On the road movies is a term that refers to a category of films that focus on the narrative of travel and adventures along the roads. This genre emerged in cinematography as a reflection of the profound social, cultural and political transformations that have characterized the Western world over the of the 20th century. Here is an exhaustive overview of the history and key characteristics of the “on the road” genre in cinema:
1. The origins of the genre “on the road” (30s – 40s): Although the genre became especially relevant in the 50s and 60s, the first signs of movies “on the road” can be traced in works earlier ones like “Grapes of Wrath” (1940), which tells the story of a family traveling across America during the Great Depression. These early films often explored the challenges and hopes of migration and the rural environment.
2. The explosion in the 50s and 60s: It was in the 50s and 60s that the on the road movies genre gained notoriety thanks to works such as “Easy Rider” (1969). These films featured main characters taking road trips in search of personal discovery, freedom, adventure, or to escape a society they felt was oppressive.
3. Social and Cultural Context: This period saw an explosion of the counterculture and hippie movement in the United States. Road trip films reflected the aspirations of a generation seeking deeper meaning in life and direct experience. Music, sexual freedom, social criticism and the search for alternatives to the dominant culture were recurring themes.
4. Distinctive elements of the genre: On the road movies are often characterized by a series of distinctive elements, including:
- A physical and metaphorical journey: The main characters often undertake a journey that represents an internal evolution, as well as a geographical journey.
- The road as protagonist: The roads, landscapes and communities crossed become an integral part of the narrative, influencing the journey of the protagonists.
- Exploration of existential themes: On the road movies often deal with existential themes such as the search for meaning, alienation, individual freedom and identity.
- Multifaceted characters: The protagonists are often complex characters, in search of identity or fleeing from personal problems.
- Music and soundtrack: The soundtrack plays a crucial role in creating the atmosphere of the trip, often including emblematic pieces of music from the era.
5. Evolution of the genre: Over time, the on the road movies genre has continued to evolve, incorporating new themes and narrative approaches. Films like “Into the Wild” (2007) and “Wild” (2014) have added elements of adventure and survival to traditional travel themes.
6. Cultural resonance: These films often have a lasting resonance in popular culture, influencing fashion, music and the collective imagination. Some have become true cult films.
The on the road movies genre has emerged as a cinematic form that reflects profound social and cultural transformations. He explores the search for meaning and adventure through physical and metaphorical journeys, and continues to inspire filmmakers and viewers with his evocative and compelling narratives.
On the Road Movies to Watch
The Road (1954)
“The Road” is a 1954 Italian film directed by Federico Fellini. While it may not fit the modern definition of a “on the road movies,” it can be considered a precursor to this cinematic genre.
The film tells the story of Gelsomina, played by Giulietta Masina, a naive and simple young woman who is sold by her mother to Zampanò, portrayed by Anthony Quinn, a rugged and itinerant street performer. Together, they embark on a journey across Italy, performing in small towns and villages. The film explores themes of isolation, exploitation, and the search for a sense of belonging.
Although “The Road” is not a typical “on the road movies” as we know them today, it influenced the genre by addressing the themes of nomadic life and chance encounters during a journey. The film is widely regarded as one of the masterpieces of Italian cinema and gained international recognition, winning the Academy Award for Best Foreign Language Film in 1957.
Furthermore, “The Road” helped solidify Fellini’s reputation as one of the most significant directors in the history of cinema and marked the beginning of a series of iconic works in his career, many of which also explore themes of travel and the search for meaning.
Easy Rider (1969)
“Easy Rider,” released in 1969, is a classic example of an “on the road movie.” Directed by Dennis Hopper, this film has become a cultural icon and a significant moment in the history of American cinema, especially within the context of the social and cultural movements of the 1960s.
The film follows the protagonists Wyatt, nicknamed “Captain America” and portrayed by Peter Fonda, and Billy, played by Dennis Hopper, two motorcyclists who embark on a cross-country journey across America on their chopper motorcycles. Their journey symbolizes freedom and rebellion against the social and cultural norms of the time. Along the way, they encounter a series of eccentric characters and experience a variety of situations, reflecting the diversity of the American landscape and its inhabitants.
“Easy Rider” was a groundbreaking film for its time. It captured the countercultural spirit of the 1960s, with its rock’n’roll soundtrack and its portrayal of young rebels in search of authenticity and meaning in a rapidly changing America. The film is known for its iconic cinematography, memorable soundtrack, and for helping to define 1960s cinema.
