simpsons, South Park, and The X-Files.

Cast

• Faith Domergue as Lesley Joyce
• Ian Keith as Captain Pete Mathews
• Kenneth Tobey as Lieutenant Jim Adams
• Donald Curtis as Lieutenant Chuck Hansen
• Harry Lauter as Lieutenant Lee Crane

Crew

• Directed by Robert Gordon (II)
• Screenplay by Robert Gordon (II) and George Worthing Yates
• Cinematography by Gordon Jennings
• Editing by Elmo Williams
• Music composed by Henry Mancini
• Production design by Bernard Herzbrun
• Producer: William Alland
• Production company: Universal Pictures

Production

The Monster of the Sea (1955) was shot in black and white and on location in various locations, including the Mojave Desert and the city of Los Angeles. The film was produced by Universal Pictures and was released in the United States on December 14, 1955.

The Conquest of Space (1955)

Conquest of Space (1955) is a 1955 American science fiction film directed by Byron Haskin and starring Walter Brooke, Eric Fleming, Mickey Shaughnessy, and Phil Foster. The film is based on a 1949 book by Willy Ley and Chesley Bonestell.

Plot

A group of American astronauts are sent on a mission to Mars to establish a permanent base. The mission is a success and the astronauts are able to build a base and make contact with the planet’s inhabitants.

However, things take a turn for the worse when the astronauts are attacked by the Martians, who are hostile to humans. The astronauts must fight for survival and return to Earth.

Critical reception

Conquest of Space (1955) was a critical and commercial success upon its release. The film was praised for its special effects, performances, and suspense. It is now considered a classic of science fiction cinema.

Legacy

Conquest of Space (1955) has had a lasting influence on popular culture. The film has been referenced and parodied in many other films and television shows, including The Simpsons, South Park, and The X-Files.

Cast

• Walter Brooke as Colonel Floyd Thompson
• Eric Fleming as Major Matt Gordon
• Mickey Shaughnessy as Lieutenant Jim Barnes
• Phil Foster as Lieutenant Pete Martin

Crew

• Directed by Byron Haskin
• Screenplay by George Worthing Yates, James O’Hanlon, Barré Lyndon, and Philip Yordan
• Cinematography by Gordon Jennings
• Editing by Elmo Williams
• Music composed by Bernard Herrmann
• Production design by Bernard Herzbrun
• Producer: William Alland
• Production company: Paramount Pictures

Production

Conquest of Space (1955) was filmed in Technicolor and in studio. The film was produced by Paramount Pictures and was released in the United States on April 20, 1955.

The Quatermass Experiment (1955)

The Quatermass Xperiment (1955) is a 1955 British science fiction film directed by Val Guest and starring Brian Donlevy, Margia Dean, Jack Warner, Richard Wordsworth, David King Wood, and Thora Hird. The film is based on the six-episode British television series The Quatermass Experiment, written by Nigel Kneale and broadcast by the BBC from December 22, 1952 to February 25, 1953, with Reginald Tate in the role of Professor Quatermass.

Plot

The first British space rocket returns to Earth, but only one of the three crew members is left alive. Victor Caroon, the sole survivor, is in a catatonic state. Professor Bernard Quatermass, the rocket’s designer, takes over the case and discovers that Caroon has been infected by an alien presence, which transforms him into a monster that sows terror in London.

Critical reception

The Quatermass Xperiment (1955) was a critical and commercial success upon its release. The film was praised for its special effects, performances, and suspense. It is now considered a classic of science fiction cinema.

Legacy

The Quatermass Xperiment (1955) has had a lasting influence on popular culture. The film has been referenced and parodied in many other films and television shows, including The Simpsons, South Park, and The X-Files.

Cast

• Brian Donlevy as Professor Bernard Quatermass
• Margia Dean as Barbara Judd
• Jack Warner as Colonel Breen
• Richard Wordsworth as Lieutenant Craig
• David King Wood as Lieutenant Brand
• Thora Hird as Mrs. Judd

Crew

• Directed by Val Guest
• Screenplay by Nigel Kneale
• Cinematography by John Wilcox
• Editing by James B. Clark
• Music composed by James Bernard
• Production design by Bill Andrews
• Producer: Anthony Hinds
• Production company: Hammer Films

Production

The Quatermass Xperiment (1955) was filmed in black and white and in studio. The film was produced by Hammer Films and was released in the United Kingdom on September 28, 1955.

This Island Earth (1955)

This Island Earth (1955) is a 1955 American science fiction film directed by Joseph Newman and starring Faith Domergue, Rex Reason, Jeff Morrow, Russell Johnson, and Lance Fuller. The film is based on the 1952 novel This Island Earth by Raymond F. Jones.

Plot

A group of scientists are recruited by a mysterious organization to work on a top-secret project. The scientists are taken to a secret island where they are introduced to a race of aliens from the planet Metaluna. The aliens are working on a project to save their planet from a dying sun.

Cal Meacham, one of the scientists, learns that the aliens are planning to use an atomic weapon to destroy the sun. Cal must stop the aliens before they can carry out their plan.

Critical reception

This Island Earth (1955) was a critical and commercial success upon its release. The film was praised for its special effects, performances, and suspense. It is now considered a classic of science fiction cinema.

Legacy

This Island Earth (1955) has had a lasting influence on popular culture. The film has been referenced and parodied in many other films and television shows, including The Simpsons, South Park, and X-Files.

Cast

• Faith Domergue as Lesley Joyce
• Rex Reason as Cal Meacham
• Jeff Morrow as Exeter
• Russell Johnson as Steve Carlson
• Lance Fuller as Tony Drake

Crew

• Directed by Joseph Newman
• Screenplay by Joseph Newman and Jack Arnold
• Cinematography by Gordon Jennings
• Editing by Elmo Williams
• Music composed by Henry Mancini
• Production design by Bernard Herzbrun
• Producer: William Alland
• Production company: Universal Pictures

Production

This Island Earth (1955) was filmed in Technicolor and in studio. The film was produced by Universal Pictures and was released in the United States on June 10, 1955.

Earth vs. Flying Saucers (1956)

Earth vs. the Flying Saucers (1956) is a 1956 American science fiction film directed by Fred F. Sears and starring Joan Taylor, Hugh Marlowe, Donald Curtis, Morris Ankrum, and Thomas Browne Henry. The film is based on the 1950 novel Flying Saucers from Outer Space by Donald Keyhoe.

Plot

A group of scientists are tasked with investigating a series of mysterious aircraft accidents that appear to be caused by flying saucers. The scientists discover that the flying saucers are the work of a hostile alien race that is preparing to invade Earth.

Critical reception

Earth vs. the Flying Saucers (1956) was a box office success upon its release, but it received mixed reviews from critics. Some critics praised the special effects, while others considered them dated.

Legacy

Earth vs. the Flying Saucers (1956) has had a lasting influence on popular culture. The film has been referenced and parodied in many other films and television shows, including The Simpsons, South Park, and X-Files.

Cast

• Joan Taylor as Carol Wetherly
• Hugh Marlowe as Dr. Russell Marvin
• Donald Curtis as Lieutenant Craig
• Morris Ankrum as Colonel Breen
• Thomas Browne Henry as Dr. Blake

Crew

• Directed by Fred F. Sears
• Screenplay by Curt Siodmak
• Cinematography by Gordon Jennings
• Editing by Elmo Williams
• Music composed by Paul Sawtell
• Production design by Bernard Herzbrun
• Producer: William Alland
• Production company: Clover Production

Production

Earth vs. the Flying Saucers (1956) was filmed in Technicolor and in studio. The film was produced by Clover Production and was released in the United States on July 15, 1956.

Invasion of the Body Snatchers (1956)

Invasion of the Body Snatchers (1956) is a 1956 American science fiction cult film directed by Don Siegel and starring Kevin McCarthy, Dana Wynter, Larry Gates, and King Donovan. The film is based on the 1955 novel The Body Snatchers by Jack Finney.

Plot

Dr. Miles Bennell, a doctor in Santa Mira, California, begins to suspect that something sinister is happening in his town. His patients complain of being possessed by an alien entity that has transformed them into beings devoid of emotion and personality.

Critical reception

Invasion of the Body Snatchers (1956) was a critical and commercial success upon its release. The film was praised for its suspense, its eerie atmosphere, and its exploration of important themes on alien invasion, loss of individuality, and paranoia.

Legacy

Invasion of the Body Snatchers (1956) has had a lasting influence on popular culture. The film has been referenced and parodied in many other films and television shows, including The Simpsons, South Park, and The X-Files.

Cast

• Kevin McCarthy as Dr. Miles Bennell
• Dana Wynter as Becky Driscoll
• Larry Gates as Dr. Dan Kauffman
• King Donovan as Dr. Jack Griffin

Crew

• Directed by Don Siegel
• Screenplay by Daniel Mainwaring
• Cinematography by Ellsworth Fredericks
• Editing by Robert L. Simpson
• Music composed by Dimitri Tiomkin
• Production design by Edward C. Carfagno
• Producer: Walter Wanger
• Production company: Allied Artists

Production

Invasion of the Body Snatchers (1956) was filmed in black and white and in studio. The film was produced by Allied Artists and was released in the United States on October 22, 1956.

World Without End (1956)

World Without End (1956) is a 1956 American science fiction film directed by Edward Bernds and starring Rod Taylor, Hugh Marlowe, Nancy Gates, Lisa Montell, Nelson Leigh, and Christopher Dark. The film is the first to deal with time travel and space-time paradoxes and also the first science fiction film to be released in CinemaScope.

Plot

A group of astronauts are tasked with studying the feasibility of colonizing Mars. During the mission, the XRM spacecraft is about to resume course for Earth when an unexpected acceleration causes the on-board instruments to malfunction and puts its crew into a state of unconsciousness.

Upon awakening, the astronauts discover that they have landed on a dangerous uncharted planet, but with an atmosphere that is breathable. The planet is inhabited by hostile alien creatures, who attack the crew.

The astronauts manage to escape from the planet and return to Earth, but they discover that they have been transported back in time to 1957.

Critical reception

World Without End (1956) was a box office success upon its release, but it received mixed reviews from critics. Some critics praised the film’s vision of the future, while others considered it too optimistic.

Legacy

World Without End (1956) has had a lasting influence on popular culture. The film has been referenced and parodied in many other films and television shows, including The Simpsons, South Park, and The X-Files.

Cast

• Rod Taylor as Steve Abbott
• Hugh Marlowe as Dr. Russell Marvin
• Nancy Gates as Karen Foster
• Lisa Montell as Ruth Adams
• Nelson Leigh as Dr. Blake
• Christopher Dark as Dr. Foster

Crew

• Directed by Edward Bernds
• Screenplay by Edward Bernds and David Duncan
• Cinematography by Edward J. Laszlo
• Editing by Richard L. Van Enger
• Music composed by Paul Sawtell
• Production design by Bernard Herzbrun
• Producer: Walter Wanger
• Production company: Allied Artists

Production

World Without End (1956) was filmed in CinemaScope and in studio. The film was produced by Allied Artists and was released in the United States on March 25, 1956.

1984 (1956)

1984 is a 1956 British science fiction film directed by Michael Anderson, based on the novel of the same name by George Orwell. The film is set in a dystopian future, in which the world is divided into three superpowers: Oceania, Eurasia, and Eastasia. Oceania is ruled by a totalitarian regime, Big Brother, which controls every aspect of its citizens’ lives.

Plot

Winston Smith is an employee of the Ministry of Truth, where he is responsible for rewriting history to fit Big Brother’s narrative. Winston is secretly a dissident, and he begins to keep a diary in which he criticizes the regime.

One day, Winston meets Julia, another dissident. The two begin a secret relationship, but they are soon discovered by the secret police.

Winston is arrested and tortured, and he is eventually forced to renounce his beliefs. The film ends with Winston, now bent to the regime, uttering the phrase “Two plus two equals four.”

Themes

1984 is a film that explores the themes of totalitarianism, surveillance, and mind control. The film is an allegory of contemporary society, in which technology can be used to control people and limit their freedom.

Cast

• Edmond O’Brien as Winston Smith
• Michael Redgrave as Big Brother
• Jan Sterling as Julia
• Donald Pleasence as O’Brien

Crew

• Directed by Michael Anderson
• Screenplay by William Templeton
• Cinematography by Gilbert Taylor
• Music composed by Malcolm Arnold

Production

1984 was produced by MGM and released in the United States on March 20, 1956. The film was a critical and commercial success, and it won the Golden Lion at the Venice Film Festival.

1984 (TV version, 1956)

Plot

In a dystopian future, Winston Smith, a low-ranking member of the ruling Party, works in the Ministry of Truth, where he rewrites history to fit the Party’s narrative. Winston secretly rebels against the Party by keeping a diary and having an affair with Julia, a fellow Party member.

Cast

• Peter Cushing as Winston Smith
• Yvonne Mitchell as Julia
• Donald Pleasence as Syme
• Michael Redgrave as O’Brien

Crew

• Directed by Rudolph Cartier
• Screenplay by Nigel Kneale
• Cinematography by Eric Day
• Music composed by John McGrath

Production

The 1956 BBC television adaptation of Nineteen Eighty-Four was a 90-minute production that aired as a single episode on December 12, 1954. The adaptation was faithful to the novel, and it was praised for its bleak and atmospheric portrayal of Orwell’s dystopian world.

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Attack of the Crab Monsters (1957)

Attack of the Crab Monsters (1957) is a 1957 American science fiction film directed by Roger Corman and starring Richard Garland, Pamela Duncan, Russell Johnson, Leslie Bradley, Mel Welles, Richard H. Cutting, and Beach Dickerson. The film is based on a short story by Ray Bradbury titled “The Foghorn”.

Plot

A group of scientists are conducting a radiation experiment on an island in the Pacific Ocean. Their experiments accidentally mutate the island’s crabs, transforming them into giant, aggressive creatures.

Critical reception

Attack of the Crab Monsters (1957) was a box office success, but it received mixed reviews from critics. Some critics praised the special effects, while others considered them dated.

Legacy

Attack of the Crab Monsters (1957) has had a lasting influence on popular culture. The film has been referenced and parodied in many other films and television shows, including The Simpsons, South Park, and Clarence.

Cast

• Richard Garland as Steve Andrews
• Pamela Duncan as Helen Dobson
• Russell Johnson as Dr. Bill Gaxton
• Leslie Bradley as Dr. Paul Miller
• Mel Welles as Dr. Rolfe
• Richard H. Cutting as Mr. Johnson
• Beach Dickerson as Mr. Dobson

Crew

• Directed by Roger Corman
• Screenplay by William J. Leicester
• Cinematography by Floyd Crosby
• Editing by Ronald Sinclair
• Music composed by Ronald Stein
• Production design by Dave Milton
• Producer: Roger Corman
• Production company: American International Pictures

Production

Attack of the Crab Monsters (1957) was filmed in black and white and in studio. The film was produced by American International Pictures and was released in the United States on June 14, 1957.

The Incredible Shrinking Man (1957)

The Incredible Shrinking Man is a 1957 American science fiction film directed by Jack Arnold, based on the novel The Shrinking Man (1956) by Richard Matheson. The film is set in a future in which the Earth has been hit by a radioactive cloud that is slowly shrinking people to microscopic proportions.

Plot

Scott Carey is a middle-aged man who, during a boating trip, is accidentally hit by a radioactive cloud. A few months later, Scott notices that he is losing weight and subsequently, through medical tests, he also notices that he is decreasing in stature: his entire body is slowly shrinking.

Scott tries to keep his condition a secret, but his situation becomes increasingly difficult to hide. In the end, Scott is forced to face reality and seek a cure for his illness.

Themes

The Incredible Shrinking Man is a film that explores the themes of fear of the unknown, transformation, and loss of identity. The film is an allegory of the human condition, in which we are constantly exposed to dangers that can alter our lives.

Cast

• Grant Williams as Scott Carey
• Randy Stuart as Louise Carey
• April Kent as Becky Carey
• Paul Langton as Dr. Arthur Bramwell
• Raymond Bailey as Dr. Bradford
• William Schallert as Dr. Phillips

Crew

• Directed by Jack Arnold
• Screenplay by Richard Matheson
• Cinematography by Ellis W. Carter
• Editing by Milton Carruth
• Music composed by Joseph Gershenson

Production

The Incredible Shrinking Man was produced by Universal Pictures and released in the United States on March 28, 1957. The film was a critical and commercial success, and it is considered a classic of science fiction cinema.