In addition to being a critical and commercial success, “Easy Rider” paved the way for a new era of independent filmmaking in Hollywood. It is considered one of the most influential films in the history of cinema and represents a milestone in the portrayal of the “on the road movie” genre in cinema.
Bound for Glory (1976)
“Bound for Glory” is a 1976 film directed by Hal Ashby. It’s another notable example of an “on the road movie,” based on the real-life experiences of the American folk singer and songwriter Woody Guthrie.
The film stars David Carradine as Woody Guthrie and follows his journey during the Great Depression era as he travels across the United States, singing folk songs and documenting the struggles of the working-class people he meets. Guthrie’s music and activism are central to the film’s narrative, and it explores themes of social justice and the power of music to inspire and unite people during difficult times.
“Bound for Glory” is known for its evocative cinematography, capturing the Dust Bowl era and the landscapes of America during that period. The film won Academy Awards for Best Cinematography and Best Original Score and was nominated for several other Oscars.
It’s considered a biographical and musical “on the road movie,” showcasing Guthrie’s experiences and his contributions to American folk music and social activism. “Bound for Glory” is a tribute to Guthrie’s enduring influence on American culture and the folk music movement.
Saint Jack (1979)
“Saint Jack” is a 1979 film directed by Peter Bogdanovich, based on the novel of the same name by Paul Theroux. While it may not fit the traditional “on the road movie” genre, it does involve travel and a central character’s experiences in an exotic location.
The film is set in Singapore and follows the life of Jack Flowers, played by Ben Gazzara, an American expatriate who works as a procurer for clients seeking companionship in the city’s nightlife. Jack navigates the underbelly of Singapore’s society while interacting with various characters, including local residents, expatriates, and tourists. The film explores themes of identity, culture clash, and the complexities of human relationships.
“Saint Jack” is notable for its portrayal of Singapore and its depiction of a unique period in the city’s history. It offers a gritty and realistic view of life in Singapore during the 1970s and is regarded as a character-driven drama that delves into the complexities of the human experience.
While not a typical “on the road movie,” “Saint Jack” does involve the protagonist moving through different parts of the city and encountering a variety of people, making it a unique exploration of travel and personal experiences in an exotic setting.
Paris, Texas (1984)
“Paris, Texas” is a 1984 film directed by Wim Wenders and is considered one of the masterpieces of cinema. The film falls under the category of “on the road movies” and offers a profound exploration of themes of identity, family, and the search for a place to belong.
The story follows Travis Henderson, played by Harry Dean Stanton, a man who has been absent from his wife and son’s lives for four years and suddenly reappears in the Texas desert. Travis is suffering from amnesia and has no recollection of his past. With the help of his brother Walt, portrayed by Dean Stockwell, and in an attempt to communicate with his son Hunter, Travis embarks on a journey across Texas in search of his ex-wife Jane, played by Nastassja Kinski.
“Paris, Texas” is renowned for its stunning imagery of the Texas desert landscape, beautifully captured by the acclaimed cinematographer Robby Müller. The film is also known for its emotional soundtrack composed by Ry Cooder, which contributes to creating a unique and engaging atmosphere.
The film is an intense and poignant work that explores a man’s struggle to piece together the puzzle of his life and reconnect with his family. “Paris, Texas” is considered one of the finest examples of “on the road movies” and has garnered widespread critical acclaim for its touching storytelling and exceptional performances.
Thelma & Louise (1991)
“Thelma & Louise” is a 1991 film directed by Ridley Scott. It is a classic example of a “road movie” that tells the story of two women, Thelma and Louise, and their transformative journey.
The film stars Geena Davis as Thelma and Susan Sarandon as Louise. Thelma is a submissive housewife, and Louise is a waitress, and they decide to embark on a weekend getaway together. However, their road trip takes an unexpected turn when they become involved in a dangerous incident, forcing them to go on the run.
As Thelma and Louise travel across the American Southwest, the film explores themes of female empowerment, friendship, and rebellion against societal norms. They encounter various characters and face numerous challenges along the way, all while being pursued by law enforcement.
“Thelma & Louise” is celebrated for its strong feminist themes and its portrayal of two women breaking free from oppressive circumstances and asserting their independence. The film’s dramatic climax is iconic and has left a lasting impression on popular culture.
While “Thelma & Louise” is a “road movie,” it is also a powerful commentary on gender roles and the struggles women face in a patriarchal society. It is considered a groundbreaking film and has had a significant impact on the portrayal of women in cinema.
Little Odessa (1994)
“Little Odessa” is a 1994 crime drama film directed by James Gray. While it may not be classified as a typical “road movie,” it does depict the journey of the main character within a specific setting.
The film is set in the Brighton Beach neighborhood of Brooklyn, New York, which is often referred to as “Little Odessa” due to its large immigrant population from the former Soviet Union, particularly Ukraine. The story revolves around Joshua Shapira, played by Tim Roth, a hitman who returns to his hometown of Little Odessa to carry out a contract killing. His return to this neighborhood rekindles memories and tensions with his estranged family, particularly his younger brother, played by Edward Furlong.
“Little Odessa” explores themes of family, identity, and the consequences of a life of crime. While it is not a traditional “road movie” that involves characters traveling from one place to another, the film does depict the emotional journey of the protagonist as he grapples with his past and confronts the choices he has made.
The film received critical acclaim for its performances and its depiction of the immigrant experience in a tight-knit community. Tim Roth’s portrayal of Joshua garnered particular praise. “Little Odessa” is a character-driven drama set against the backdrop of a specific cultural enclave, making it a unique and powerful exploration of identity and personal conflict.
The Straight Story (1999)
“The Straight Story” is a 1999 film directed by David Lynch. This film is based on a true story and is known for being a unique example of a “road movie” that provides a gentle and touching view of a journey through rural America.
The film’s plot is based on the story of Alvin Straight, portrayed by Richard Farnsworth, an elderly World War II veteran who, due to health problems, decides to visit his brother Lyle, played by Harry Dean Stanton, after many years of separation. What makes this journey particularly unique is that Alvin undertakes it on a lawnmower, traveling a long distance from Iowa to Wisconsin. The film follows his journey and the people he encounters along the way.
“The Straight Story” is known for its slow and contemplative pace, as well as for the extraordinary performance by Richard Farnsworth, who was nominated for an Academy Award for his portrayal. The film explores themes of family, loss, reconciliation, and the beauty of simplicity in everyday life.
While the film doesn’t feature the typical action-packed elements of a “road movie,” it is a touching and human story that captures the essence of rural America and offers a poignant view of family bonds and the meaning of life. “The Straight Story” is considered one of David Lynch’s most unconventional and evocative works.
Amores Perros (2000)
“Amores Perros” is a 2000 film directed by Alejandro González Iñárritu and is a notable example of a “road movie.” The film is a Mexican production and has received widespread acclaim for its intricate storytelling and its portrayal of the interconnected lives of its characters.
The film’s plot is divided into three separate stories that intertwine through an initial tragic car accident. The stories follow different characters, including Octavio, played by Gael García Bernal, who is involved in underground dogfighting, and Daniel, portrayed by Álvaro Guerrero, a man trying to rebuild his life after the accident. The film explores themes of love, loss, violence, and fate as the characters’ stories unfold in various parts of Mexico City.
“Amores Perros” is known for its emotional intensity and its raw portrayal of urban life in Mexico. The film was nominated for the Academy Award for Best Foreign Language Film and received acclaim from international critics. It also marked the directorial debut of Alejandro González Iñárritu, who would go on to become one of Mexico’s most celebrated contemporary filmmakers.
The film is a powerful work that offers a complex view of urban life, human relationships, and the consequences of the characters’ choices. Its intricate narrative structure and distinctive visual style make it a significant contribution to contemporary cinema.
Y Tu Mamá También (2001)
“Y Tu Mamá También” is a 2001 Mexican film directed by Alfonso Cuarón. This coming-of-age road trip movie is known for its exploration of youth, sexuality, and the complexities of human relationships against the backdrop of a road journey through the Mexican countryside.
The film stars Gael García Bernal and Diego Luna as Julio and Tenoch, two teenage friends from Mexico City who embark on a road trip to a remote beach with Luisa, played by Maribel Verdú, an older woman they meet at a family wedding. As the trio travels across Mexico, they engage in a journey of self-discovery, exploring their desires and navigating the dynamics of their evolving friendship and relationships with each other and Luisa.
“Y Tu Mamá También” is celebrated for its candid portrayal of sexuality and its social commentary on Mexico’s political and economic landscape. The film uses the road trip as a metaphor for the characters’ journey into adulthood and self-awareness, as well as a means to explore the diverse regions and people of Mexico.