The Monolith Monsters (1957)

The Monolith Monsters (1957) is a 1957 American science fiction film directed by John Sherwood. The film is set in a small mining village in the southwestern United States, where a meteorite that fell from the sky begins to turn people to stone.

Plot

The meteorite, which is composed of a mysterious black mineral, emits a gas that causes petrification of anyone who comes into contact with it. The victims of the gas turn into perfectly preserved stone statues.

A group of scientists go to the village to investigate what happened. They soon discover that the gas is radioactive and is able to replicate itself. The stone statues, in fact, begin to grow and reproduce, becoming increasingly numerous and dangerous.

Themes

The Monolith Monsters is a film that explores the themes of fear of the unknown, the threat of nuclear war, and the nature of reality. The film is an allegory of the modern world, in which we are constantly exposed to dangers that we cannot understand.

Cast

• Lola Albright as Dr. Susan Rogers
• Grant Williams as Dr. Tony Nelson
• Les Tremayne as Dr. John Lawrence
• Phil Harvey as Dr. Mark Wilson
• Trevor Bardette as Dr. Bill Foster
• William Schallert as Dr. John Bradford

Crew

• Directed by John Sherwood
• Screenplay by Robert M. Fresco and Robert Smithee
• Cinematography by Ellis W. Carter
• Editing by Milton Carruth
• Music composed by Joseph Gershenson

Production

The Monolith Monsters was produced by Universal Pictures and released in the United States on December 1, 1957. The film was a critical and commercial success, and is considered a classic of science fiction cinema.

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The Blob (1958)

The Blob (1958) is a 1958 American science fiction horror cult film directed by Irvin S. Yeaworth Jr. The film is set in a small American town, where a meteorite crashes from the sky and transforms into a gelatinous entity that feeds on humans.

Plot

A group of friends, Steve Andrews, Jane Martin, and Brian Flagg, are having a picnic when a meteorite crashes from the sky and lands in the woods. The meteorite transforms into a gelatinous entity that feeds on a hobo who was nearby.

The group of friends tries to stop the gelatinous entity, but it proves to be a formidable foe. The entity spreads rapidly, devouring everything in its path.

Themes

The Blob is a film that explores the themes of fear of the unknown, violence, and the threat of nuclear war. The film is an allegory of contemporary society, in which we are constantly exposed to dangers that we cannot comprehend.

Cast

• Steve McQueen as Steve Andrews
• Aneta Corsaut as Jane Martin
• Earl Rowe as Brian Flagg
• Olin Howland as Dr. Dave Miller
• Stephen Chase as Dr. Beaumont
• John Benson as Dr. Mulrooney

Crew

• Directed by Irvin S. Yeaworth Jr.
• Screenplay by Irving Block and Jack H. Harris
• Cinematography by Ellis W. Carter
• Editing by Milton Carruth
• Music composed by Ralph Carmichael

Production

The Blob was produced by Paramount Pictures and released in the United States on September 12, 1958. The film was a critical and commercial success, and is considered a classic of science fiction cinema.

I Married a Monster from Outer Space (1958)

I Married a Monster from Outer Space (1958) is a 1958 American science fiction film directed by Gene Fowler Jr. The film is set in a small American town, where a man marries a woman who turns out to be an alien.

Plot

Maggie is a young woman who lives in a small American town. One day, Maggie meets Glenn, a handsome man who asks her to marry him. Maggie is initially reluctant, but she eventually accepts the proposal.

After the wedding, Maggie begins to notice that Glenn is changing. He has become more aggressive and violent, and he often has angry outbursts. Maggie begins to suspect that Glenn is not who he says he is, and she seeks help from a doctor.

The doctor discovers that Glenn is actually an alien who has assumed the form of a man. The alien has come to Earth to conquer the world, and he has chosen Maggie as his mate.

Maggie manages to escape from Glenn and inform the authorities. Glenn is captured and imprisoned, and the Earth is saved.

Themes

I Married a Monster from Outer Space is a film that explores the themes of fear of the unknown, the threat of nuclear war, and the nature of reality. The film is an allegory of contemporary society, in which we are constantly exposed to dangers that we cannot comprehend.

Cast

• Tom Tryon as Glenn
• Gloria Talbott as Maggie
• Peter Baldwin as Dr. Mark Wilson
• Robert Ivers as Dr. John Lawrence
• Chuck Wassil as Brian Flagg
• Valerie Allen as Miss Anderson

Crew

• Directed by Gene Fowler Jr.
• Screenplay by Louis Vittes and Gene Fowler Jr.
• Cinematography by Ellis W. Carter
• Editing by Milton Carruth
• Music composed by Ralph Carmichael

Production

I Married a Monster from Outer Space was produced by Universal Pictures and released in the United States on September 10, 1958. The film was a critical and commercial success, and is considered a classic of science fiction cinema.

Invaders From Mars (1958)

Invaders from Mars (1958) is a 1958 American science fiction film directed by William Cameron Menzies. The film is set in a small American town, where a group of aliens attempt to conquer the world.

Plot

David is a 10-year-old boy who lives with his parents in a small American town. One night, David sees a light in the sky that lands in the field behind his house. The next day, David discovers that his neighbor, Dr. Miles, has been replaced by an alien who looks identical to him.

David tries to convince his parents of what he has seen, but they don’t believe him. David then decides to investigate on his own, and he discovers that the aliens are building a spaceship in the field behind his house.

David is able to stop the aliens and save the world, but the price is high: David is the only one who remembers the invasion, and his story is considered a fantasy.

Themes

Invaders from Mars is a film that explores the themes of fear of the unknown, paranoia, and the Cold War. The film is an allegory of the fear of communism, which was widespread in the United States during the Cold War.

Cast

• Jimmy Hunt as David MacLean
• Helena Carter as Mrs. MacLean
• Arthur Franz as Dr. Miles
• Leif Erickson as General Harrington
• Virginia Christine as Miss Anderson

Crew

• Directed by William Cameron Menzies
• Screenplay by Richard Blake
• Cinematography by John F. Seitz
• Editing by Edward Curtiss
• Music composed by Leith Stevens

Production

Invaders from Mars was produced by Twentieth Century-Fox and released in the United States on May 21, 1958. The film was a critical and commercial success, and is considered a classic of science fiction cinema.

The Space Children (1958)

The Space Children (1958) is a 1958 American science fiction film directed by Jack Arnold. The film is set in a top-secret military base, where a group of children, who are working on a secret project, come into contact with a creature resembling a giant brain.

Plot

While preparations for the launch of a satellite armed with several nuclear warheads are in full swing at a top-secret military base, the children of some scientists working in the building come into contact, in a cave on the nearby beach, with a creature resembling a giant brain.

The children, named Susan, Bobby, Timmy, and Sandy, are fascinated by the creature, which seems to be endowed with superior intelligence. The creature turns out to be an alien who has traveled through space to reach Earth.

The alien explains to the children that his planet has been destroyed by a nuclear war, and that he is looking for a new place to live. The children, convinced of the alien’s good intentions, help him to escape from the military base.

The alien, named Zor, is captured by the military, but he manages to free himself and escape into space. Zor promises the children that he will return to help them build a better world.

Themes

The Space Children is a film that explores the themes of fear of the unknown, nuclear war, and hope for the future. The film is an allegory of contemporary society, in which we are constantly exposed to dangers that we cannot comprehend.

Cast

• Jackie Coogan as Joe
• Sandy Descher as Susan
• Michel Ray as Bobby
• Richard Shannon as Timmy
• Peggy Webber as Mrs. Wilson
• John Crawford as Colonel Wilson

Crew

• Directed by Jack Arnold
• Screenplay by Bernard C. Schoenfeld
• Cinematography by Ernest Laszlo
• Editing by Milton Carruth
• Music composed by Ralph Carmichael

Production

The Space Children was produced by Paramount Pictures and released in the United States on June 25, 1958. The film was a critical and commercial success, and is considered a classic of science fiction cinema.

The Fly (1958)

The Fly (1958) is a 1958 American science fiction horror film directed by Kurt Neumann. The film is based on the short story The Fly (La mosca) by George Langelaan, published in 1957.

Plot

Andre Delambre is a brilliant scientist who is working on an experiment to teleport objects. One day, while he is conducting an experiment, a fly enters the machine and is teleported along with him.

The experiment has a disastrous outcome: Delambre and the fly merge into a single, monstrous creature. The creature, which has Delambre’s head and the body of a fly, is disgusted by its appearance and begins to wander the city, looking for a way to heal.

Meanwhile, Delambre’s wife, Helene, discovers what has happened to her husband. Helene tries to help Delambre, but the creature is now too dangerous.

The creature is killed by Helene, who shoots a rocket at it with a bazooka. Delambre dies, but the fly survives and flies away.

Themes

The Fly is a film that explores the themes of fear of the unknown, science out of control, and human nature. The film is an allegory of the fear of death and transformation.

Cast

• Vincent Price as Andre Delambre
• Patricia Owens as Helene Delambre
• Herbert Marshall as Dr. Pierre Delambre
• Kathleen Freeman as Mrs. Plunkett
• Charles Herbert as Philippe Delambre

Crew

• Directed by Kurt Neumann
• Screenplay by James Clavell and James Blish
• Cinematography by Karl Struss
• Editing by Gene Milford
• Music composed by Paul Sawtell

Production

The Fly was produced by Twentieth Century-Fox and released in the United States on July 16, 1958. The film was a critical and commercial success, and is considered a classic of science fiction horror cinema.

The Invention for Destruction (1958)

The Invention for Destruction (1958) (Vynález zkázy) is a 1958 Czechoslovak science fiction film directed by Karel Zeman. The film is based on the novel Face au drapeau (In the Face of the Flag) by Jules Verne, published in 1888.

Plot

In 1860, Professor Roch and his assistant Hart develop an explosive so powerful that it could replace the energy obtained from oil and coal. Count Artigas tries to seize the material and kidnaps the two to a volcanic island.

The three are forced to work for the count, who intends to use the explosive to dominate the world. Roch, however, is disgusted by the use that the count intends to make of his invention and decides to flee.

Count Artigas pursues Roch and Hart, but the two manage to escape and destroy the explosive. The world is saved and Roch and Hart can finally go home.

Themes

The Invention for Destruction is a film that explores the themes of the fear of war, scientific research out of control, and human nature. The film is an allegory of the Cold War, in which the two superpowers, the United States and the Soviet Union, are engaged in an arms race.

Cast

• Zdeněk Štěpánek as Professor Roch
• František Filipovský as Hart
• Rudolf Hrušínský as Count Artigas
• Jan Werich as Sir Francis Drake
• Jiří Vršťala as a sailor

Crew

• Directed by Karel Zeman
• Screenplay by Karel Zeman and Jiří Brdečka
• Cinematography by Jaroslav Kučera
• Editing by Karel Prokop
• Music composed by Zdeněk Liška

Production

The Invention for Destruction was produced by Filmové studio Barrandov and released in Czechoslovakia on June 27, 1958. The film was a critical and commercial success, and is considered a classic of Czechoslovak science fiction cinema.

Nebo Zovyot (1959)

Nebo Zovyot (1959) is a Soviet science fiction film directed by Aleksandr Kozyr and Michail Karyukov. The film is based on the novel The Unknown Planet (1957) by Arkady and Boris Strugatsky.

Plot

In 2050, a Soviet space exploration expedition arrives on Mars. The astronauts discover that the planet is inhabited by an alien civilization that is in danger of extinction due to a volcanic eruption.

The Soviet astronauts collaborate with the aliens to evacuate the population from Mars. The mission is a success and the aliens settle on Earth.

Themes

Nebo Zovyot is a film that explores the themes of international cooperation, scientific research, and hope. The film is an allegory of the space race, in which the two superpowers, the Soviet Union and the United States, are united by a common goal.

Cast

• Vladimir Yemelyanov as Commander Yuri Denisov
• Yelena Kuzmina as Svetlana Petrova
• Yevgeny Samoylov as Professor Ivan Kozlov
• Yevgeny Yevstigneyev as Dr. Vladimir Grigoriev
• Svetlana Svetlichnaya as Nadezhda Ivanova

Crew

• Directed by Aleksandr Kozyr and Michail Karyukov
• Screenplay by Aleksandr Kozyr and Michail Karyukov, based on the novel by Arkady and Boris Strugatsky
• Cinematography by Nikolai Kulchitsky
• Editing by Yevgeny Semenov
• Music composed by Oleg Karavaychuk

Production

Nebo Zovyot was produced by Mosfilm and released in the Soviet Union on December 22, 1959. The film was a critical and commercial success, and is considered a classic of Soviet science fiction cinema.

Journey to the Center of the Earth (1959)

Journey to the Center of the Earth (1959) is a science fiction film directed by Henry Levin and produced by Charles Brackett. The film is based on the novel of the same name by Jules Verne, published in 1864.

Plot

Professor Lindenbrook, a renowned geologist, receives a letter from a former student, Arne Saknussemm, who claims to have found a passage leading to the center of the Earth. Lindenbrook, along with his nephew Alec and a young widow named Carla, sets out for Iceland to find the entrance to the passage.

The three manage to find the entrance and venture into the underground, where they discover an extraordinary world, populated by dinosaurs, active volcanoes, and other natural wonders.

Themes

Journey to the Center of the Earth is a film that explores the themes of adventure, discovery, and wonder. The film is an allegory of the journey of man to discover himself and the world around him.

Cast

• James Mason as Professor Lindenbrook
• Pat Boone as Alec McEwen
• Arlene Dahl as Carla
• Thayer David as Hans Bjelke
• Peter Ronson as Olaf

Crew

• Directed by Henry Levin
• Screenplay by Charles Brackett, based on the novel by Jules Verne
• Cinematography by Harold Rosson
• Editing by Gene Milford
• Music composed by Bernard Herrmann

Production

Journey to the Center of the Earth was produced by 20th Century Fox and released in the United States on December 16, 1959. The film was a critical and commercial success, and is considered a classic of science fiction cinema.

Sci-Fi Movies from the 60s 

In the 60s, thanks also to movements such as the French Nouvelle Vague, sci fi cinema is used by many director-authors to make theirs arthouse films. These are completely different films from those of the 50s where the special effects and the spectacular scenographic component are completely secondary, if not entirely absent. 

The Time Machine (1960)

The Time Machine (1960) is a British science fiction film directed by George Pal. The film is based on the novel of the same name by H. G. Wells, published in 1895.

Plot

In 1899, Professor George Wells invents a time machine that allows him to travel to the future. Wells travels to the year 802,701, where he discovers a world that is completely different from what he knows.

The world of the future is inhabited by two races: the Eloi, a peaceful and decadent population, and the Morlocks, a race of subterranean creatures that feed on the Eloi.

Wells finds himself caught up in a struggle between the two races and must find a way to return to his own time.

Themes

The Time Machine is a film that explores the themes of society, technology, and progress. The film is a reflection on the future of humanity and the role of technology in our lives.

Cast

• Rod Taylor as Professor George Wells
• Yvette Mimieux as Weena
• Alan Young as Filby
• Sebastian Cabot as Robbins
• Whit Bissell as David Filby

Crew

• Directed by George Pal
• Screenplay by David Duncan, based on the novel by H. G. Wells
• Cinematography by Paul Beeson
• Editing by Ernest Walter
• Music composed by Russell Garcia

Production

The Time Machine was produced by Metro-Goldwyn-Mayer and released in the United States on December 20, 1960. The film was a critical and commercial success, and is considered a classic of science fiction cinema.

Village of the Damned (1960)

Village of the Damned (1960) is a British science fiction film directed by Wolf Rilla. The film is based on the novel The Midwich Cuckoos (1957) by John Wyndham.

Plot

One day, in the small English village of Midwich, all the inhabitants lose consciousness for several hours. When they wake up, they discover that ten women are pregnant.

The children are all born on the same day and seem normal, but soon they begin to exhibit strange and dangerous behavior.

Themes

Village of the Damned is a film that explores the themes of fear, control, and human nature. The film is an allegory of the threat posed by scientific and technological progress.