Alfonso Cuarón’s direction, along with the outstanding performances of the cast, contributed to the film’s critical acclaim and success. It was nominated for the Academy Award for Best Original Screenplay and received accolades at various film festivals.
The movie is recognized for its bold storytelling and is considered a significant work in Mexican cinema that captures the spirit of youth and the complexities of life’s transitions.
The Motorcycle Diaries (2004)
“The Motorcycle Diaries” is a 2004 film directed by Walter Salles, and it is indeed a classic example of a “road movie.” The film is based on the real-life journey of two young friends, Ernesto “Che” Guevara and Alberto Granado, as they embark on a road trip across South America in 1952.
The story follows Ernesto Guevara, portrayed by Gael García Bernal, who would later become the famous revolutionary figure Che Guevara, and his friend Alberto Granado, played by Rodrigo de la Serna. They set out on a journey of self-discovery and adventure, traveling on a motorcycle named “La Poderosa” (The Mighty One) through several South American countries, including Argentina, Chile, Peru, and Venezuela.
“The Motorcycle Diaries” is not just a travelogue but also a social and political awakening for Che Guevara. During their journey, the two friends encounter poverty, injustice, and inequality, which profoundly impact their perspectives and future paths in life. The film explores themes of friendship, idealism, and the transformation of a young man who would go on to become a major figure in the Cuban Revolution.
The film is celebrated for its beautiful cinematography and its exploration of the landscapes and cultures of South America. It offers a glimpse into the early life and experiences of Che Guevara before he became a revolutionary icon.
“The Motorcycle Diaries” is a heartfelt and thought-provoking “road movie” that not only captures the spirit of adventure but also sheds light on the socio-political issues of the time, making it a compelling and significant film.
Sideways (2004)
“Sideways” is a 2004 film directed by Alexander Payne. While it’s not a traditional “on the road movie,” it does involve a road trip through California wine country and explores themes of friendship, wine, and mid-life crisis.
The film follows two friends, Miles Raymond, played by Paul Giamatti, and Jack Cole, played by Thomas Haden Church, who embark on a wine-tasting journey in the Santa Ynez Valley wine country in California, shortly before Jack’s wedding. Miles is an aspiring writer and a wine connoisseur, while Jack is an actor and a playboy. As they visit various wineries, their friendship is tested, and they encounter a variety of characters along the way.
“Sideways” is known for its witty and insightful screenplay, as well as its exploration of the complexities of adult relationships and personal aspirations. It received critical acclaim and won several awards, including the Academy Award for Best Adapted Screenplay.
The film uses the road trip as a backdrop to delve into the lives of its characters and their struggles with love, ambition, and the passage of time. “Sideways” is celebrated for its humor, character development, and its portrayal of the California wine culture. It has become a beloved film in the realm of independent cinema.
Broken Flowers (2005)
“Broken Flowers” is a 2005 film directed by Jim Jarmusch. While it’s not a traditional “on the road movie,” it does involve a journey, both physical and emotional, undertaken by the main character.
The film stars Bill Murray as Don Johnston, a wealthy retiree who receives an anonymous letter informing him that he has a 19-year-old son who may be looking for him. Intrigued and somewhat disoriented by this revelation, Don embarks on a cross-country journey to visit his former lovers from decades ago in an attempt to uncover the identity of his son.
As Don revisits these women, played by a cast that includes Sharon Stone, Frances Conroy, Jessica Lange, and Tilda Swinton, he encounters a variety of personalities and experiences. The film explores themes of nostalgia, regret, and the passage of time, as Don reflects on his past relationships and contemplates the possibilities of his future.
“Broken Flowers” is known for its understated and introspective style, as well as Bill Murray’s subtle and nuanced performance. It received critical acclaim and won the Grand Prix at the Cannes Film Festival.
While not a traditional road trip film, “Broken Flowers” is a meditative exploration of one man’s personal journey and his search for meaning and connection in his life. Jim Jarmusch’s direction and the film’s unique storytelling approach contribute to its distinct appeal.
Little Miss Sunshine (2006)
“Little Miss Sunshine” is a 2006 comedy-drama film directed by Jonathan Dayton and Valerie Faris. While it’s not a traditional “on the road movie,” the film does revolve around a family’s road trip to a beauty pageant, and it explores themes of family dysfunction, perseverance, and the pursuit of dreams.