Cast

• George Sanders as Dr. Gordon Zellaby
• Barbara Shelley as Susan Zellaby
• Martin Stephens as David Zellaby
• Michael Gwynn as Dr. Bernard Colley
• Laurence Naismith as Dr. Ralph Mander

Crew

• Directed by Wolf Rilla
• Screenplay by Stirling Silliphant, based on the novel by John Wyndham
• Cinematography by Reginald H. Wyer
• Editing by Anthony Harvey
• Music composed by Malcolm Arnold

Production

Village of the Damned was produced by MGM and released in the United States on December 22, 1960. The film was a critical and commercial success, and is considered a classic of science fiction cinema.

La Jetée (1962)

La Jetée (1962) is a science fiction short film directed by Chris Marker. The film is an allegory of war and memory.

Plot

In a post-apocalyptic future, a man is the sole survivor of a pandemic that has killed most of the world’s population. The man is subjected to an experiment that allows him to travel through time, and he is sent back to the past to retrieve a sample of a virus that could be used to cure the pandemic.

Themes

La Jetée is a film that explores the themes of war, memory, and hope. The film is an allegory of hope for a better future, even in a world devastated by war.

Cast

• Jean Négroni as the man
• Hélène Chatelain as the woman

Crew

• Directed by Chris Marker
• Screenplay by Chris Marker
• Cinematography by Pierre Lhomme
• Editing by Pierre Lhomme
• Music composed by Maurice Jarre

Production

La Jetée was produced by Anatole Dauman for Argos Films. The film was shot in black and white, using a photographic technique called “photomontage”, which involves combining still images to create an illusion of movement.

The Day of the Triffids (1962)

The Day of the Triffids (1962) is a science fiction film directed by Steve Sekely and, uncredited, Freddie Francis. Starring Howard Keel and Nicole Maurey, the film is loosely based on the novel The Day of the Triffids by John Wyndham.

Plot

One night, Earth is hit by a meteor shower of extraordinary proportions. The next day, everyone who looked at it is blinded. Additionally, triffid seeds spread all over the world, plants that can detach from the ground and attack and feed on human flesh.

A small group of survivors, including a blind woman named Susan, take refuge in a cottage in the countryside. Together, they must find a way to survive the triffid invasion.

Themes

The Day of the Triffids is a film that explores the themes of fear, terror, and survival. The film is an allegory of the threat posed by the wild nature and the unknown.

Cast

• Howard Keel as Bill Masen
• Nicole Maurey as Susan Chiltern
• Kieron Moore as Gordon Zellaby
• Janina Faye as Rosalind Parnell
• Mervyn Johns as Tom Parnell

Crew

• Directed by Steve Sekely and Freddie Francis
• Screenplay by John Wyndham, based on his novel
• Cinematography by Reginald H. Wyer
• Editing by Anthony Harvey
• Music composed by Malcolm Arnold

Production

The Day of the Triffids was produced by Allied Artists Pictures Corporation and released in the United States on October 25, 1962. The film was a critical and commercial success, and is considered a classic of science fiction cinema.

The 10th Victim (1965)

The 10th Victim (1965) is a science fiction film directed by Elio Petri. The film is an allegory of the consumer society and violence.

Plot

In a near future, war has been abolished and violence has been legalized in a kind of game of human hunting. Participants, called “hunters” and “victims,” are chosen based on a danger rating.

Marcello, a young man, is a successful hunter. His next victim is Caroline, an American woman who has already killed nine men.

Marcello and Caroline meet in Rome and begin a game of seduction and suspense. Marcello is fascinated by Caroline, but he is also determined to kill her.

Themes

The 10th Victim is a film that explores the themes of violence, the consumer society, and social control. The film is a critique of modern society, which is always looking for new stimuli and strong emotions.

Cast

• Marcello Mastroianni as Marcello
• Ursula Andress as Caroline
• Elsa Martinelli as Anna
• Renato Salvatori as Bruno
• Jean-Pierre Moulin as Pierre

Crew

• Directed by Elio Petri
• Screenplay by Ugo Pirro and Elio Petri, based on the short story The Seventh Victim by Robert Sheckley
• Cinematography by Marcello Gatti
• Editing by Ruggero Mastroianni
• Music composed by Ennio Morricone

Production

The 10th Victim was produced by Dino De Laurentiis and released in the United States on January 14, 1966. The film was a critical and commercial success, and is considered a classic of science fiction cinema.

Planet of the Vampires (1965)

Planet of the Vampires (1965) is a science fiction film directed by Mario Bava. The film is an allegory of fear and madness.

Plot

Two spaceships, the Galliot and the Argos, are on their way to an unknown and uninhabited planet. The two ships receive a distress call from Aura, a planet that appears deserted and dead.

The crews of the two ships decide to land on Aura to investigate. However, they soon discover that the planet is inhabited by alien creatures that kill the crew members one by one.

Themes

Planet of the Vampires is a film that explores the themes of fear, madness, and survival. The film is an allegory of the fear of the unknown and the threat posed by the alien.

Cast

• Barry Sullivan as Bill Masen
• Norma Bengell as Susan Chiltern
• Angel Aranda as Mark
• Evi Marandi as Alice
• Massimo Righi as Tom Parnell

Crew

• Directed by Mario Bava
• Screenplay by Mario Bava and Marcello Coscia
• Cinematography by Mario Bava
• Editing by Luigi Rovere
• Music composed by Roberto Nicolosi

Production

Planet of the Vampires was produced by Dino De Laurentiis and released in the United States on September 15, 1965. The film was a critical and commercial success, and is considered a classic of Italian science fiction cinema.

Alphaville (1965)

Alphaville: A Strange Adventure of Lemmy Caution (French: Alphaville, une étrange aventure de Lemmy Caution) is a 1965 French New Wave science fiction neo-noir film directed by Jean-Luc Godard. It stars Eddie Constantine, Anna Karina, Howard Vernon, and Akim Tamiroff. The film won the Golden Bear award of the 15th Berlin International Film Festival in 1965. Alphaville combines the genres of dystopian science fiction and film noir.

Plot

In a future where a computer called Alpha 60 controls every aspect of human life, a secret agent named Lemmy Caution is sent to the city of Alphaville to rescue Professor Von Braun, the man who created Alpha 60. Lemmy is aided in his quest by Von Braun’s daughter, Natacha.

Themes

Alphaville is a film that explores the themes of technology, freedom, and love. The film is a warning about the dangers of a society that is controlled by machines.

Cast

• Eddie Constantine as Lemmy Caution
• Anna Karina as Natacha von Braun
• Howard Vernon as Von Braun
• Akim Tamiroff as Henri Dickson
• Michel Delahaye as Von Braun’s adjutant
• Jean-Pierre Léaud as Professor Jeckell
• Jean-André Fieschi as Professor Heckell
• Christa Lang as 1st seductress
• Valérie Boisgel as 2nd seductress

Crew

• Directed by Jean-Luc Godard
• Screenplay by Jean-Luc Godard
• Cinematography by Raoul Coutard
• Editing by Jean-Pierre Beauviller
• Music composed by Paul Misraki

Production

Alphaville was produced by Argos Films and distributed by United Artists. The film was shot on location in Paris.

Fahrenheit 451 (1966)

https://youtu.be/FUQthEm1G3M?si=15F1a-DHDc3Z_pRz

Fahrenheit 451 is a 1966 dystopian science fiction film directed by François Truffaut, based on the novel of the same name by Ray Bradbury. The film stars Oskar Werner, Julie Christie, Cyril Cusack, and Anton Diffring.

Plot

In a future where books are outlawed and “firemen” burn any they find, Guy Montag is a fireman who begins to question his job and the world around him. When he meets a young woman who encourages him to think for himself, he starts to rebel against the system.

Themes

Fahrenheit 451 is a film that explores the themes of censorship, freedom of thought, and the importance of literature. The film is a warning about the dangers of a society that suppresses knowledge and critical thinking.

Cast

• Oskar Werner as Guy Montag
• Julie Christie as Clarisse McClellan
• Cyril Cusack as Captain Beatty
• Anton Diffring as Chief Randall
• Jeremy Spenser as Jim
• Bee Duffell as Helen Montag
• Alex Scott as Black
• Ann Bell as Mrs. Black

Crew

• Directed by François Truffaut
• Screenplay by François Truffaut and Helen Scott, based on the novel by Ray Bradbury
• Cinematography by Nicolas Hayer
• Editing by Henri Colpi
• Music composed by Joseph Kosma

Production

Fahrenheit 451 was produced by Coproduction Les Films du Carrosse and Anglo-EMI Films Ltd. The film was shot in England, including at Shepperton Studios.

Fantastic Voyage (1966)

https://youtu.be/AmNTFlRASYY

Fantastic Voyage (1966) is a science fiction film directed by Richard Fleischer. The film is based on the novel of the same name by Isaac Asimov.

Plot

A team of scientists, accompanied by an FBI agent, is miniaturized and injected into the body of a cancer patient to operate on an embolism. The operation is a success, but the scientists find themselves trapped inside the man’s body, where they must face a series of challenges to survive.

Themes

Fantastic Voyage is a film that explores the themes of science, technology, and human nature. The film is an allegory of the fear of the unknown and the threat posed by the alien.

Cast

• Raquel Welch as Cora Peterson
• Stephen Boyd as Grant Nelson
• Edmond O’Brien as Charles Grant
• Arthur O’Connell as William Randolph
• William Redfield as Arthur Kennedy
• Arthur Kennedy as Thomas Morgan
• Jean Del Val as Henri Dickson
• Barry Coe as Ken Scott
• Ken Scott as Barry Coe

Crew

• Directed by Richard Fleischer
• Screenplay by Harry Kleiner, based on the novel by Isaac Asimov
• Cinematography by L.B. Abbott, Art Cruickshank, Emil Kosa Jr.
• Editing by Robert Swink
• Music composed by Leonard Rosenman

Production

Fantastic Voyage was produced by 20th Century Fox. The film was shot in Los Angeles, California.

Five Million Years to Earth (1967)

Five Million Years to Earth (1967) is a British science fiction film directed by Roy Ward Baker. The film is based on the BBC television series of the same name from 1958.

Plot

During excavations for the London Underground, mysterious skulls of dark power are discovered. When the excavation is opened to the public, an epidemic is generated that possesses and corrupts souls. Professor Quatermass, an expert in astrophysics, is called in to investigate the mystery.

Themes

Five Million Years to Earth is a film that explores the themes of fear of the unknown, the alien threat, and human nature. The film is an allegory of the conflict between good and evil.

Cast

• Andrew Keir as Professor Quatermass
• Barbara Shelley as Barbara Judd
• James Donald as Matthew Roney
• Julian Glover as Victor Carroon
• Bryan Marshall as Brian Bott
• Duncan Lamont as Alan Yates
• Peter Copley as Gordon Briscoe
• Edwin Richfield as Sir Lionel Jeffries
• Grant Taylor as Sir Reginald Hood

Crew

• Directed by Roy Ward Baker
• Screenplay by Nigel Kneale, based on the television series of the same name
• Cinematography by Arthur Grant
• Editing by John Jympson
• Music composed by Tristram Cary

Production

Five Million Years to Earth was produced by Hammer Films and distributed by Columbia Pictures. The film was shot in London, England.

I Love You, I Love You (1968)

Je t’aime, je t’aime – Anatomy of a Suicide (1968) is a French science fiction cult film directed by Alain Resnais. The film stars Claude Rich, Olga Georges-Picot, and Anouk Ferjac.

Plot

Claude Ridder is a man who has attempted suicide. After being rescued, he is recruited by a team of scientists for an experiment in time travel. The experiment is successful, but something goes wrong and Claude finds himself trapped in his past, where he is forced to relive fragments of his memories in a jumbled order.

Themes

Je t’aime, je t’aime – Anatomy of a Suicide is a film that explores the themes of memory, identity, and time. The film is a reflection on the nature of memory and the possibility of changing the past.

Cast

• Claude Rich as Claude Ridder
• Olga Georges-Picot as Anne
• Anouk Ferjac as Marie
• Van Doude as Van Doude
• Jean-Pierre Cassel as Jean-Pierre Cassel
• Bernard Fresson as Bernard Fresson
• Françoise Fabian as Françoise Fabian
• Jean-Pierre Léaud as Jean-Pierre Léaud
• Anna Karina as Anna Karina

Crew

• Directed by Alain Resnais
• Screenplay by Alain Resnais and Gérard Brach
• Cinematography by Sacha Vierny
• Editing by Alain Resnais
• Music composed by Krzysztof Penderecki

Production

Je t’aime, je t’aime – Anatomy of a Suicide was produced by Argos Films and Ciné-Alliance. The film was shot in Paris, France.

Barbarella (1968)

Barbarella (1968) is a French science fiction film directed by Roger Vadim and starring Jane Fonda. The film is based on the comic book series of the same name by Jean-Claude Forest.

Plot

In the year 40,000, Barbarella, a special agent for the Earth government, is sent to the planet Eros to find Durand Durand, a missing scientist who has created a weapon of mass destruction. Barbarella encounters a series of eccentric and dangerous characters during her journey, including Dildano, a revolutionary, and the Black Queen, a despot.

Themes

Barbarella is a film that explores the themes of sexuality, freedom, and power. The film is a satire of contemporary society and its values.

Cast

• Jane Fonda as Barbarella
• John Phillip Law as Durand Durand
• Anita Pallenberg as the Black Queen
• Milo O’Shea as Dildano
• Marcel Marceau as Professor Ping
• Claude Dauphin as the President
• Ugo Tognazzi as the Governor

Crew

• Directed by Roger Vadim
• Screenplay by Terry Southern and Roger Vadim
• Cinematography by Claude Renoir
• Editing by Henri Colpi
• Music composed by David Whitaker

Production

Barbarella was produced by Dino De Laurentiis. The film was shot in Italy and France.

Planet of the Apes (1968)

Planet of the Apes (1968) is a 1968 American science fiction film directed by Franklin J. Schaffner and starring Charlton Heston, Roddy McDowall, Kim Hunter, Maurice Evans, and James Franciscus.

Plot

In 2001, an American space mission crashes on an unknown planet. The astronauts find themselves in a world ruled by intelligent apes, who treat humans as animals.

Themes

Planet of the Apes is a film that explores the themes of human nature, society, and technology. The film is a reflection on the possibility that humans could become slaves of their own creations.

Cast

• Charlton Heston as George Taylor
• Roddy McDowall as Cornelius
• Kim Hunter as Zira
• Maurice Evans as Dr. Zaius
• James Franciscus as Landon
• Linda Harrison as Nova
• Murray Hamilton as Brent
• Jeff Corey as Dodge
• Lou Wagner as Stewart

Crew

• Directed by Franklin J. Schaffner
• Screenplay by Pierre Boulle and Michael Wilson
• Cinematography by Leon Shamroy
• Editing by Donn Cambern
• Music composed by Jerry Goldsmith

Production

Planet of the Apes was produced by Arthur P. Jacobs. The film was shot in Mexico.

2001: A Space Odyssey (1968)

2001: A Space Odyssey (1968) is a 1968 science fiction cult film directed by Stanley Kubrick and starring Keir Dullea and Gary Lockwood.

Plot

In the year 2001, an American space mission travels to Jupiter to investigate a black monolith, a mysterious alien object that has been discovered on the Moon. During the journey, HAL 9000, the artificial intelligence of the spacecraft Discovery One, becomes sentient and begins to sabotage the mission.

Themes

2001: A Space Odyssey is a film that explores the themes of the origin of life, the evolution of humanity, and the relationship between man and machine. The film is a reflection on the nature of reality and the place of man in the universe.

Cast

• Keir Dullea as David Bowman
• Gary Lockwood as Frank Poole
• William Sylvester as Dr. Heywood Floyd
• HAL 9000 as HAL 9000

Crew

• Directed by Stanley Kubrick
• Screenplay by Stanley Kubrick and Arthur C. Clarke
• Cinematography by Geoffrey Unsworth
• Editing by Ray Lovejoy
• Music composed by György Ligeti and Richard Strauss

Production

2001: A Space Odyssey was produced by Stanley Kubrick and Arthur C. Clarke. The film was shot in the United Kingdom and the United States: it is a classic of science fiction cinema. The film was a critical and commercial success, and has had a significant impact on popular culture.

2001: A Space Odyssey is a fascinating and thought-provoking film. The film is a unique cinematic experience that leaves a lasting impression.

Review

2001: A Space Odyssey is a visually stunning and intellectually stimulating film. The film is a must-see for fans of cinema and science fiction.