The story centers on the Hoover family, which includes Olive, a young and determined girl played by Abigail Breslin, who dreams of winning the “Little Miss Sunshine” beauty pageant. When Olive qualifies for the competition, her quirky and dysfunctional family embarks on a journey in their yellow Volkswagen Microbus from Albuquerque, New Mexico, to Redondo Beach, California, to support her.
The Hoover family members each have their own idiosyncrasies and challenges, and the road trip forces them to confront their individual and collective issues. The film offers a humorous yet poignant exploration of family dynamics and the lengths they go to for each other.
“Little Miss Sunshine” received critical acclaim for its witty and heartfelt storytelling, as well as its ensemble cast, which includes Greg Kinnear, Toni Collette, Steve Carell, and Alan Arkin. It won two Academy Awards, including Best Supporting Actor for Alan Arkin.
The film is known for its memorable characters and its examination of the idea that success and happiness can be found in unexpected places. It has become a beloved classic in the realm of independent cinema.
Into the Wild (2007)
“Into the Wild” is a 2007 film directed by Sean Penn, and it falls into the category of “on the road movies.” It’s an adaptation of Jon Krakauer’s non-fiction book of the same name and tells the true story of Christopher McCandless, a young man who left behind his conventional life to embark on a journey of self-discovery into the wilderness of North America.
The film stars Emile Hirsch as Christopher McCandless, who renames himself “Alexander Supertramp” and donates his savings to charity before setting out on a cross-country journey. He hitchhikes through the United States, ultimately heading into the wilderness of Alaska. Along the way, he encounters various people and experiences that shape his understanding of the world.
“Into the Wild” explores themes of freedom, isolation, self-reliance, and the search for a deeper meaning in life. It delves into the complexities of McCandless’s character, his relationships with the people he meets on his journey, and the consequences of his choices.
The film is known for its stunning cinematography and its emotional depth. It received critical acclaim and was nominated for two Academy Awards. The story of Christopher McCandless has resonated with audiences worldwide, making “Into the Wild” a thought-provoking and moving exploration of the human spirit and the desire for adventure and meaning.
The Darjeeling Limited (2007)
“The Darjeeling Limited” is a 2007 film directed by Wes Anderson. It falls into the category of “on the road movies” and is known for its distinctive visual style and quirky storytelling.
The film follows three estranged brothers, Francis, Peter, and Jack Whitman, played by Owen Wilson, Adrien Brody, and Jason Schwartzman, respectively, as they embark on a train journey through India. The brothers are attempting to reconnect after the death of their father and their strained relationships with each other. Their trip on the Darjeeling Limited train becomes a metaphorical and literal journey of self-discovery, forgiveness, and reconciliation.
Wes Anderson’s signature style is evident throughout the film, with its meticulously composed shots, deadpan humor, and use of color. The movie combines elements of comedy and drama as the brothers encounter various characters and situations on their journey.
While “The Darjeeling Limited” may not be as straightforward as some road trip films, it is a reflection on family dynamics, personal growth, and the search for meaning in life. The train journey serves as a backdrop for the brothers to confront their past and work through their issues, making it a unique and visually captivating entry in the “on the road” genre.
On the Road (2012)
“On the Road” is a 2012 film directed by Walter Salles, and it is based on the classic novel of the same name by Jack Kerouac. This film is a prime example of an “on the road movie” as it explores the themes of freedom, rebellion, and self-discovery through a series of journeys taken by the central characters.
The story is set in the 1950s and follows the adventures of Sal Paradise, played by Sam Riley, and Dean Moriarty, played by Garrett Hedlund, two friends who embark on a cross-country road trip across America. Their journey is a quest for freedom and a rejection of societal norms, mirroring the experiences of the Beat Generation writers, including Jack Kerouac and Allen Ginsberg.
As Sal and Dean traverse the United States, they encounter a variety of characters, including Marylou, played by Kristen Stewart, and Carlo Marx, based on Allen Ginsberg and played by Tom Sturridge. The film captures the spirit of spontaneity and hedonism that defined the Beat Generation and their search for authenticity in a conformist society.
“On the Road” is known for its evocative cinematography and its portrayal of the counterculture movement of the 1950s. It explores themes of personal liberation, creativity, and the pursuit of the American Dream, making it a quintessential “on the road” film that pays homage to the iconic novel by Jack Kerouac.
Tracks (2013)
“Tracks” is a 2013 film directed by John Curran, and it’s based on the memoir of the same name by Robyn Davidson. While not a traditional “on the road movie,” it does focus on a long and challenging journey undertaken by the main character.