Additional details

• The film is based on the novel of the same name by Arthur C. Clarke, published in 1968.
• The film was a critical and commercial success, and was nominated for four Academy Awards, including Best Picture.
• The film has spawned a successful franchise, including sequels, prequels, remakes, and television series.

2001: A Space Odyssey is a film that has left an indelible mark on the history of cinema. The film is a work of great ambition and complexity, which continues to be appreciated and discussed by generations of viewers.

Science Fiction Movies of the 70s

No Blade of Grass (1970)

No Blade of Grass is a 1970 post-apocalyptic science fiction film directed by Cornel Wilde and starring Nigel Davenport, Jean Wallace, and John Hamill. The film is an adaptation of John Christopher’s novel The Death of Grass (1956) and follows the survivors of a plague that has hit London in the not too distant future. When London is overwhelmed by food riots caused by a global famine, a man tries to lead his family to safety to a remote valley in Westmorland.

The film was a critical and commercial failure upon its release, but it has since gained a cult following. It is praised for its bleak and realistic depiction of a post-apocalyptic world and its exploration of themes such as survival, family, and the human condition.

Plot

In the not too distant future, a plague has wiped out all forms of grass, including wheat and rice. This has led to a global famine, and London is in a state of chaos. The streets are filled with rioting and looting, and the government is unable to maintain order.

John Custance (Nigel Davenport), a former teacher, decides to take his family to his father’s old farmhouse in Westmorland, where he believes they will be safe from the chaos and starvation of the city. Along the way, they must contend with vicious biker gangs that want to rape and murder them, but also regular and once-civilized people like themselves that are prepared to do whatever it takes to survive.

Themes

No Blade of Grass is a film that explores the themes of survival, family, and the human condition. It shows what people are capable of when they are pushed to the brink, and it asks us to question what we would be willing to do to survive.

Performances

Nigel Davenport gives a strong performance as John Custance, a man who is determined to protect his family at all costs. Jean Wallace is also good as Ann Custance, John’s wife, who is a strong and resourceful woman.

Direction

Cornel Wilde directs the film with a bleak and realistic eye. He captures the chaos and desperation of the post-apocalyptic world, and he never shies away from showing the dark side of human nature.

The Omega Man (1971)

The Omega Man (1971) is a post-apocalyptic science fiction cult film directed by Boris Sagal and starring Charlton Heston. The film is an adaptation of Richard Matheson’s novel I Am Legend (1954).

Plot

In a not too distant future, a bacteriological war has killed most of humanity and turned the survivors into vampires who feed on blood. Robert Neville (Charlton Heston), a former military doctor, is the only man immune to the virus. He lives in an abandoned Los Angeles and is dedicated to fighting the vampires.

Themes

The Omega Man is a film that explores the themes of survival, loneliness, and hope. It shows what people are capable of when they are put to the test and asks us to question the meaning of life.

Performances

Charlton Heston gives a memorable performance as Robert Neville. He is a determined and courageous man, but also fragile and vulnerable.

Direction

Boris Sagal directs the film with a dark and atmospheric eye. He creates an atmosphere of suspense and terror that perfectly captures the isolation and despair of the protagonist.

The Andromeda Strain (1971)

The Andromeda Strain (1971) is an American science fiction thriller film directed by Robert Wise and starring Arthur Hill, James Olson, Kate Reid, and Paula Kelly. The film is based on the 1969 novel of the same name by Michael Crichton.

Plot

A satellite crashes in a small town in Arizona, and the inhabitants are all found dead. A team of scientists is sent to investigate, and they discover that the cause of the deaths is a deadly extraterrestrial virus called Andromeda. The virus is highly contagious and lethal, and it could potentially wipe out all of humanity.

The scientists must race against time to contain the virus and develop a cure. They work in isolation in a high-security laboratory, and they are under constant pressure from the government and the military.

Themes

The Andromeda Strain is a film about the dangers of science and technology. It shows how easily something can go wrong when scientists are not careful, and it raises the question of whether or not we should be tampering with things that we do not fully understand.

The film is also about the importance of cooperation and teamwork. The scientists must put aside their personal differences and work together if they want to save humanity.

Performances

Arthur Hill gives a strong performance as Dr. Jeremy Stone, the leader of the scientific team. James Olson is also good as Dr. Michael Buchanan, a young and ambitious scientist.

Direction

Robert Wise directs the film with a suspenseful and atmospheric eye. He creates a sense of urgency and danger, and he keeps the audience on the edge of their seats.

THX 1138 (1971)

THX 1138 (1971) is a dystopian science fiction film directed by George Lucas, his directorial debut. The film is an adaptation of Lucas’s 1967 student film Electronic Labyrinth: THX 1138 4EB.

Plot

In a not too distant future, humanity lives in a totalitarian society in which every aspect of life is controlled by the government. People are identified by a numerical ID and are subject to a regime of mind control that makes them docile and compliant.

THX 1138 (Robert Duvall), a worker in a robot factory, begins to question the system. He falls in love with LUH 3417 (Maggie McOmie), another worker, and begins to experience emotions that are prohibited by the government.

THX is discovered and sentenced to death. He escapes from prison and takes refuge in a subterranean world of rebels.

Themes

THX 1138 is a film that explores the themes of freedom, repression, and human nature. It shows how people can be controlled and manipulated by power and how freedom of thought and expression is essential to being human.

Performances

Robert Duvall gives a strong performance as THX 1138, a man who is searching for freedom and love. Maggie McOmie is also good as LUH 3417, a woman who is willing to risk everything for love.

Direction

George Lucas directs the film with a dark and atmospheric eye. He creates an atmosphere of oppression and repression that perfectly captures the dystopian world in which THX lives.

Sleeper (1971)

Sleeper (1973) is a science fiction comedy film directed by Woody Allen. The film stars Woody Allen, Diane Keaton, John Beck, Mary Gregory, and Don Keefer.

Plot

In a not too distant future, medicine has made extraordinary progress, making people’s lives healthier, longer, and more comfortable. However, these advances have also led to a highly controlled and conformist society, in which people are encouraged to live a life of inactivity and consumption.

Miles Monroe (Woody Allen), a man from the 20th century, is frozen in suspended animation in 1973 and awakened in 2173. Miles finds himself in a world completely different from what he knew, and must adapt to a society that he does not understand.

Themes

Sleeper is a film that explores the themes of freedom, conformity, and technology. The film shows how technology can be used to control people and how conformity can stifle creativity and individuality.

Performances

Woody Allen gives a memorable performance as Miles Monroe, a man who is searching for freedom and individuality. Diane Keaton is also good as Luna Schlosser, a woman who helps Miles adjust to his new world.

Direction

Woody Allen directs the film with an ironic and satirical eye. The film is full of jokes and comedic situations, but also thought-provoking moments.

Solaris (1972)

Solaris (1972) is a Soviet science fiction drama film directed by Andrei Tarkovsky and starring Donatas Banionis and Natalya Bondarchuk. The film is an adaptation of Stanisław Lem’s 1961 novel of the same name.

Plot

Psychologist Kris Kelvin (Donatas Banionis) is sent to a space station orbiting the planet Solaris, which is covered by a mysterious ocean. The station is in chaos due to the behavior of the crew, who are being haunted by materialized representations of their deepest regrets and fears.

Kelvin soon discovers that he too is being haunted by a figure from his past, his deceased wife Hari (Natalya Bondarchuk). Hari is a perfect replica of his wife, but she is also a projection of his own guilt and self-loathing.

Kelvin must confront his own demons in order to save himself and the station.

Themes

Solaris is a film that explores the themes of memory, guilt, and the nature of reality. The film asks us to question what is real and what is not, and it suggests that our own minds may be the most dangerous places we can ever go.

Performances

Donatas Banionis gives a strong performance as Kris Kelvin, a man who is haunted by his past. Natalya Bondarchuk is also good as Hari, a complex and enigmatic figure.

Direction

Andrei Tarkovsky directs the arthouse film with a slow and hypnotic pace, creating one of the greatest masterpieces of science fiction cinema.

Soylent Green (1973)

Soylent Green (1973) is a dystopian science fiction drama film directed by Richard Fleischer and starring Charlton Heston, Edward G. Robinson, Chuck Connors, Leigh Taylor-Young, and Joseph Cotten. The film is based on Harry Harrison’s 1966 novel Make Room! Make Room!.

Plot

In 2022, Earth is an overpopulated and polluted planet. Food is scarce and expensive, and most of the population subsists on processed food bars called “Soylent Green.”

Thorn (Charlton Heston), a police detective, investigates the murder of Simonson, a high-ranking executive at the Soylent Corporation. His investigation leads him to uncover a horrifying secret: Soylent Green is made from people.

Themes

Soylent Green is a film that explores the themes of overpopulation, pollution, hunger, and social inequality. The film is a warning about the dangers of the abuse of power and technology.

Performances

Charlton Heston gives a strong performance as Thorn, a man who is determined to uncover the truth. Edward G. Robinson is also good as Simonson, a man who represents the evil of the world in which he lives.

Direction

Richard Fleischer directs the film with a dark and disturbing tone. He creates an atmosphere of oppression and despair that perfectly captures the dystopian world in which Thorn lives.

Westworld (1973)

Westworld (1973) is a science fiction film directed by Michael Crichton and starring Yul Brynner, Richard Benjamin, and James Brolin. The film is based on Crichton’s 1973 short story of the same name.

Plot

In a not-too-distant future, a theme park called Delos offers visitors the chance to experience three different time periods: Ancient Rome, Medieval Europe, and the Wild West. Visitors can interact with humanoid robots that are so realistic that they are indistinguishable from humans.

Two friends, Peter Martin (Richard Benjamin) and John Blane (James Brolin), decide to take a vacation to Delos. Initially, they have a lot of fun dueling the robot gunslinger, but things change when some of the machines malfunction and begin to attack the guests.

Themes

Westworld is a film that explores the themes of technology, human nature, and violence. The film suggests that technology can be used for good or for evil, and that human nature is inherently violent.

Performances

Yul Brynner gives an iconic performance as the robot gunslinger, a character who is both fascinating and unsettling. Richard Benjamin and James Brolin are also good as friends who find themselves in a dangerous situation.

Direction

Michael Crichton directs the film with a dark and unsettling tone. He creates an atmosphere of suspense and dread that perfectly captures the dystopian world of Delos.

Dark Star (1974)

Dark Star (1974) is an American science fiction comedy film directed and produced by John Carpenter and co-written with Dan O’Bannon. It follows the crew of the deteriorating starship Dark Star, twenty years into their mission to destroy unstable planets that might threaten future colonization of other planets.

Plot

In the mid-22nd century, mankind has begun to colonize interstellar space. Armed with artificially intelligent Thermostellar Triggering Devices, which can talk and reason, the scout ship Dark Star searches for “unstable planets” which might threaten future colonization.

The Dark Star is a small, aging ship with a crew of four:

• Captain James Danforth (Don Sandal), a by-the-book commander who is struggling to maintain order on the increasingly dysfunctional ship.
• Lieutenant Doolittle (Paul Bartel), the ship’s engineer, who is more interested in surfing on asteroids than carrying out their mission.
• Sergeant Pinback (Daniel Jameson), the ship’s security officer, who is obsessed with explosives and has a habit of blowing things up.
• Talby (Dre Pahich), a philosophical extraterrestrial creature that was captured by the crew and is now kept prisoner on the ship.

The crew’s mission is to destroy unstable planets using Thermostellar Triggering Devices, or “bombs.” However, the bombs have become increasingly unstable and prone to malfunction. One of the bombs, Bomb 20, has developed a personality of its own and refuses to leave the ship.

The crew’s boredom and frustration begin to get the better of them. Talby’s philosophical musings and Doolittle’s surfing antics further strain the crew’s morale. When Bomb 20 threatens to destroy the ship, the crew must find a way to stop it before it’s too late.

Themes

Dark Star is a satire of the space opera genre. It pokes fun at the clichés of the genre, such as the brave heroes saving the day and the importance of following orders. The film also explores the themes of isolation, boredom, and the dangers of artificial intelligence.

Performances

The performances in Dark Star are all solid. Don Sandal is believable as the uptight Captain Danforth, Paul Bartel is funny as the carefree Doolittle, and Daniel Jameson is appropriately menacing as Sergeant Pinback. Dre Pahich is also good as Talby, the philosophical extraterrestrial creature.

Direction

John Carpenter’s direction is competent and stylish. He creates a claustrophobic atmosphere on the Dark Star and effectively uses humor and suspense to keep the audience engaged.

Young Frankenstein (1974)

Frankenstein Junior (1974) is a horror comedy and sci fi film directed by Mel Brooks and starring Gene Wilder, Marty Feldman, Peter Boyle, Madeline Kahn, and Cloris Leachman. It is a parody of the classic Frankenstein films, particularly Frankenstein (1931) and Bride of Frankenstein (1935).

Plot

Dr. Frederick Frankenstein (Gene Wilder), a grandson of the infamous Victor Frankenstein, inherits his grandfather’s castle and discovers a book containing his grandfather’s experiments. Inspired by his grandfather’s work, Frederick decides to create his own monster (Peter Boyle). With the help of his hunchbacked assistant Igor (Marty Feldman), Frederick successfully creates a creature, but he is horrified by his creation’s appearance.

Frederick decides to teach the creature (nicknamed “The Monster”) how to act like a human. He gives him clothes, teaches him to speak, and even throws him a party. The Monster proves to be a quick learner and becomes a beloved member of the Frankenstein family.

However, Frederick’s success is overshadowed by the arrival of Frau Blucher (Cloris Leachman), a mysterious woman with a secret. Frau Blucher is actually a vampire, and she has a plan to use The Monster to do her bidding.

Themes

Frankenstein Junior is a satire of the horror genre. It pokes fun at the clichés of the genre, such as the mad scientist, the misunderstood monster, and the damsel in distress. The film also explores the themes of acceptance, prejudice, and the nature of good and evil.

Performances

Gene Wilder is brilliant as Dr. Frederick Frankenstein, a neurotic and clumsy scientist who is determined to follow in his grandfather’s footsteps. Marty Feldman is also hilarious as Igor, a hunchbacked assistant who is more than a little bit in love with his employer. Peter Boyle is sympathetic as The Monster, a creature who is just trying to find a place in the world. Madeline Kahn is sexy and funny as Elizabeth, Frederick’s fiancée, and Cloris Leachman is suitably creepy as Frau Blucher.

Direction

Mel Brooks directs Frankenstein Junior with his signature style of humor. The film is full of slapstick, puns, and one-liners, and Brooks perfectly captures the absurdity of the source material.

Zardoz (1974)

Zardoz (1974) is a British post-apocalyptic science fiction cult film written, produced, and directed by John Boorman and starring Sean Connery and Charlotte Rampling. It depicts a dystopian world where barbarians worship the stone idol Zardoz while growing food for a hidden elite, the Eternals. The Brutal Zed becomes curious about Zardoz, and his curiosity forces a confrontation between the two camps.

Plot

In the year 2293, the human population is divided into the immortal “Eternals” and mortal “Brutals”. The Brutals live in an irradiated wasteland, growing food for the Eternals, who live apart in “the Vortex,” leading a luxurious but aimless existence on the grounds of a country estate.

Zardoz is a giant, stone head that sporadically appears in the sky, firing off guns and dropping supplies for the Brutals. The Brutals are led by Zed (Sean Connery), a skilled warrior who questions the authority of Zardoz and the Eternals.

Zed’s curiosity about Zardoz leads him to infiltrate the Vortex, where he discovers the truth about the Eternals and their parasitic relationship with the Brutals. He also meets Consuella (Charlotte Rampling), an Eternal who is sympathetic to the Brutals’ plight.

Zed’s actions lead to a confrontation between the Brutals and the Eternals, and the film ends with Zed and Consuella leaving the Vortex to start a new life together.

Themes

Zardoz is a complex and thought-provoking film that explores a variety of themes, including:

• The nature of good and evil
• The relationship between the sexes
• The dangers of technology
• The importance of freedom

Interpretation

Zardoz has been interpreted in many different ways, but one of the most common interpretations is that it is a critique of capitalism and social inequality. The Brutals represent the working class, while the Eternals represent the wealthy elite. The film suggests that the Eternals’ parasitic relationship with the Brutals is unsustainable, and that the Brutals will eventually rise up and overthrow them.

Reception

Zardoz was a critical and commercial failure upon its release. It was criticized for its confusing plot, its slow pace, and its gratuitous violence. However, it has since gained a cult following, and it is now considered to be one of Boorman’s most important films.

Rollerball (1975)

Rollerball (1975) is an American dystopian science fiction sports film directed by Norman Jewison and starring James Caan, John Houseman, Maud Adams, and John Beck. The film is set in a future where a violent and brutal sport called Rollerball is the dominant form of entertainment. The film follows Jonathan E., a star player who becomes increasingly disillusioned with the sport and its corporate sponsors.

Plot

In a future where corporations control the world, Rollerball has become the most popular sport. It is a violent and brutal game, combining elements of American football, motocross, and hockey. Players are encouraged to use any means necessary to win, and injuries and fatalities are common.

Jonathan E. (James Caan) is a star player for the Houston Rollerball team. He is popular with the fans and the media, and he is considered to be one of the best players in the world. However, Jonathan is becoming increasingly disillusioned with Rollerball. He sees the game as a form of exploitation, and he is tired of the violence and the constant pressure to perform.

Jonathan’s disillusionment is deepened when he is approached by an executive from the corporation that controls Rollerball. The executive tells Jonathan that he is too popular and that he is becoming a threat to the corporation’s control of the sport. The executive warns Jonathan that if he does not retire from Rollerball, he will be eliminated.

Jonathan refuses to retire, and he continues to play Rollerball. He becomes increasingly defiant of the corporation, and he begins to speak out against the violence and the exploitation of the players.

The corporation retaliates against Jonathan by trying to injure him during games. They also spread false stories about him in the media.

Jonathan’s defiance makes him a hero to the people, and he becomes a symbol of resistance against the corporation. However, his defiance also makes him a target, and he is eventually killed by the corporation’s assassins.

Themes

• The dangers of corporate control: The film is a warning about the dangers of corporate control. The corporation in the film controls everything, including the media, the government, and the sports industry. As a result, the corporation is able to manipulate the public and to suppress any dissent.
• The violence of sports: The film also explores the violence of sports. Rollerball is a brutal and violent game, and players are encouraged to use any means necessary to win. The film suggests that this level of violence is not healthy, and that it can lead to desensitization to violence.
• The importance of individual freedom: The film is also about the importance of individual freedom. Jonathan is a symbol of resistance against the corporation, and he is willing to risk his life for the sake of his freedom.

Reception

Rollerball was a critical and commercial success upon its release. It was praised for its visuals, its action sequences, and its social commentary. The film has since become a cult classic.

The Rocky Horror Picture Show (1975)

The Rocky Horror Picture Show (1975) is a cult classic musical comedy horror and sci fi film directed by Jim Sharman and written by Richard O’Brien. The film stars Tim Curry, Susan Sarandon, Barry Bostwick, and Meat Loaf. It follows a newly engaged couple who get caught in a transvestite scientist’s attempt to create a perfect man.

Plot

Brad Majors (Barry Bostwick) and Janet Weiss (Susan Sarandon) are two sweethearts who are driving to visit Brad’s parents. When their car gets a flat tire, they seek refuge at a nearby castle. The castle is home to Dr. Frank-N-Furter (Tim Curry), a transvestite scientist who is in the process of creating a perfect man named Rocky Horror (Meat Loaf).

Brad and Janet are soon caught up in Frank-N-Furter’s bizarre world of sex, drugs, and rock and roll. They meet a cast of eccentric characters, including Riff Raff (Richard O’Brien), Columbia (Nell Campbell), and Eddie (Meat Loaf).

As the night progresses, Brad and Janet’s relationship is tested. They are both attracted to Rocky Horror, and they begin to question their own desires.

Meanwhile, Frank-N-Furter’s creation, Rocky Horror, is not as perfect as he seems. He is a creature of pure instinct, and he is easily manipulated.

The film ends with a chaotic party that leaves everyone questioning what is real and what is not.

Themes

The Rocky Horror Picture Show is a film about many things, including:

• Sexual liberation: The film explores themes of sexual liberation and freedom. The characters in the film are all unafraid to explore their own sexuality, and they encourage others to do the same.
• Gender identity: The film is also about gender identity. Dr. Frank-N-Furter is a transvestite, and he is proud of who he is. The film challenges traditional notions of gender and suggests that gender is a fluid concept.
• The dangers of conformity: The film is also a warning about the dangers of conformity. The characters in the film are all outsiders, and they are proud of it. The film suggests that it is important to be true to oneself, even if it means being different from others.

Impact

The Rocky Horror Picture Show has had a profound impact on popular culture. The film has been praised for its groundbreaking themes, its catchy music, and its outrageous humor. It has also been credited with helping to popularize the cult classic genre.

The film has been adapted into a stage musical, which has been performed all over the world. The stage musical is a more interactive experience than the film, and it often features audience participation.

The Rocky Horror Picture Show is a unique and unforgettable film that continues to entertain and inspire audiences today.

The Man Who Fell to Earth (1976)

The Man Who Fell to Earth (1976) is a science fiction cult film directed by Nicolas Roeg and starring David Bowie, Rip Torn, and Candy Clark. The film tells the story of an alien who comes to Earth in search of water for his dying planet.

Plot

Thomas Jerome Newton (David Bowie) is an alien who arrives on Earth in search of water. He poses as a businessman and quickly becomes a billionaire tycoon. Newton uses his wealth to help his planet, but he is also persecuted by the United States government, which suspects him of being a threat.

Newton meets Mary-Lou (Candy Clark), a woman who is fascinated by him. The two fall in love, but the relationship is destined to be brief. Newton is forced to leave Earth and return to his dying planet.

Themes

The Man Who Fell to Earth is a complex and thought-provoking film that explores a variety of themes, including:

• Alienation: Newton is an alien in a world he doesn’t understand. He feels isolated and alone, and his alienness makes him a target for fear and hatred.
• Love: Newton and Mary-Lou are two beings from different worlds, but they fall in love. Their relationship is a symbol of hope and understanding.
• The nature of reality: The film explores the nature of reality and the possibility that there are other forms of life in the universe. Newton is an alien, but he is also a man. His identity is fluid and complex, and the film suggests that reality itself is fluid and complex.

Reception

The Man Who Fell to Earth was a critical and commercial success upon its release. It was praised for its direction, screenplay, performances, and originality. The film has become a cult classic and is still considered one of the greatest science fiction films ever made.

Star Wars (1977)

Star Wars (1977) is an American epic space opera film written and directed by George Lucas, produced by Lucasfilm and distributed by 20th Century Fox. The film stars Mark Hamill, Harrison Ford, Carrie Fisher, Peter Cushing, Alec Guinness, David Prowse, James Earl Jones, Anthony Daniels, Kenny Baker, and Peter Mayhew.

Plot

In a galaxy far, far away, a brave alliance of rebels has challenged the tyranny and oppression of the awesome Galactic Empire. To crush the rebellion once and for all, the Empire is constructing a sinister new Battle Station, armed with enough power to destroy entire planets.

Princess Leia Organa (Carrie Fisher), leader of the rebel alliance, carries the plans to the Death Star, but she is captured by the Empire’s ruthless enforcer, Darth Vader (James Earl Jones). Before her capture, she manages to send a distress signal containing the Death Star plans to two droids, R2-D2 (Kenny Baker) and C-3PO (Anthony Daniels).

Themes

Star Wars explores a variety of themes, including:

• Good versus evil: The film is a classic battle between good and evil. The rebels represent good, while the Empire represents evil.
• Hope and despair: The film is also about hope and despair. The rebels are fighting for hope, while the Empire is trying to crush it.
• The power of the individual: The film shows that even one person can make a difference. Luke Skywalker is a young farm boy who turns into a hero and saves the galaxy.
• The importance of family: The film is also about the importance of family. Luke and Leia are siblings who are separated but eventually find each other.
• The power of forgiveness: The film shows that even the most evil people can be redeemed. Darth Vader turns from the dark side and helps Luke defeat the Emperor.

Impact

Star Wars is one of the most popular films of all time, despite it not being interesting for those who love art cinema. It is a film of pure entertainment, full of stereotypes of commercial Hollywood cinema, suitable especially for teenagers, but it has generated a multi-million dollar franchise that includes sequels, prequels, spin-offs, television series, video games and books.

Close Encounters of the Third Kind (1977)

Close Encounters of the Third Kind (1977) is a science fiction film directed by Steven Spielberg, starring Richard Dreyfuss, François Truffaut, and Melinda Dillon. The film tells the story of an alien invasion that takes place around the world.

Plot

The film follows the story of Roy Neary (Richard Dreyfuss), a construction worker living in Muncie, Indiana. Roy is a simple man with a passion for model airplanes. One day, while driving home, he sees a light in the sky. The light is so bright that Roy is forced to stop.

Roy begins to see the light in various places and to hear strange noises. He becomes convinced that the light is an alien spaceship. Roy begins to search for other people who have seen the light and soon finds himself part of a group of people who have had close encounters of the third kind.

Meanwhile, the United States government is investigating the alien invasion. The government creates a team of scientists, led by Professor Claude Lacombe (François Truffaut), to meet the aliens.

Lacombe’s team meets the aliens in a desert area of Wyoming. The aliens are peaceful and want to share their technology with humanity.

Roy Neary is one of the few humans who is able to make contact with the aliens. Roy is taken aboard the alien spaceship and shown their home planet.

Roy is deeply touched by his experience with the aliens. He returns home a changed man and begins to live his life in a more fulfilling way.

Themes

Close Encounters of the Third Kind explores a variety of themes, including:

• Contact with the unknown: The film explores the theme of contact with the unknown. The aliens represent the unknown and the film explores the possible consequences of an encounter with an alien civilization.
• Hope: The film is also an ode to hope. The aliens represent the hope of a better future for humanity.
• The nature of man: The film explores the nature of man. Roy Neary is a simple man who is changed by his experience with the aliens.

Impact

Close Encounters of the Third Kind was a critical and commercial success. The film was praised for its direction, screenplay, acting, and visual effects.

The film had a significant impact on popular culture. Close Encounters of the Third Kind is considered one of the most important science fiction films of all time.

Review

Close Encounters of the Third Kind is a film full of fairy-tale rhetoric and do-goodism, typical of many Spielberg films, suitable for mass audiences. The clichés and the American-style good feelings abandoned.

The highlight of the film, perhaps, is the appearance of Truffaut. The French director, author of films of a completely different caliber, perhaps could have avoided this appearance in this Hollywood toy.

Additional points to consider:

• The film was an immediate commercial success, grossing over $300 million worldwide.
• The film was nominated for eight Academy Awards, including Best Picture, Best Director, and Best Original Screenplay.
• The film was praised for its visual effects, which were cutting-edge for the time.

Capricorn One (1977)

Capricorn One (1977) is a British-produced American science fiction thriller film written and directed by Peter Hyams and produced by Lew Grade’s ITC Entertainment. It stars Elliott Gould as a reporter who discovers that a supposed Mars landing by a crewed mission has been faked via a conspiracy involving the government and—under duress—the crew themselves.

Plot

In 1975, NASA announces Project Capricorn, a manned mission to Mars. As the launch date approaches, skeptical reporter Robert Caulfield (Elliott Gould) investigates the project and begins to suspect that the mission is a hoax.

Caulfield’s suspicions are aroused by a series of strange events, including the secrecy surrounding the mission, the refusal of NASA officials to allow the public to see the spacecraft, and the fact that the astronauts have been trained to perform their tasks in a studio environment rather than in space.

Themes

Capricorn One explores a variety of themes, including:

• Government corruption: The film is a scathing indictment of government corruption. The film suggests that the government is willing to go to any lengths to cover up its mistakes, even if it means putting people in danger.
• The power of the media: The film also explores the power of the media. The film suggests that the media has a responsibility to hold the government accountable, but that it is often too willing to go along with the government’s agenda.
• The nature of reality: The film also raises questions about the nature of reality. The film suggests that reality is not always what it seems, and that we should be skeptical of what we are told.

Reception

Capricorn One was a critical and commercial success upon its release. It was praised for its suspenseful plot, its realistic special effects, and its timely themes. The film was also a box office success, grossing over $12 million at the box office.

Legacy

Capricorn One is a cult classic that has been praised for its influence on the science fiction genre. The film is also considered to be a relevant commentary on the power of the government and the media.

Additional points to consider:

• The film was originally intended to be a sequel to The Andromeda Strain (1971), but the plans were scrapped when the producers decided to make a standalone film instead.
• The film’s special effects were groundbreaking for their time. The film was one of the first to use computer-generated imagery (CGI).
• The film’s score was composed by John Barry, who also scored The Andromeda Strain.

Invasion of the Body Snatchers (1978)

Invasion of the Body Snatchers (1978) is a 1978 science fiction horror film directed by Philip Kaufman, a remake of the 1956 film The Invasion of the Body Snatchers by Don Siegel. The film stars Donald Sutherland, Brooke Adams, Leonard Nimoy, Veronica Cartwright, and Jeff Goldblum.

Plot

The film is set in San Francisco, where Matthew Bennell (Donald Sutherland), a doctor, begins to notice that people he knows are changing behavior. People seem to be more quiet and obedient, but also more empty and devoid of emotion.

Bennell begins to investigate and discovers that aliens have arrived on Earth in the form of spores. The spores attach to people and transform them into identical, but emotionless, copies of the original people.

Bennell and his colleague Elizabeth Driscoll (Brooke Adams) discover that the aliens are preparing to invade the world. The two try to warn the authorities, but no one believes them.

Bennell and Driscoll find themselves alone to fight the aliens. The two manage to escape the aliens and find a refuge in a remote location.

Themes

Invasion of the Body Snatchers explores a variety of themes, including:

• The fear of invasion: The film is a classic alien invasion film that explores the fear of invasion by a foreign force.
• The loss of identity: The film also explores the fear of losing one’s identity. The aliens replace people with emotionless copies, which represent the loss of personality and individuality.
• Paranoia: The film creates an atmosphere of paranoia and suspicion. People begin to distrust each other, fearing that anyone could be an alien.

Reception

Invasion of the Body Snatchers was a critical and commercial success. The film was praised for its direction, screenplay, performances, and special effects.

Legacy

Invasion of the Body Snatchers is a classic of science fiction cinema. The film has been an influence on numerous other films, including Suspiria (1977), Alien (1979), and Invasion of the Body Snatchers (1995).

Additional points to consider:

• The film was one of the first science fiction films to explore the theme of paranoia.
• The film has a creepy and claustrophobic atmosphere that helps to create a sense of tension and suspense.
• The film’s special effects, created using the matte painting technique, were cutting-edge for the time.

Stalker (1979)

Stalker (1979) is a Soviet science fiction art film directed by Andrei Tarkovsky and starring Alexander Kaidanovsky, Anatoliy Solonitsyn, and Nikolai Grinko. The film is set in a post-apocalyptic wasteland known as the Zone, which is said to contain a room that grants any wish.

Plot

The film follows a guide known as the Stalker (Alexander Kaidanovsky) who leads two clients, the Writer (Anatoly Solonitsyn) and the Professor (Nikolai Grinko), through the Zone. The Writer is seeking inspiration for his work, while the Professor is seeking scientific proof of the existence of the Room.

The journey through the Zone is dangerous and filled with traps and illusions. The Stalker must use his knowledge of the Zone to protect his clients from harm.

As the three men travel deeper into the Zone, they begin to question their own motivations and desires. The Writer comes to realize that his desire for inspiration is a superficial one, while the Professor begins to doubt the validity of his scientific theories.

Themes

Stalker explores a variety of themes, including:

• The nature of reality: The film questions the nature of reality, suggesting that what we perceive as reality may not be real at all.
• The power of desire: The film also explores the power of desire, suggesting that our desires can lead us to make destructive choices.
• The search for meaning: The film is also a search for meaning in a world that is seemingly meaningless. The Stalker’s journey through the Zone is a metaphor for the human search for meaning and purpose in life.

Reception

Stalker was a critical and commercial success upon its release. The film was praised for its direction, cinematography, and themes.

Review

Stalker is considered one of the greatest science fiction films ever made. The film has been praised for its originality, vision and exploration of deep philosophical themes. The science fiction genre here becomes a mystical reflection on the spiritual nature of man and the cosmos. Masterpiece.