The film tells the true story of Robyn Davidson, portrayed by Mia Wasikowska, a young woman who embarks on a remarkable journey across the Australian desert in the late 1970s. With her faithful dog and four camels, Robyn sets out to travel over 1,700 miles from Alice Springs to the Indian Ocean.
“Tracks” explores themes of solitude, self-discovery, and the connection between humans and nature. Along her journey, Robyn encounters various challenges, including harsh weather conditions, encounters with indigenous people, and personal introspection.
The film is known for its beautiful cinematography and its portrayal of the Australian Outback’s vast and unforgiving landscapes. It also delves into the psychological and emotional aspects of embarking on such an arduous and solitary journey.
While “Tracks” may not fit the traditional mold of an “on the road movie,” it shares common themes of self-discovery and adventure that are often associated with this genre. The film provides a captivating and introspective look at one woman’s extraordinary journey across the wilderness.
Road 47 (2013)
“Road 47” is a 2013 Brazilian war film directed by Vicente Ferraz. It’s a lesser-known war film set during World War II, and while it involves a journey, it’s not a traditional “on the road movie.”
The film is set in Italy during the later stages of World War II and follows a group of Brazilian soldiers known as the Smoking Snakes, who were sent to join the Allied forces in the Italian campaign. Their mission is to fight alongside the American troops and liberate the Italian town of Montese from German occupation.
While the film involves a journey through the war-torn Italian countryside, it primarily focuses on the soldiers’ experiences during combat, their camaraderie, and the challenges they face on the battlefield. It explores themes of patriotism, courage, and the brutal realities of war.
“Road 47” sheds light on a lesser-known aspect of World War II history, highlighting the contribution of Brazilian soldiers to the Allied effort. While it may not fit the traditional mold of an “on the road movie,” it offers a unique perspective on a specific historical period and the struggles faced by soldiers in a war-torn landscape.
Wild (2014)
“Wild” is a 2014 film directed by Jean-Marc Vallée and based on Cheryl Strayed’s memoir “Wild: From Lost to Found on the Pacific Crest Trail.” It is a prime example of an “on the road movie” as it follows the transformative journey of the main character along the Pacific Crest Trail.
The film stars Reese Witherspoon as Cheryl Strayed, a woman who, after a series of personal tragedies and destructive behavior, decides to embark on a solo hike along the Pacific Crest Trail, a long-distance hiking trail that stretches over 2,600 miles from the U.S.-Mexico border to the U.S.-Canada border. Cheryl’s journey is a physical and emotional challenge as she confronts the wilderness, her past mistakes, and her inner demons.
“Wild” explores themes of self-discovery, healing, and redemption. As Cheryl hikes through the breathtaking but unforgiving landscapes of the Pacific Crest Trail, she meets fellow hikers, faces dangerous situations, and reflects on her life choices. The film interweaves her present-day journey with flashbacks to her troubled past, offering insights into the reasons behind her decision to undertake this arduous adventure.
Reese Witherspoon’s performance received critical acclaim and earned her several award nominations, including an Academy Award for Best Actress.
“Wild” is a powerful and emotionally resonant “on the road movie” that showcases the transformative power of nature and the human spirit. It captures the essence of Cheryl Strayed’s real-life journey of self-discovery and personal growth along the Pacific Crest Trail.
Thelma (2017)
“Thelma” is a 2017 Norwegian supernatural thriller film directed by Joachim Trier. While it’s not a traditional “on the road movie,” it explores the journey of self-discovery and self-acceptance undertaken by the main character, Thelma.
The film follows Thelma, portrayed by Eili Harboe, a young woman who leaves her strict and religious family to attend university in Oslo. As she begins her studies, Thelma experiences a series of unsettling and supernatural events that suggest she possesses extraordinary powers. She also enters into a romantic relationship with another woman, which conflicts with her conservative upbringing.
“Thelma” delves into themes of identity, sexual awakening, and the clash between personal desires and societal expectations. As Thelma grapples with her newfound abilities and her feelings for her girlfriend, she embarks on an internal and emotional journey of self-discovery.
The film is known for its atmospheric cinematography and its exploration of psychological and supernatural elements. It offers a unique take on the coming-of-age and supernatural thriller genres, making it a thought-provoking and visually striking film.
While “Thelma” may not fit the conventional mold of an “on the road movie,” it is a journey of personal transformation and self-realization that resonates with audiences.