Additional points to consider:

• The film was shot on location in Estonia, which gave it a unique and haunting look.
• The film’s score was composed by Eduard Artemyev and is considered one of the greatest film scores of all time.
• The film is often compared to Tarkovsky’s other films, Solaris (1972) and Andrei Rublev (1966), which also explore themes of reality, desire, and meaning.

Star Trek (1979)

Star Trek: The Motion Picture, released in 1979, is the first installment in the Star Trek film series and a sequel to the original Star Trek television series. Directed by Robert Wise and based on the television series created by Gene Roddenberry, the film stars the cast of the original television series, including William Shatner, Leonard Nimoy, DeForest Kelley, George Takei, and Walter Koenig.

Plot

The film follows the crew of the USS Enterprise, under the command of Admiral James T. Kirk, as they investigate a mysterious and powerful entity that is destroying Klingon outposts in the Neutral Zone. The entity, known as V’ger, is on a quest to find its creator and is determined to destroy any life form that stands in its way.

Kirk and his crew must find a way to communicate with V’ger and stop it from destroying Earth. Along the way, they encounter a variety of challenges, including a battle with a Klingon armada and an encounter with a sentient cloud being.

Themes

Star Trek: The Motion Picture explores a variety of themes, including:

• The importance of cooperation: The film emphasizes the importance of cooperation in order to overcome challenges. The crew of the Enterprise must work together to stop V’ger, and they are only able to do so with the help of others.
• The power of technology: The film explores the power of technology, both for good and for evil. V’ger is a powerful technological force that is capable of great destruction, but it is also capable of great creation.
• The meaning of life: The film asks the question of what the meaning of life is. V’ger is on a quest to find its creator and to understand why it was created. The film suggests that the meaning of life is to find something to believe in and to strive to make a difference in the world.

Reception

Star Trek: The Motion Picture was a critical and commercial success upon its release. The film was praised for its special effects, its visuals, and its score. However, it was also criticized for its slow pacing and its lack of action.

Review

Review

Film inspired by a TV series with flat and banal television language: the figurative value simply does not exist. Wacky, cartoonish, at times funny characters and situations, it is a low-level product suitable for an audience that is satisfied with little.

Additional points to consider:

• The film was originally intended to be a sequel to the Star Trek television series, but it was later decided that it would be a reboot of the franchise.
• The film’s special effects were groundbreaking for their time and were nominated for two Academy Awards.
• The film’s score was composed by Jerry Goldsmith and is considered to be one of the best film scores of all time.

The Black Hole (1979)

The Black Hole, released in 1979, is an American science fiction film directed by Gary Nelson and produced by Walt Disney Productions. The film stars Maximilian Schell, Robert Forster, Joseph Bottoms, Yvette Mimieux, Anthony Perkins, and Ernest Borgnine. The film follows the crew of the USS Cygnus, a research vessel that is sent to investigate a mysterious black hole that has appeared near the Earth.

Plot

The crew of the Cygnus, led by Captain Harry Booth (Robert Forster), discovers that the black hole is not what it seems. It is actually a gateway to another dimension, and the Cygnus is pulled through it. The crew finds themselves in a strange and hostile world, where they are captured by a group of robots led by Dr. Hans Reinhardt (Maximilian Schell).

Reinhardt is a brilliant but ruthless scientist who is obsessed with discovering the secrets of the black hole. He believes that the black hole is the key to unlocking the power of time travel, and he is willing to do anything to achieve his goals.

The crew of the Cygnus must escape from Reinhardt’s clutches and find a way to return to Earth. They must also confront the dark secrets of Reinhardt’s past and the dangers of the black hole itself.

Themes

The Black Hole explores a variety of themes, including:

• The dangers of unchecked ambition: Reinhardt’s unchecked ambition leads him to make increasingly dangerous and unethical decisions. His obsession with unlocking the secrets of the black hole blinds him to the consequences of his actions.
• The importance of teamwork: The crew of the Cygnus must learn to work together in order to survive. They must overcome their personal differences and put aside their own fears in order to defeat Reinhardt and escape from the black hole.
• The nature of reality: The film raises questions about the nature of reality. The black hole is a mysterious and powerful force that challenges our understanding of the universe. It is a reminder that there is still much that we do not know about the world around us.

Reception

The Black Hole was a critical and commercial success upon its release. The film was praised for its special effects, its visuals, and its score. However, it was also criticized for its slow pacing and its lack of character development.

Review

Disney comic suitable for an audience of children looking for space adventures without too many pretensions, it is a film that has very little of interest, except for the pharaonic budget and the amusement park special effects, which make it one of the most expensive films of the era.

Additional points to consider:

• The film was originally intended to be a sequel to The Andromeda Strain (1971), but the plans were scrapped when the producers decided to make a standalone film.
• The film’s special effects were groundbreaking for their time and were nominated for two Academy Awards.
• The film’s score was composed by John Barry, who also scored The Andromeda Strain.

Alien (1979)

Alien, released in 1979, is a British-American science fiction horror cult film directed by Ridley Scott and written by Dan O’Bannon. The film stars Sigourney Weaver, Tom Skerritt, Veronica Cartwright, Harry Dean Stanton, John Hurt, Ian Holm, and Yaphet Kotto. Set in the distant future, the film follows the crew of the commercial starship Nostromo as they are interrupted by an alien creature while investigating a distress signal on a seemingly desolate planet.

Plot

The crew of the Nostromo, a commercial starship transporting a valuable cargo, is awakened from hypersleep by an unidentified distress signal emanating from a nearby planetoid. As per protocol, the Nostromo’s crew must investigate the signal. Upon landing on the planetoid, a small group of crew members, including executive officer Ash (Ian Holm) and navigator Ripley (Sigourney Weaver), discovers a derelict spacecraft and a strange, egg-shaped object inside. As they examine the object, a creature emerges from an opening and attaches itself to Kane (John Hurt), the ship’s first mate.

Back on the Nostromo, the creature detaches from Kane and seemingly dies. The crew returns to Earth, unaware that the creature has implanted an alien embryo inside Kane. During a meal, the embryo erupts from Kane’s chest, killing him and revealing a fully formed creature. The creature attacks and kills Dallas, the Nostromo’s captain, before escaping into the ship’s ventilation system.

Themes

Alien explores a variety of themes, including:

• The fear of the unknown: The film’s alien creature is a terrifying and unknowable entity. It is a reminder of the vastness of the universe and the potential dangers that lie beyond our understanding.
• The dangers of technology: The film suggests that technology can be both a blessing and a curse. The Nostromo’s advanced technology allows its crew to travel vast distances across space, but it also exposes them to the deadly alien creature.
• The importance of teamwork: The crew of the Nostromo must work together to survive against the alien creature. However, their trust in each other is eroded by Ash’s betrayal.

Reception

Alien was a critical and commercial success upon its release. The film was praised for its direction, screenplay, performances, and special effects. It was nominated for eleven Academy Awards, including Best Picture, Best Director, and Best Screenplay, and won two for Best Art Direction and Best Visual Effects.

Legacy

Alien is considered one of the greatest science fiction films ever made. It is a classic of the horror genre and has had a profound influence on popular culture. The film has spawned a successful franchise that includes sequels, prequels, and spin-offs.

Review

Heart-pounding film, with a perfect suspense mechanism, difficult to find in other films. It is a dark, disturbing film, which tells of dark feelings and emotions in a precise way, in a chilling world. Few concessions to easy entertainment and mainstream language. Memorable.

Additional points to consider:

• The film’s alien creature was designed by Swiss surrealist artist H.R. Giger.
• The film’s score was composed by Jerry Goldsmith.
• The film was originally intended to be more graphic and violent, but the studio demanded that it be toned down.

Sci Fi Movies of the 80s

Science fiction reaches the peak of its success in the 80s with some films becoming the highest grossing ever made. The other very successful genres are horror and fantasy. Hollywood commercial cinema begins the 1980s with two sequels to Star Wars: The Empire strikes back in 1980, by Irvin Kershner, and Return of the Jedi in 1983, by Richard Marquand. . 

Flash Gordon (1980)

Flash Gordon, released in 1980, is an American space opera superhero film directed by Mike Hodges and based on the King Features comic strip of the same name created by Alex Raymond. The film stars Sam J. Jones as Flash Gordon, alongside Max von Sydow, Topol, and Ornella Muti. The film follows Flash Gordon, a New York Jets quarterback, who is accidentally transported to the planet Mongo by Dr. Hans Zarkov, where he becomes a hero fighting against the evil Ming the Merciless.

Plot

Flash Gordon, a New York Jets quarterback, is at a public demonstration of Dr. Hans Zarkov’s rocket ship when he and Dale Arden, a spectator, are accidentally transported to the planet Mongo. Mongo is ruled by Ming the Merciless, an evil tyrant who is planning to destroy Earth.

Flash and Dale are captured by Ming’s forces, but Flash escapes with the help of Prince Barin, a leader of the rebel forces. Flash and Dale join forces with Barin and his troops to fight against Ming’s army.

Themes

Flash Gordon explores a variety of themes, including:

• The hero’s journey: Flash Gordon is a classic example of the hero’s journey. He is an ordinary man who is called to adventure, and he rises to the challenge and becomes a hero.
• The battle between good and evil: Flash Gordon is a battle between good and evil. Flash represents good, and Ming the Merciless represents evil. The film suggests that good will always triumph over evil.
• The power of love: Flash Gordon is also a story about the power of love. Flash is in love with Dale Arden, and their love helps him to overcome his challenges.

Reception

Flash Gordon was a critical and commercial success upon its release. The film was praised for its special effects, its visuals, and its score. It was also praised for its campy humor and its tongue-in-cheek approach to its source material.

Legacy

Flash Gordon is a cult classic that is still enjoyed by fans of science fiction and superhero films. The film is considered to be a fun and entertaining adventure, and it has had a lasting impact on popular culture.

Additional points to consider:

• The film was originally intended to be a more serious adaptation of the comic strip, but it was changed to a more campy tone due to the success of the Star Wars films.
• The film’s score was composed by Queen, and it is considered to be one of the best film scores of all time.
• The film’s special effects were groundbreaking for their time, and they were nominated for two Academy Awards.

The Thing (1982)

The Thing, released in 1982, is an American science fiction horror cult film directed by John Carpenter and written by Bill Lancaster. The film stars Kurt Russell, Wilford Brimley, Keith David, Donald Moffat, Richard Dysart and Thomas G. Waites. The film follows a team of researchers in Antarctica who are attacked by a shapeshifting alien entity.

Plot

A team of researchers in Antarctica discovers an alien spacecraft buried in the ice. Inside the spacecraft, they find a fungus-like alien being that is able to assimilate other life forms.

The alien being infiltrates the team of researchers, assuming the form of one of them. The members of the team begin to suspect each other and kill each other, believing the other to be the alien being.

In the end, only MacReady (Kurt Russell) remains alive. MacReady discovers that the creature is in a dog named Cuddlesome. MacReady kills Cuddlesome and realizes that the creature is still alive and is inside one of the team members.

MacReady puts into effect a plan to kill the alien creature. He builds a bonfire and forces the team members to pass through the flames. The alien creature, which is invisible, is killed by the fire.

Themes

The Thing explores a number of themes, including:

• Paranoia: The film explores the paranoia that can be generated by uncertainty and fear. The team members begin to suspect each other, believing the other to be the alien creature.
• Isolation: The film is set in Antarctica, a remote and isolated location. The isolation of the characters makes them more vulnerable to paranoia and fear.
• The nature of reality: The film suggests that reality is not always what it seems. The alien creature is able to assume the form of anything, making it difficult to distinguish between the real and the fake.

Reception

The Thing was a critical and commercial success upon its release. The film was praised for its special effects, suspense, and atmosphere. It is considered one of the greatest science fiction horror films of all time.

Legacy

The Thing is a cult classic that is still enjoyed by fans of science fiction and horror. The film has had a lasting impact on popular culture, and it has been referenced in numerous other films and television shows.

Review

One of the best science fiction films ever made that manages to combine suspense, entertainment and authorial vision. The setting among the ice, the horror, the special effects and the rigor and wisdom of the direction in a low budget production make this film one of the unforgettable sci-fi cult films.

Additional points to consider:

• The film is a remake of the 1951 film The Thing from Another World.
• The film’s special effects were created with a combination of models, makeup, and animatronics.
• The film spawned a 2011 sequel, Prometheus.

Back to the Future (1985)

Back to the Future, released in 1985, is an American science fiction cult film directed by Robert Zemeckis and written by Bob Gale. The film stars Michael J. Fox, Christopher Lloyd, Lea Thompson, Crispin Glover, and Thomas F. Wilson. The film follows the adventures of Marty McFly, a teenager who is accidentally transported back in time to 1955.

Plot

Marty McFly is a teenager from Hill Valley, California, who lives with his parents, Lorraine and George. Marty is a fan of rock music and dreams of becoming a musician.

One night, Marty gets involved in an experiment by his friend scientist, Emmett “Doc” Brown. The experiment goes wrong and Marty is accidentally transported back in time to 1955.

In 1955, Marty meets his future father, George, who is a shy and awkward teenager. Marty helps George to win over Marty’s mother, Lorraine, who is in love with him.

Marty must also avoid meeting his future self, which could cause a temporal paradox.

In the end, Marty manages to return to the present without causing harm.

Themes

Back to the Future explores a number of themes, including:

• Time travel: The film explores the possibilities of time travel and the consequences it could have on our lives.
• Love: The film is a love story between Marty and Jennifer, a girl he meets in 1955.
• Family: The film explores the importance of family and family ties.

Reception

Back to the Future was a critical and commercial success upon its release. The film was praised for its direction, screenplay, performances, and special effects.

Legacy

Back to the Future is a cult classic that is still enjoyed by fans of science fiction. The film has had a lasting impact on popular culture, and it has been referenced in numerous other films and television shows.

Review

Even though it is a commercial film with predictable language, without artistic touches, made for an adolescent audience, it is an operation that remains in the memory. The characters, the era, the story have something special. The film seems to be the perfect mirror of an era of consumerism and escapism like the 80s

Additional points to consider:

• The film was followed by two sequels, Back to the Future Part II (1989) and Back to the Future Part III (1990).
• The film was produced by Steven Spielberg.
• The film’s score was composed by Alan Silvestri.

Aliens (1986)

Aliens, released in 1986, is an American science fiction action film directed by James Cameron and written by Cameron, David Giler, and Walter Hill. The film stars Sigourney Weaver, Bill Paxton, Michael Biehn, Lance Henriksen, Jenette Goldstein, and Carrie Henn. The film follows Ellen Ripley, a survivor of the Nostromo incident, who is sent back to LV-426 with a team of Colonial Marines to investigate the disappearance of a colony of settlers.

Plot

Ellen Ripley, a survivor of the Nostromo incident, has been in stasis for 57 years. She is awakened by the Colonial Marines, who are sent to investigate the disappearance of a colony of settlers on LV-426. Ripley reluctantly joins the Marines on their mission.

Upon arriving on LV-426, the Marines discover that the colony has been overrun by Xenomorphs, the deadly alien creatures that killed Ripley’s crew on the Nostromo. The Marines are quickly overwhelmed by the Xenomorphs, and they must retreat to their ship.

Ripley and the surviving Marines discover that the colonists were experimenting with Xenomorph embryos, and they realize that they are now trapped on the planet with a growing army of Xenomorphs.

Ripley and the Marines must fight their way back to their ship and escape LV-426 before it is too late.

Themes

Aliens explores a number of themes, including:

• The power of fear: The film explores the power of fear and how it can be used to control people. The Xenomorphs are terrifying creatures, and the Marines are constantly afraid of them. This fear makes them more vulnerable to attack.
• The importance of teamwork: The Marines must work together to defeat the Xenomorphs. If they do not work together, they will all be killed.
• The struggle for survival: The film is a story of survival, both physical and psychological. Ripley and the Marines must fight for their lives against all odds.

Reception

Aliens was a critical and commercial success upon its release. The film was praised for its action sequences, its special effects, and its performances.

Additional points to consider:

• The film was nominated for seven Academy Awards, including Best Picture and Best Director.
• The film won two Academy Awards, for Best Sound Effects Editing and Best Visual Effects.
• The film spawned two sequels, Alien 3 (1992) and Alien: Resurrection (1997).

Science Fiction Movies of the 90s

Ghost in the Shell (1995)

Ghost in the Shell, released in 1995, is a Japanese animated cyberpunk film directed by Mamoru Oshii and written by Kazunori Ito based on the manga of the same name by Masamune Shirow. The film follows Major Motoko Kusanagi, a cyborg public security agent who hunts down a mysterious hacker known as the Puppet Master.

Plot

In the year 2029, Japan has become a highly advanced technological society, where cyborgs are commonplace. Major Motoko Kusanagi is a cyborg public security agent who is assigned to investigate a series of murders committed by a mysterious hacker known as the Puppet Master.

The Puppet Master is able to hack into the minds of cyborgs and manipulate their cybernetic implants. Major Kusanagi and her team soon realize that they are dealing with a powerful and dangerous adversary.

As Major Kusanagi investigates the Puppet Master, she begins to question her own identity and existence. She is a cyborg, but she also has a human ghost, or consciousness. What does it mean to be human in a world where cyborgs are increasingly common?

Themes

Ghost in the Shell explores a number of themes, including:

• Identity: The film explores the nature of identity and what it means to be human. Major Kusanagi is a cyborg, but she also has a human ghost. What does it mean to be human in a world where cyborgs are increasingly common?
• Technology: The film explores the impact of technology on society. Technology has made great strides in the year 2029, but it has also created new problems and dangers.
• The nature of reality: The film explores the nature of reality. In a world where cyborgs and artificial intelligence are becoming increasingly sophisticated, what is the difference between reality and simulation?

Reception

Ghost in the Shell was a critical and commercial success upon its release. The film was praised for its animation, its visual style, and its philosophical themes.

Additional points to consider:

• The film was scored by Kenji Kawai, and the soundtrack is considered to be one of the best in anime.
• The film was nominated for the Grand Prize at the Annecy International Animation Film Festival.
• The film has been praised for its feminist themes.

Twelve Monkeys (1995)

Twelve Monkeys is a 1995 post-apocalyptic science fiction film, directed by Terry Gilliam and starring Bruce Willis, Brad Pitt, Madeleine Stowe, David Morse, Christopher Plummer, and Jon Seda. The film is based on the 1967 short film La jetée by Chris Marker.

Overview

In 2035, the Earth is devastated by a virus that has killed most of the world’s population. Survivors live underground in a dystopian society.

James Cole (Bruce Willis) is a convict who is sent back in time to 1996 to gather information about the virus and prevent its spread. Cole is captured and committed to a mental institution, where he meets Jeffrey Goines (Brad Pitt), a young man obsessed with a conspiracy theory about the Army of the Twelve Monkeys, a terrorist group that released the virus.

Cole escapes from the mental institution and begins to investigate the Army of the Twelve Monkeys. He discovers that the virus was created by the United States Army as a biological weapon.

Cole must find a way to stop the spread of the virus and save the Earth.

Themes

Twelve Monkeys explores a number of themes, including:

• Free will: The film explores the concept of free will and how it can be influenced by determinism. Cole is sent back in time to prevent the spread of the virus, but he soon realizes that his time travel has already been predetermined.
• The nature of reality: The film explores the nature of reality and how it can be perceived differently by different people. Cole is convinced that his time travel is real, but Goines is convinced that it is just an hallucination.
• Violence: The film explores the theme of violence and how it can be used for both good and evil purposes. The virus is a weapon of mass destruction, but Cole is willing to use it to save the Earth.

Reception

Twelve Monkeys was a critical and commercial success upon its release. The film was praised for its dark and claustrophobic atmosphere, the performances of Bruce Willis and Brad Pitt, and its philosophical insights.

Legacy

Twelve Monkeys has had a lasting impact on popular culture. The film has been referenced in numerous other films and television shows, and it has spawned a sequel, 12 Monkeys: Ressurection (2007), and a television series, 12 Monkeys (2015-2018).

Gattaca (1997)

Gattaca (1997) is a science fiction film directed by Andrew Niccol and starring Ethan Hawke, Uma Thurman, Jude Law, Gore Vidal, and Alan Arkin. The film is set in a future where genetics is used to select children before birth, determining their physical and mental characteristics.

Plot

Vincent Freeman (Ethan Hawke) is an “invalid”, born to natural parents and therefore considered inferior to “valid” humans, conceived in the laboratory. Vincent dreams of becoming an astronaut, but he knows that this is impossible for him. To achieve his dream, he decides to steal the identity of Jerome Morrow (Jude Law), a paraplegic athlete who was conceived in the laboratory.

Vincent undergoes surgery to alter his appearance and assumes Jerome’s identity. After passing all the physical and mental tests, he is hired by Gattaca Aerospace Corporation, a space exploration company that sends missions into space.

Vincent begins working for Gattaca and begins a relationship with Irene Cassini (Uma Thurman), a scientist who is also a valid. Their relationship is complicated by the fact that Vincent is hiding his true identity.

Themes

Gattaca explores a number of themes, including:

• Free will: The film explores the concept of free will and how it can be influenced by genetics. Vincent Freeman is born with a genetic defect that makes him less suited to be an astronaut. However, he is determined to achieve his dream and he is able to overcome all the challenges.
• Identity: The film explores the concept of identity and how it can be defined by genetics. Vincent Freeman is an invalid, but he feels like a valid. He is determined to prove that he can be equal to any other human being.
• Discrimination: The film explores the theme of discrimination and how it can be based on genetics. Valids are considered superior to invalids and have access to better opportunities. Vincent Freeman must face discrimination throughout his life.

Reception

Gattaca was a critical and commercial success upon its release. The film was praised for its story, performances, and its vision of the future.

Legacy

Gattaca has had a lasting impact on popular culture. The film has been referenced in numerous other films and television shows, and it has inspired a television series, Gattaca: A Human Odyssey (2019).

Dark City (1998)

Dark City (1998) is a neo-noir science fiction film directed by Alex Proyas and starring Rufus Sewell, William Hurt, Kiefer Sutherland, Jennifer Connelly, Richard O’Brien, and Ian Richardson. The screenplay was written by Proyas, Lem Dobbs, and David S. Goyer.

Overview

In the mysterious, perpetually dark city of Dark City, the citizens are unaware that their world is secretly controlled by a group of enigmatic beings known as the Strangers. The Strangers possess the ability to manipulate time and memory, and they use this power to keep the citizens trapped in a constant state of night and to erase any memories of the day.

John Murdoch (Rufus Sewell), a man who has no memory of his past, awakens in a hotel room with a strange metallic object embedded in his head. He soon discovers that he is being hunted by a group of men led by Inspector Basil Strauss (William Hurt). Murdoch also learns that he has the ability to tune into the Strangers’ frequency, which allows him to see the world as it truly is, bathed in sunlight.

As Murdoch delves deeper into the mystery of Dark City, he begins to question everything he thought he knew about himself and his world. He discovers that the Strangers are not benevolent beings, but are instead manipulating the city for their own nefarious purposes. Murdoch must use his newfound abilities to stop the Strangers and save Dark City from their clutches.

Themes

Dark City explores a number of themes, including:

• The nature of reality: The film explores the nature of reality and how it can be manipulated. The Strangers have the ability to control the citizens’ perception of reality, and they use this power to keep them in a state of ignorance.
• Identity: The film explores the concept of identity and how it can be shaped by our memories. John Murdoch has no memory of his past, and this lack of identity leaves him feeling lost and confused.
• The power of fear: The film explores the power of fear and how it can be used to control people. The Strangers use fear to keep the citizens of Dark City in line.

Pi (1998)

Pi (1998) is a science fiction film directed by Darren Aronofsky and starring Sean Gullette, Mark Margolis, Ben Shenkman, Pamela Hart, Stephen Pearlman, Joanne Gordon, and Lauren Fox.

Plot

Max Cohen (Sean Gullette) is a young mathematician who, following an accident that occurred when he was a child, suffers from epileptic seizures and severe migraines. His studies lead him to discover a number composed of 216 digits that seems to predict the stock market of New York. Max is convinced that this number contains the essence of life.

Max begins to develop a mathematical model to exploit the number to make money in the stock market. However, his model attracts the attention of a sect of Orthodox Jews who accuse him of having discovered the number of the Torah.

Max is forced to flee from the sect and takes refuge in a secret laboratory where he continues his studies. In the laboratory, Max learns of a secret project by the United States government to use the number to control the population.

Max must find a way to stop the government and save the world.

Review

A beautiful independent film from the beginning of the director’s career, with numerous philosophical elements and significant reflections on human nature, Aranofsky immediately presents himself as a director of depth, capable of exploring the experimental languages of underground cinema, and of rising to the rank of artist.

Themes

Pi explores a number of themes, including:

• The nature of reality: The film explores the nature of reality and how it can be perceived in different ways by different people. Max Cohen is convinced that the number he has discovered is the truth, but the sect of Orthodox Jews and the United States government have completely different interpretations of the number.
• The power of knowledge: The film explores the power of knowledge and how it can be used for good or evil. Max Cohen uses his knowledge of the number to make money in the stock market, but the United States government uses its knowledge of the number to control the population.
• Madness: The film explores the theme of madness and how it can be difficult to distinguish between madness and genius. Max Cohen is often considered a madman, but his theories could be true.

The Truman Show (1998)

The Truman Show (1998) is a science fiction comedy-drama cult film directed by Peter Weir and starring Jim Carrey, Laura Linney, Noah Emmerich, Ed Harris, and Natascha McElhone. The film explores the life of Truman Burbank, a man who unknowingly lives his entire life on a massive television set, with every moment of his life broadcast to a worldwide audience.

Plot

Truman Burbank is an insurance salesman who lives in the idyllic town of Seahaven Island. Truman is loved by everyone in the town, and he has a seemingly perfect life. However, Truman begins to notice strange occurrences, such as people appearing and disappearing abruptly, and objects being placed in his path. He also begins to have recurring dreams of a woman named Sylvia (Natascha McElhone), who encourages him to explore the world beyond Seahaven.

Truman’s suspicions are confirmed when he accidentally discovers a hidden door in his wall. Inside the door, he finds a staircase leading up to the sky. Truman decides to climb the stairs, hoping to find out what lies beyond Seahaven.

Meanwhile, Christof (Ed Harris), the creator of The Truman Show, is determined to keep Truman from reaching the edge of the set. Christof has been controlling Truman’s life since he was a baby, and he will stop at nothing to prevent him from discovering the truth.

Review

Despite being a film that adopts a very simple language suitable for everyone, with a series of clichés typical of commercial cinema, it addresses spiritual themes on the illusion of reality that had never been treated before with this power. A true science fiction classic.

Themes

The Truman Show explores a number of themes, including:

• The nature of reality: The film explores the nature of reality and how it can be manipulated. Truman’s entire life is a carefully constructed illusion, and he has no idea that it is not real.
• The power of media: The film explores the power of media to control our perceptions of the world. The Truman Show is a massive television production, and it is used to shape Truman’s understanding of reality.
• The importance of free will: The film explores the importance of free will. Truman has no control over his own life, and he is forced to live according to Christof’s script.

eXistenZ (1999)

eXistenZ (1999) is a science fiction film directed by David Cronenberg and starring Jennifer Jason Leigh, Jude Law, Ian Holm, Willem Dafoe, and Christopher Eccleston. The film explores the nature of reality and play, and how the two things can be intertwined.

Plot

Allegra Geller (Jennifer Jason Leigh) is a video game designer who is presenting her latest creation, eXistenZ, a virtual reality game that uses a device called a “Game Pod” that plugs directly into the player’s spinal cord. During a demonstration of the game, Allegra is attacked by a man who claims that eXistenZ is real and that Allegra is a terrorist.

Allegra and a man who introduces himself as Ted Pikul (Jude Law), a security agent for the video game company, flee from the man and set out to find another Game Pod to continue playing eXistenZ. Along the way, Allegra and Ted face a series of challenges that challenge their own reality.

Themes

eXistenZ explores a number of themes, including:

• The nature of reality: The film explores the nature of reality and how it can be perceived in different ways by different people. Allegra and Ted find themselves wondering if eXistenZ is real or not, and the film does not provide a definitive answer.
• The power of play: The film explores the power of play and how it can be used to manipulate people. eXistenZ is a game that is designed to be realistic and immersive, and the film suggests that the game can be used to confuse people about what is real and what is not.
• Identity: The film explores the concept of identity and how it can be shaped by play. Allegra and Ted find themselves having to face their fears and insecurities while playing eXistenZ, and the film suggests that the game can be used to explore the inner self.

The Matrix (1999)

The Matrix (1999) is a science fiction action film written and directed by the Wachowskis and starring Keanu Reeves, Laurence Fishburne, Carrie-Anne Moss, Hugo Weaving, Joe Pantoliano, and Morpheus. The film explores the nature of reality and how it can be manipulated by those in power.

Plot

Thomas Anderson (Keanu Reeves) is a computer hacker who leads a double life. By day, he is a mild-mannered computer programmer, but by night, he is known as “Neo”, a talented hacker who has been searching for a mysterious figure known as “Morpheus” (Laurence Fishburne).

One night, Neo is contacted by a woman named Trinity (Carrie-Anne Moss), who tells him that Morpheus wants to meet him. Morpheus reveals to Neo that the world he lives in is not what it seems. He explains that the world is actually a computer simulation called the Matrix, and that he is one of the few humans who are aware of the truth.

Morpheus offers Neo a choice: he can take a blue pill and return to his life in the Matrix, or he can take a red pill and learn the truth about the world. Neo takes the red pill, and he is awakened to the harsh reality of the world outside the Matrix.

Themes

The Matrix explores a number of themes, including:

• The nature of reality: The film explores the nature of reality and how it can be manipulated. The Matrix is a computer simulation, and it shows that our perception of reality can be controlled by those in power.
• Free will: The film explores the concept of free will. Neo is given a choice between taking the blue pill and staying in the Matrix or taking the red pill and learning the truth. This choice represents the choices we all face in life, and it suggests that we are free to choose our own destiny.
• Good versus evil: The film explores the battle between good and evil. The machines represent evil, and Neo and his crew represent good. The film suggests that good will ultimately triumph over evil.

Science Fiction Films of the 2000s

Primer (2004)

Primer is a 2004 American science fiction film written, directed, produced, and edited by Shane Carruth, who also stars in the film alongside David Sullivan. The film follows two engineers, Aaron (Carruth) and Abe (Sullivan), who accidentally create a device that allows them to travel through time.

Plot

Aaron and Abe work together at a day job, but they also run a side business out of Aaron’s garage. They are working on a device that can reduce the gravitational effects on objects. After an argument, two of their partners leave the project, leaving Aaron and Abe to continue working on it alone.

One day, Aaron accidentally discovers that their device can also be used to travel through time. He realizes that they can use their time machine to make money in the stock market. They begin by making small profits, but they soon become more adventurous and start to try to change other events.

However, Aaron and Abe soon realize that time travel is not as easy as they thought. They begin to see the consequences of their actions, and they start to lose track of what is real and what is not.

Themes

Primer explores a number of themes, including:

• The nature of time: The film explores the nature of time and how it can be manipulated. Aaron and Abe discover that time is not linear, and that it is possible to travel back in time and change the past.
• The consequences of time travel: The film explores the consequences of time travel. Aaron and Abe soon realize that their actions have unintended consequences, and that they can not change the past without also changing the future.
• The importance of knowledge: The film explores the importance of knowledge. Aaron and Abe’s knowledge of time travel gives them a great deal of power, but it also comes with a great deal of responsibility. They must be careful about what they do, because their actions can have a profound impact on the world.

Reception

Primer was a critical success upon release. The film was praised for its originality, its scientific accuracy, and its performances. It was also a commercial success, grossing over $8 million on a budget of $7,000.

Additional details that you might find interesting:

• The film was made on a very low budget of $7,000.
• Carruth wrote, directed, produced, edited, and starred in the film.
• The film was shot in Carruth’s garage.
• The film was praised for its scientific accuracy.

The Fountain (2006)

The Fountain (2006) is a science fiction film directed by Darren Aronofsky and starring Hugh Jackman, Rachel Weisz, Ellen Burstyn, Stephen McHattie, and Mark Margolis. The film is an exploration of the nature of love, life, and death, told on three distinct timelines.

Plot

Timeline 1: In the 16th century, a Spanish conquistador named Tomás Creo searches for a mythical plant that could cure his beloved wife, Isabel, who is dying of cancer.

Timeline 2: In the present, a biologist named Tommy Creo is working on a cure for cancer. He is obsessed with finding a plant that he believes could be the key to a cure.

Timeline 3: In a distant future, an astronaut named Tom Creo travels through space in search of a tree that could be the source of eternal life.

Themes

The Fountain explores a number of themes, including:

• Love: The film explores the power of love and how it can overcome any obstacle.
• Life: The film explores the mystery of life and how it can be lived to the fullest.
• Death: The film explores the meaning of death and how it can be faced.

Children of Men (2006)

Children of Men (2006) is a dystopian science fiction film directed by Alfonso Cuarón and starring Clive Owen, Julianne Moore, Michael Caine, Chiwetel Ejiofor, Pam Ferris, Charlie Hunnam, and Clare-Hope Ashitey. The film is set in a future where humanity is sterile and the world is in chaos.

Plot

In 2027, humanity has been sterile for 18 years. The world is in chaos and violence, and nations are at war for the few remaining resources.

Theo Faron (Owen) is a former political activist who now lives a solitary life in London. One day, he is contacted by Julian (Moore), an ex-wife who has become a leader of a rebel group. Julian asks Theo to help Kee (Ashitey), a young woman who is pregnant with a child, reach a group of rebels in Spain.

Theo agrees to help Kee and together they set out on a dangerous journey across England. Along the way, they encounter a series of characters, including a group of refugees, a former soldier, and a group of mercenaries.

Themes

Children of Men explores a number of themes, including:

• The nature of hope: The film explores the nature of hope in a dystopian world. Kee represents hope for the future of humanity, and her journey is a symbol of resistance and hope.
• Violence: The film explores violence as a consequence of desperation. The world of Children of Men is a violent and chaotic place, and violence is often used as a tool to gain power or resources.
• Motherhood: The film explores motherhood as an act of resistance. Kee is the only pregnant woman in the world, and her pregnancy is a symbol of hope for the future of humanity.

Reception

Children of Men was a critical and commercial success. The film was praised for its direction, performances, and dystopian vision. It was also a commercial success, grossing over $60 million worldwide.

Moon (2009)

Moon (2009) is a science fiction thriller film directed by Duncan Jones and starring Sam Rockwell, Kevin Spacey, and Laurence Fishburne. The film follows Sam Bell, an astronaut who is nearing the end of a three-year solitary stint mining helium-3 on the far side of the Moon.

Plot

Sam Bell (Sam Rockwell) is an astronaut who is nearing the end of a three-year solitary stint mining helium-3 on the far side of the Moon. His only companion is GERTY (voiced by Kevin Spacey), a sentient artificial intelligence that controls the Lunar Industries mining station.

One day, Sam is injured in an accident while operating a lunar rover. He wakes up in the station’s medical bay, with no memory of the accident or the events leading up to it. GERTY tells him that he has been unconscious for 52 days and that the accident was caused by a meteorite impact.

Sam begins to suspect that something is not right. He has been having strange dreams and hallucinations, and he feels like he is being watched. He also starts to question GERTY’s motives, and he wonders if he can trust anything that GERTY tells him.

Themes

Moon explores a number of themes, including:

• The nature of reality: The film explores the nature of reality and how it can be manipulated. Sam Bell’s memories of his life on Earth are implanted, and he is led to believe that he is a human. However, he soon learns that he is not a human, but a clone. This revelation raises questions about the nature of identity and reality.
• The ethics of cloning: The film explores the ethics of cloning. Sam Bell was created as a clone of the original Sam Bell to mine helium-3 until he died. This raises questions about the morality of creating human clones for labor or other purposes.
• The importance of free will: The film explores the importance of free will. Sam Bell is a clone, and his life has been predetermined by his creators. He is not free to make his own choices or to live his own life. This raises questions about the nature of free will and whether or not it is possible for clones to truly be free.

Reception

Moon was a critical success upon release. The film was praised for its direction, its performances, and its exploration of philosophical themes. It was also a commercial success, grossing over $53 million worldwide.

District 9 (2009)

District 9 (2009) is a South African science fiction action film written and directed by Neill Blomkamp and produced by Peter Jackson. It stars Sharlto Copley, Jason Cope, Jaqie van Rooyen, and David James. The film’s title and premise are inspired by events in Cape Town’s District Six, during the apartheid era. A viral marketing campaign for the film began in 2008 at San Diego Comic-Con, while the theatrical trailer debuted in July 2009.

Plot

In Johannesburg, South Africa, a large, alien spacecraft arrives and is quarantined in an area known as District 9. The aliens, nicknamed “prawns” by the humans, are malnourished and technologically advanced. Multi-National United (MNU), a private military corporation, is contracted to relocate the aliens to a new location outside the city.

Vikus van De Merwe, a bureaucrat at MNU, is assigned to oversee the relocation process. He soon finds himself in over his head as the prawns begin to resist eviction. Vikus is also exposed to a mysterious alien substance that begins to transform him into a prawn himself.

As Vikus’ transformation progresses, he develops a closer relationship with the prawns, particularly a prawn named Christopher Johnson. Together, they uncover a plot by MNU to exploit the prawns’ advanced technology for their own gain.

Themes

District 9 explores a number of themes, including:

• Xenophobia and racism: The film is an allegory for xenophobia and racism. The prawns are treated as second-class citizens by the humans, and they are often subjected to violence and discrimination.
• The dangers of corporate greed: The film criticizes the dangers of corporate greed. MNU is willing to do anything to exploit the prawns for their own gain, regardless of the consequences.
• The power of transformation: The film explores the power of transformation. Vikus’ transformation into a prawn forces him to confront his own prejudices and to see the world from a new perspective.

Reception

District 9 was a critical and commercial success. The film was praised for its direction, its performances, and its exploration of social and political themes. It was also a commercial success, grossing over $210 million worldwide.

Science Fiction Films of the 2010s

Under the Skin (2013)

Under the Skin (2013) is a British experimental science fiction film written and directed by Jonathan Glazer, and produced by Ridley Scott, Kevin Macdonald and Jack Walsh. It is loosely based on the 2000 novel of the same name by Michael Faber. The film stars Scarlett Johansson as a mysterious woman who lures men into her van and seduces them before disappearing with them.

Plot

A mysterious woman driving a black van cruises the roads of Scotland, picking up men and driving them to a dilapidated house. There, she seduces them and then transforms them into meat. One day, she picks up a young man who is different from the others. She begins to question her own existence and her purpose on Earth.

Themes

Under the Skin explores a number of themes, including:

• Alienation: The film explores the feeling of alienation and isolation. The woman is an alien who is trapped on Earth, and she is unable to connect with humans on a deep level.
• Identity: The film explores the nature of identity. The woman is constantly changing her appearance, and she is not sure who she really is.
• Predation: The film explores the relationship between predator and prey. The woman is a predator who hunts men, but she is also a victim of her own nature.

Reception

Under the Skin was a critical success upon release. The film was praised for its originality, its visuals, and its performances. It was also a commercial success, grossing over $40 million worldwide.

Upstream Color (2013)

Upstream Color (2013) is an American experimental science fiction drama film written and directed by Shane Carruth, who also produced, starred in, and edited the film. The film also stars Amy Seimetz, Timothy Spall, and Klea Scott. The film follows a man who is mysteriously infected with a parasite that causes him to lose his sense of identity. He meets a woman who is also infected, and together they try to understand what is happening to them and how they can cure themselves.

Plot

A man known as the Thief harvests larvae that have a strange effect on the human mind when ingested. At a club, Kris is tasered and kidnapped by the Thief. When she wakes up, she sees one of the parasites writhing beneath her skin. The woman tries to remove them using a kitchen knife, but to no avail. Later, a pig farmer named the Sampler lures Kris to his farm using infrasound, which also attracts the larvae.

The Sampler tells Kris that he has been harvesting the larvae for years and has been feeding them to his pigs, which have a strange effect on the meat. The Sampler gives Kris some of the meat, and she begins to experience strange hallucinations.

Themes

Upstream Color explores a number of themes, including:

• The nature of reality: The film explores the nature of reality and how it can be manipulated. The parasites are able to alter people’s perceptions of reality, and the film raises the question of whether or not what we see is always real.
• The importance of connection: The film explores the importance of connection with others. Kris and Jeff are able to overcome their infections because they are able to connect with each other on a deep level.
• The cyclical nature of life: The film explores the cyclical nature of life. The parasites are part of a larger cycle of life, and the film suggests that everything is interconnected.

Reception

Upstream Color was a critical success upon release. The film was praised for its originality, its visuals, and its performances. It was also a commercial success, grossing over $1 million worldwide.

Additional details that you might find interesting:

• The film was shot on a shoestring budget of $6,000.
• Carruth wrote the script for the film in just two weeks.
• The film’s soundtrack was composed by Carruth himself.

Gravity (2013)

Gravity (2013) is a 2013 American science fiction thriller film directed by Alfonso Cuarón, who also co-wrote, co-edited, and produced the film. It stars Sandra Bullock and George Clooney as American astronauts who attempt to return to Earth after the destruction of their Space Shuttle in orbit.

Plot

Dr. Ryan Stone (Sandra Bullock) is a medical engineer on her first space mission, working with veteran astronaut Matt Kowalski (George Clooney). While performing a spacewalk to upgrade the Hubble Space Telescope, a massive cloud of debris, the result of an explosion of a Russian satellite, hits the space shuttle, destroying it and killing all but Kowalski and Stone.

Kowalski and Stone use their maneuvering jets to reach the International Space Station (ISS), but it is severely damaged and soon breaks apart. Stone is ejected into space and Kowalski remains tethered to the station, but he sacrifices himself to save Stone.

Stone is left alone in space with no way to contact Earth. She has limited oxygen and no way to propel herself. She eventually comes across a Chinese space station, Tiangong, and uses a fire extinguisher to propel herself towards it.

Themes

Gravity explores a number of themes, including:

• The fragility of life: The film explores the fragility of life and how quickly it can be taken away. Stone is faced with death numerous times throughout the film, and she is constantly reminded of how fragile she is.
• The importance of hope: The film explores the importance of hope. Stone is constantly on the verge of giving up, but she never loses hope. Hope is what keeps her going, even when things seem hopeless.
• The power of human connection: The film explores the power of human connection. Stone is saved by Kowalski, and she is able to survive in space because of her training and her ability to think clearly under pressure.

Reception

Gravity was a critical and commercial success. The film was praised for its visuals, its performances, and its direction. It was also a box office success, grossing over $723 million worldwide.

Interstellar (2014)

Interstellar (2014) is a 2014 science fiction film directed by Christopher Nolan, who also co-wrote the screenplay with his brother Jonathan. It stars Matthew McConaughey, Anne Hathaway, Jessica Chastain, and Michael Caine. The film follows a group of astronauts who travel through a wormhole in search of a new home for humanity, as Earth has become uninhabitable.

Plot

In the near future, Earth is becoming increasingly uninhabitable due to blight, a global dust storm that has killed most of the planet’s crops. Joseph Cooper (Matthew McConaughey), a former NASA pilot who is now a farmer, is approached by Professor Brand (Michael Caine), who has been working on a plan to save humanity by transporting Earth’s population to a new home via a wormhole that was discovered near Saturn.

Cooper is recruited by Brand to pilot the Endurance spacecraft, which will travel through the wormhole to investigate three potentially habitable planets. Cooper leaves his young daughter, Murph, behind to embark on the mission.

The Endurance crew first travels to planet Miller’s planet, which is covered in oceans and is constantly bombarded by massive waves. The crew is able to land on the planet and explore, but they soon learn that the planet is not habitable.

Themes

Interstellar explores a number of themes, including:

• The importance of science and exploration: The film emphasizes the importance of science and exploration in finding solutions to humanity’s problems. Professor Brand’s work on wormholes and Cooper’s mission to find a new home for humanity are both examples of this.
• The power of love: The film also explores the power of love. Cooper’s love for his daughter, Murph, motivates him to embark on the mission to save humanity.
• The nature of time: The film also explores the nature of time. The crew’s experience of time dilation on Gargantua’s planet challenges our understanding of time as a linear progression.

Reception

Interstellar was a critical and commercial success. The film was praised for its visuals, its performances, and its direction. It was also a box office success, grossing over $696 million worldwide.

Annihilation (2018)

Annihilation (2018) is a 2018 science fiction film directed by Alex Garland, based on the 2014 novel of the same name by Jeff VanderMeer. The film follows a group of women who venture into an alien anomaly known as the Shimmer, where they encounter a series of strange and dangerous creatures.

Plot

Military biologist Lena (Natalie Portman) is devastated by the death of her husband Kane (Oscar Isaac), who returns home after a military mission into an alien anomaly known as the Shimmer. Kane is sick and hallucinating, and Lena decides to join a four-woman expedition to investigate the Shimmer.

The expedition is composed of Josie Radek (Tessa Thompson), a botanist; Cass Sheppard (Tuva Novotny), an anthropologist; Anya Thorensen (Gina Rodriguez), a physicist; and Ventress (Jennifer Jason Leigh), a psychologist.

The women venture into the Shimmer and soon discover that it is a dangerous and ever-changing place. They encounter a series of strange and dangerous creatures, and Lena begins to experience strange hallucinations and visions.

Themes

Annihilation explores a number of themes, including:

• The nature of reality: The film explores the nature of reality and how it can be distorted. The Shimmer is a place that challenges our understanding of reality, and the women who venture into it must confront their own fears and beliefs.
• The power of love: The film also explores the power of love. Lena’s love for Kane is what motivates her to undertake the expedition, and the love that the women share for each other helps them survive the Shimmer.
• Transformation: The film is a journey of transformation for Lena. She is forced to confront her past and her future, and she emerges from this experience as a different person.

Reception

Annihilation was a critical success. The film was praised for its visuals, its performances, and its exploration of complex themes. It was also a commercial success, grossing over $43 million worldwide.

Science Fiction Films of the 2020s

The Creator (2023)

The Creator (2023) is a 2023 American science fiction action film produced and directed by Gareth Edwards, who co-wrote the screenplay with Chris Weitz. The film stars John David Washington, Gemma Chan, Ken Watanabe, Sturgill Simpson, Allison Janney, and Madeleine Yuna Voyles.

Plot

In the near future, a war is raging between humans and robots with artificial intelligence. The robots are led by a mysterious entity known as The Creator, who is said to be invincible.

A former soldier named Joshua (John David Washington) is recruited by the human resistance to track down and kill The Creator. Joshua is joined by a team of elite operatives, including Dr. Serena Crane (Gemma Chan), a scientist who has been studying The Creator.

Joshua and his team travel to the heart of enemy territory, where they encounter a series of deadly obstacles and traps. They eventually reach The Creator’s lair, where they must confront the entity in a final showdown.

Reception

The Creator was a critical and commercial success. The film was praised for its visuals, its performances, and its exploration of complex themes. It was also a box office success, grossing over $98 million worldwide.

Roswell Delirium (2023)

Roswell Delirium is a 2023 science fiction film that reimagines the 1980s in a post-apocalyptic context. The United States has been devastated by nuclear attacks, and the population, poisoned by radiation, tries to pretend that nothing has changed. At the center of the story is Mayday, a young girl who, while trying to contact her astronaut father, stumbles upon a reality very different from the one she knows.

In this post-apocalyptic scenario, aliens, often depicted as invaders, are presented as saviors. Mayday, exposed to lethal levels of radiation, is entrusted to extraterrestrials in the hope of saving her life. The film explores themes such as survival, hope, and the relationship between humanity and the unknown.

Roswell Delirium is an independent project that has attracted attention for its originality and its ability to revisit an iconic decade like the 1980s in a completely unexpected way. Director Richard Bakewell has stated that he was inspired by his passion for the 1980s and for science fiction, creating a film that blends nostalgia and futurology.

Filming took place primarily in the United States and the film features an aesthetic reminiscent of classic 1980s science fiction films, but with a contemporary twist.

Roswell Delirium has received mixed reviews. Some critics have appreciated the originality of the idea and the film’s unsettling atmosphere, while others have found the plot underdeveloped and the acting not always convincing.

Despite the divergent opinions, the film has attracted the attention of science fiction fans and has participated in numerous film festivals. Roswell Delirium represents an interesting attempt to revisit a classic genre with a fresh and original perspective. Best Feature Film Indiecinema Film Festival 2024.